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Events
  • Otis Radio Olympics

    May 03| Special Event
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    Otis Radio students Bree Miller, Natasha Carovska and Rania Ann Zahir present Otis Radio Olympics.

    Play Games and Win Prizes!

    Come join them outside to relieve your stress from finals by playing Musical Chairs, Red Light Green Light, Simon Says, and other beloved childhood games.  Or listen to the live broadcast on 96.1FM.

  • Graduate Public Practice 
    2016 MFA Degree Presentations

    Henderson Blumer
    Jeanette Degollado
    Margarethe Drexel
    Tonya Ingram
    Jenny Kane
    Shefali Mistry
    Beth Ann Morrison
    Catherine SCOTI Scott
     

    EXHIBITIONS AND EVENTS:

     
    Tuesday May 3, 7 – 9:00 p.m. 

    Shefali Mistry leads Michelada Think Tank event on artists of color

  • For decades, the Los Angeles–based artist Lita Albuquerque has blurred distinctions between Land art and Light and Space on increasingly grander scales, whether it be building installations surrounding the pyramids in Egypt or placing sculptures across Antarctica to mirror the formation of the stars. Her cosmic explorations continue with two new bodies of work that are currently being shown at Kohn Gallery in Hollywood, from January 9 through February 27, 2016, and at USC’s Fisher Museum of Art, from January 26 through April 10, 2016.

  • Karaoke Kart

    May 05| Special Event
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    Otis Radio students, Caroline Dillon, Ibrahim Ghulam and Forouzan Safari, present The Karaoke Kart! Join them for a sing-a-long on the 4th floor of Ahmanson, or listen to the live radio broadcast in the Cafe (or on 96.1 FM).

  • Otis Fine Arts presents For The Time Being, the 2016 BFA Senior Exhibition. The show will run May 9-15 with a public reception on Saturday, May 14, 6-9 pm.

O-Tube

Barry Le Va

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Barry Le Va ('64, MFA Fine Arts '67), born in 1941 in Long Beach, studied architecture and math before Otis, where he first “knocked art off the pedestal,” exhibiting directly on the floor.

In his work, broken glass, meat cleavers, wool felt, ball bearings, a typewriter and a gun, are all scattered elements of a composition that he likens to music. At first glance, these “distributions,” as he calls them, appear to be random, even chaotic. In fact, as his drawings attest, the installations are executed according to a language that has developed out of his study of architecture. Space, presence, volume, form, force fields, relations, and tension are key elements. The actual process of making is key: bullets fly against the wall, making marks, glass is shattered, ball bearings roll across the floor making dotted lines.

In 2005, the Institute of Contemporary Art organized the first major survey of Le Va’s work in ten years. His work has been exhibited throughout the world, and is included in major museums such as the Museum of Modern Art, N.Y. and the Whitney Museum.

Click here for more information.

 

 

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