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Events
  • Michael Joyce

    Sep 17| Lectures
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    Otis Books/Seismicity Editions is pleased to publish Twentieth-Century Man by Michael Joyce. Starting with a disappearance, Twentieth-Century Man contemplates issues imbedded in aging, memory, language, family, and even life and death, covering and uncovering many profound mysteries.

  • Alice Konitz

    Sep 18| Lectures
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    Graduate Fine Arts, Visiting Artist Lecture Series presents artist, Alice Konitz.

    Thursday, September 18th 11:115am - 12:30pm

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

    Image from alicekonitz.com

     

  • High&Low Bureau is a curatorial duo composed of Yael Messer and Gilad Reich. They curate exhibitions, film programs, performative events and publications, while engaging with a plethora of disciplines, media and modes of artistic expression.Their curatorial practice is dedicated to the exploration of artistic strategies that reflect on, and suggest alternatives to, specific social-political conditions.

  • Los Angeles is a city often described as having no center. Its art community has turned that "disadvantage" into an advantage and given itself a license for adventure. Organizations, galleries, and artists find decentralization to be an exciting option and they establish their addresses in unexpected neighborhoods and zones in the city and even beyond, in other cities and states. What are the challenges and advantages of this programmatic and conceptual strategy? What are the risks, to organization and audience alike? Is this necessary, and if so, is it sustainable?

  • Fritz Haeg

    Sep 25| Lectures
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    Image: Fritz Haeg, working to install the Edible Estate #12 garden in Budapest, 2012. Photo: Andras Kare.

    Graduate Fine Arts, Visiting Artist Lecture Series presents artist, Fritz Haeg.

    Thursday, September 25th 11:15am - 12:30pm

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

  • David Schafer

    Sep 30| Lectures
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    David Schafer is a visual and sound artist working in sculpture, sound, sound, performance, and works on paper. His work is concerned with the structures, translation, and intelligibility, of language and architecture. Schafer has shown nationally and internationally and has received several public commissions. Most recently he has had one-person shows at Studio10 gallery in Bushwick, Brooklyn, NY, and Glendale College Art Gallery, Glendale, CA.

  • Sarah Manguso

    Oct 01| Lectures
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    Sarah Manguso is the author, most recently, of The Guardians: An Elegy for a Friend, named one of the top ten books of the year by Salon. Her previous book, the memoir The Two Kinds of Decay, was named an Editors’ Choice by the New York Times Sunday Book Review and short-listed in the UK for the Wellcome Trust Book Prize and long-listed for the Royal Society Winton Prize. Her other books include the story collection Hard to Admit and Harder to Escape, and the poetry collections Siste Viator and The Captain Lands in Paradise.

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Matt Warren '06 MFA

Dec 16, 2013
China trip
Spotlight Category: Alumni
In May 2011, I participated in BASEbeijing, a program es tablished by L.A.-based architects Robert Mangurian and Mary-Ann Ray, to document the changing face of rural China, and provide alternatives and possibilities for new and sustainable environments. The association with BASE provided an opportunity to become part of an authentic, little-seen part of China for eight weeks, where we could build on already-established foundations. A tourist who happened on these rural villages two hours north of the city would likely be met with an air of hostility and intrigue.
 
With two students from Tulane University, I examined the public spaces in the village in terms of their social routines and interactions. The village resembled a ghost town for much of the day, as it consisted of elderly residents whose children live and work in the city, and grandchildren who board at school during the week. Although this lack of energy added to the tranquil setting, it also reflected its social environment. Residents worked in the fields from dawn until dusk and, with no commu nal spaces in which to mingle after dark, returned to their respective homes. The prospect of entertaining friends and neighbors did not seem to be culturally significant. The idea of isolation was prominent, both in geographical location and social interaction.
 
During our visits, we observed a solitary pillow that followed the shade, traversing the alleyways and streets to accommodate the seldom-seen residents during intervals of relaxation. Public space grew out of simple necessity and comfort. This pillow, made out of a recycled pair of pants, became an icon and generator of place. Building on their traditions, we imagined that introducing more pillows could help to create a gathering and communal space. We produced 40 pillows from images we had taken, printed them on canvas, and stuffed them with peppercorn seeds and recycled plastic bags. We presented the pillows to the residents on our last trip, along with a slideshow of images and videos of the village, for them to gain insight of their home through our alien eyes. The pillows represented our collaborative time spent in the village as a souvenir, but not in the form of an intrusive construct that would ultimately become unwanted and unused. Some images were specific to particular locations, others were portraits of individuals or transcripts of a conversation. Ultimately, they were offerings of thanks for allowing us to share their village life.
 
The BASE experience also offered an insight into rapid urban development and an opportunity to be part of the Beijing art scene, through meetings with such well-known artists as Ai Weiwei, Wang Quingsong, and He Yungchang. Our studio was based in Caochangdi, a prominent arts district, and despite the demanding schedule there was time to explore Forbidden Cities and climb Great Walls. My favorite souvenir is my Chinese name that translates, depending on whom you ask, as ‘Space cowboy, riding on the open plain howling at moon.' 
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