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Events
  • Angie Kim

    MFA Exhibition: SAME

    Reception Thursday, Feb 6th, 6-9 pm

  • Amy Adler

    Feb 03| Lectures
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    Amy Adler graduated from Cooper Union and received an MFA in Visual Art from UCLA and an MFA in Cinematic Arts from USC. She has had one person shows at the Museum of Contemporary Art Los Angeles, the Museum of Contemporary Art San Diego and The Aspen Art Museum as well as galleries worldwide. 
     
  • same / mfa THESIS EXHIBITION 



    Angie Kim

    Exhibition, February 2 - 8, 2015 

    Reception, February 5, 6:00 - 9:00pm
 

    
Map of Location

     
  • Walk-thru the exhibition Shhhh led by the artist Angie Bray. Gain insight into Bray's work and to the exhibition, and hear about her process, materials, and philosophies on art-making and on quieting, listening, and looking.

  • Alex Israel

    Feb 10| Lectures
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    The work of Alex Israel is deeply entwined with his hometown of Los Angeles. The artist creates art that riffs on Hollywood culture and the cult of celebrity. His first major body of work consisted of rented studio props, transformed into readymades by their placement in the gallery—some blatantly obvious in their artificiality. He gave celebrities the same treatment in the video series “As It Lays”, video portraits based on campy TV talk shows.
  • Menno Cruijsen, Lava Design
    February 12, 12:30-1:30, Ahmanson 6th floor

    Lava was founded in 1990 by creative director Hans Wolbers (the Netherlands, 1965). The current team consists of 10 talented designers and three projectmanagers. The agency is focused on creative strategy, editorial design and dynamic identities.

    http://www.lava.nl

  • MAKING SENSE / Thesis Exhibition 



    Exhibition, February 16 - 21, 2015 

    Reception, February  19, 6:00 - 9:00pm
 

    
Map of Location

     

    

Website: www.rachelwolfe.com | Blog: howlya.tumblr.com

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Barry Le Va

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Barry Le Va ('64, MFA Fine Arts '67), born in 1941 in Long Beach, studied architecture and math before Otis, where he first “knocked art off the pedestal,” exhibiting directly on the floor.

In his work, broken glass, meat cleavers, wool felt, ball bearings, a typewriter and a gun, are all scattered elements of a composition that he likens to music. At first glance, these “distributions,” as he calls them, appear to be random, even chaotic. In fact, as his drawings attest, the installations are executed according to a language that has developed out of his study of architecture. Space, presence, volume, form, force fields, relations, and tension are key elements. The actual process of making is key: bullets fly against the wall, making marks, glass is shattered, ball bearings roll across the floor making dotted lines.

In 2005, the Institute of Contemporary Art organized the first major survey of Le Va’s work in ten years. His work has been exhibited throughout the world, and is included in major museums such as the Museum of Modern Art, N.Y. and the Whitney Museum.

Click here for more information.