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  • Rendering female models and celebrities on large-scale canvases and with quick, expressive brushstrokes, painter Katherine Bernhardt examines representations of beauty in mainstream media and fashion photography. She paints her subjects with severe, exaggerated features and emaciated limbs that sometimes morph into abstraction, recalling the works of Pablo Picasso. “Some people ask if I hate the models I paint,” she says. “I say no, I don't hate them.

  • UpCycle Day 2014!

    Sep 03| Special Event
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    Join us for the 3rd Annual UpCycle Day!

    Learn about the Resource Exchange

    Bring your excess supplies and materials to share and trade. 

    Stock up for the school year with Free supplies and materials. 

    Help divert our collective waste from ending up in landfills.

     

  • Forrest Gander

    Sep 03| Lectures
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    Otis Books/Seismicity Editions is pleased to publish Panic Cure: Poetry from Spain for the 21st Century, an anthology of poems from eleven contemporary Spanish poets, active from the 1960s through the present. Selected and translated by Forrest Gander, Panic Cure is notable for its impressive range of poetic voices.

  • Jan Brandt

    Sep 04| Lectures
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  • Joel Kyack

    Sep 09| Lectures
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    JOEL KYACK Lives and works in Los Angeles.

    ghebaly.com/artists/joel-kyack

  • A dynamic portrait of the life of computer prodigy Aaron Swartz who championed free speech and data sharing, this must-see documentary premiered at the 2014 Sundance Film Festival in Park City, Utah and was the opening night film at the 2014 Hot Docs International Film Festival in Toronto, Canada. 

    We're excited the film’s director Brian Knappenberger will be our special guest speaker for the Q & A moderated by Movies that Matter series producers Judy Arthur and Perri Chasin after the screening. 

  • Koenraad Dedobbeleer lives and works in Brussels.

     

O-Tube

Camille Rose Garcia

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Camille Rose Garcia ('92) has built an acclaimed body of work that has been exhibited at the Merry Karnowsky Gallery and the Grand Central Art Station (CSU, Fullerton) in Los Angeles, the Roq la Rue Gallery in Seattle, and the Jonathan LeVine Gallery in N.Y.C.

Often using narrative and fairytale structures, her work is recognized by its gorgeously eerie dystopias. Her upbringing in the shadow of Disneyland and sunny Orange County fueled her disenchantment with society, leading her toward subversive art and music.

Influenced by authors Phillip K. Dick and William Burroughs, as well as politically conscious bands like The Clash and Dead Kennedys, Garcia’s depictions of cartoon children living in wastelands are critical commentaries on the failures of capitalism. Her works examine themes of decadence, denial and illusion within the framework of Empire.

Regarding her brutally honest work, Garcia notes, “The Earth is older than humans and will rebound, but the fate of our species seems to be precarious at best. I try to be positive and use humor in my work, even while knowing this.”

Garcia's work has appeared in Modern Painters, Juxtapoz, Rolling Stone, Flaunt, and Blab magazines, and in The Saddest Place on Earth. Her work is in the permanent collections of LACMA and the San Jose Museum of Art.

One reviewer of her book succinctly reports that “Nightmarish and beautiful, [Garcia is] one of the most unique and hauntingly original artists of our time.”

www.camillerosegarcia.com