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Events
  • You are invited to a Movies that Matter Special Screening of the powerful new film shaping the debate about rape on college campuses, The Hunting Ground, on Tuesday, September 15 at 7:15 PM in the Otis Forum.  The Hunting Ground is a startling exposé of sexual assaults on U.S. colleges, institutional cover-ups and the brutal social toll on the victims and their families from the Academy Award-nominated filmmaking team of Kirby Dick and Amy Ziering.
  • Otis Books is pleased to publish Tim Erickson’s debut collection of poetry, Egopolis, a textual journey through destruction, resistance, city, and the Ego, from ancient times to the present day. Erickson’s work has appeared in the Chicago Review, Western Humanities Review, and the Salt Anthology of New Writing. He lives in Salt Lake City.

  • The Architecture/Landscape/Interiors Department at OTIS College of Art and Design is pleased to announce a lecture by 

  • Otis Graduate Writing students will read from their works-in-progress.

  • Exquisite Beauty is the first retrospective and publication to document the eye-dazzling ceramics created by Ralph Bacerra (1938–2008), a Los Angeles–based artist known for his innovative approach to surface embellishment. Curated by Jo Lauria, the exhibition features more than ninety of the artist’s finest pieces—dramatic, highly decorated vessels and sculptures that have never before been the focus of a major exhibition or publication.

  • Opening Reception for Ralph Bacerra: Exquisite Beauty

  • Sunday, September 27, 2pm, Free
    Symposium: Centered on Clay

    Keynote speaker: Kathy Butterly
    East Los Angeles College | Rosco C Ingalls Auditorium | 1301 Avenida Cesar Chavez, Monterey Park, CA 91754 | 323.265.8650


    A symposium in conjunction with the exhibition Ralph Bacerra: Exquisite Beauty
    September 26 – December 6, 2015

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Barry Le Va

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Barry Le Va ('64, MFA Fine Arts '67), born in 1941 in Long Beach, studied architecture and math before Otis, where he first “knocked art off the pedestal,” exhibiting directly on the floor.

In his work, broken glass, meat cleavers, wool felt, ball bearings, a typewriter and a gun, are all scattered elements of a composition that he likens to music. At first glance, these “distributions,” as he calls them, appear to be random, even chaotic. In fact, as his drawings attest, the installations are executed according to a language that has developed out of his study of architecture. Space, presence, volume, form, force fields, relations, and tension are key elements. The actual process of making is key: bullets fly against the wall, making marks, glass is shattered, ball bearings roll across the floor making dotted lines.

In 2005, the Institute of Contemporary Art organized the first major survey of Le Va’s work in ten years. His work has been exhibited throughout the world, and is included in major museums such as the Museum of Modern Art, N.Y. and the Whitney Museum.

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