Events
  • Viet Thanh Nguyen’s bestselling novel The Sympathizer won the 2016 Pulitzer Prize for Fiction, the First Novel Prize from the Center for Fiction, and a Carnegie Medal from the American Library Association. It was also a finalist for the PEN/Faulkner Award and the PEN/Robert W. Bingham Prize for Debut Fiction. Nguyen is also the author of Race and Resistance: Literature and Politics in Asian America and Nothing Ever Dies: Vietnam and the Memory of War.

  • Tonya Foster

    Sep 21| Lectures
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    Poet Tonya Foster is the author of the collection A Swarm of Bees in High Court. Her work has appeared in nocturnes, Callaloo, Traffic, Gulf Coast, and other journals. Her essays have appeared in NY Arts Magazine, NYFA Quarterly and The Poetry Project Newsletter. A co-editor of Third Mind: Teaching Creative Writing Through Visual Art, Foster teaches at California College of the Arts and lives in the Bay Area.

  • Steven Ehrlich and Frederick Fisher will present their firms’ collaboration as EHRLICH | FISHER on Otis College’s new Goldsmith Campus Academic Building and Residence Hall. The campus-wide expansion and renovation project includes a new academic building, 300-seat Forum (the venue for this lecture), café and dining commons, Student Life Center, and residence hall.

     

  • Opening Reception

    Sep 24| Special Event
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    New York-based artist Polly Apfelbaum’s work has situated itself as a hybrid of painting, sculpture, and installation over a career spanning 30 plus years. Exploring the intricacies of color, Apfelbaum weaves her way, both literally and conceptually, through ideas of Minimalism, Pop aesthetics, and Color Field painting to blur the lines between two and three dimensional art making.

  • Artist Polly Apfelbaum in conversation with Connie Butler, within Apfelbaum's exhibition Face (Geometry) (Naked) Eyes.

     

  • John Keene

    Oct 05| Lectures
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    John Keene is the author of the novels Annotations and Counternarratives, as well as several other works, including the poetry collection Seismosis, with artist Christopher Stackhouse, and a translation of Brazilian author Hilda Hilst's novel Letters from a Seducer. The recipient of a Whiting Award, Keene has been a member of the Dark Room Writers Collective and a Cave Canem fellow. He has served as the managing editor of Callaloo and taught at Northwestern. He currently teaches at Rutgers University-Newark and lives in New York.

  • Artist Polly Apfelbaum in conversation with David Pagel, within Apfelbaum's exhibition Face (Geometry) (Naked) Eyes.

     

O-Tube

Billy Al Bengston

Billy Al BengstonBilly Al BengstonBilly Al BengstonBilly Al Bengston

 

Billy Al Bengston ('57) was born in 1934 at Dodge City, Kansas. From 1953 to 1957 he studied art in Los Angeles and San Francisco, finishing at the Los Angeles County Art Institute (now Otis College of Art and Design.) He had his first one-person exhibition at the Ferus Gallery in 1958. His mentor at Otis, Peter Voulkos, taught his students to defy standardized rules about making art. Unlike Voulkos, who worked in ceramics, Bengston decided early on to paint.

Bengston began to develop a style involving centralized imagery such as the heart or iris within a square. At the same time, he adopted the tools and materials of the automobile and motorcycle customizer: industrial lacquers and the spray gun. Throughout the 1960's, he used chevrons or sergeant stripes, first with oil on masonite paintings and later in "Dentos," a series using dented and defiled aluminum sheets.

According to art historian Andrew Perchuk, he is one of a number of “West Coast artists, including Robert Irwin and Ken Price, who were instrumental in redefining the terms of artistic identity in the early '60s by insisting that subcultural affinities and leisure-time activities (surfing, car customizing) were at the foundation of their artistic personas.”

http://www.patriciafauregallery.com/nav/a_bengston.html
http://lacma.wordpress.com/2010/02/08/stephanie-barron-on-billy-al-bengston/

 

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