Events
  • Sitting in Sound

    Jul 15| Special Event
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    Jesse Fleming, A Theory of Everything, 2015, Installation view.
     
  • Opening Reception

    Jul 15| Special Event
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    L: Nora Slade, Kate Mouse Mickey Moss, 2014, Photo transfer and fabric paint on sweatshirt, cardboard and found objects. R: Marisa Takal, I Love My Sister, 2016, Oil on canvas, 65 x 50 inches.

    Opening Reception for the two-person exhibition of work by the Los Angeles-based artists Nora Slade and Marisa Takal

    Light snacks and refreshments.

    Exhibition on view July 15 - August 19, 2017.

    Bolsky Gallery located across from Ben Maltz Gallery, ground floor, Galef Center for Fine Arts.

  • Amelia Gray is the author of the short story collections AM/PM, Museum of the Weird, and Gutshot, as well as the novels Threats and, most recently, Isadora, published by Farrar, Straus and Giroux. Her fiction and essays have appeared in The New Yorker, the New York Times, the Wall Street Journal, Tin House, and VICE. She is winner of the New York Public Library Young Lions Award, of FC2's Ronald Sukenick Innovative Fiction Prize, and a finalist for the PEN/Faulkner Award. 

  • Image: BijaRi, On the rooftops of Santa Domingo-Savio neighborhood as part of the project Contando con Nosotros, 2011

  • Luis J. Rodriguez was Los Angeles Poet Laureate from 2014-2016. The twenty-fifth edition of his first book, Poems Across the Pavement, won a 2015 Paterson Award for Sustained Literary Achievement. He has written fourteen other books of poetry, children’s literature, fiction, and nonfiction, including the best-selling memoir Always Running: La Vida Loca: Gang Days in L.A. Rodriguez is also founding editor of Tia Chucha Press and co-founder of Tia Chucha’s Centro Cultural & Bookstore in the San Fernando Valley. In 2016 Tia Chucha Press produced the largest anthology of L.A.-area poets, Coiled Serpent: Poets Arising from the Cultural Quakes & Shifts of Los Angeles. Rodriguez’s last memoir It Calls You Back: An Odyssey Through Love, Addiction, Revolutions, and Healing was a finalist for the 2012 National Book Critics Circle Award. His latest poetry collection Borrowed Bones appeared in 2016 from Curbstone Books/Northwestern University Press.

  • Raised in Philadelphia, with roots in South Africa and Trinidad, Zinzi Clemmons’ writing has appeared in Zoetrope: All-Story, Transition, The Paris Review Daily, and elsewhere. She has received fellowships and support from the MacDowell Colony, Bread Loaf, the Fine Arts Work Center in Provincetown, and the Kimbilio Center for African American Fiction. She is co-founder and former Publisher of Apogee Journal, and a Contributing Editor to LitHub. She teaches literature and creative writing at the Colburn Conservatory and Occidental College. Her debut novel, What We Lose, as well as a second title, are forthcoming from Viking.

  • Louise Sandhaus is a graphic designer and graphic design educator. She was previously Director of the Graphic Design Program at CalArts where she currently is faculty. Her recent book on California graphic design, Earthquakes, Mudslides, Fires and Riots: California and Graphic Design 1936-1986, co-published by Metropolis Books and Thames & Hudson, has received laudatory reviews from The New York Times, The Guardian, Eye, and Creative Review. The book received the Palm d’Argent for best art book at FILAF (International Festival of Art Books and Films on Art).

O-Tube

Danny Phillips and Kim Karlsrud

Danny Phillips and Kim Karlsrud

 

Phillips ('08 Architecture/Landscape/Interiors) and Karlsrud ('07 Product Design) met when they were students, and started their Greenaid project, Guerrilla Gardening, shortly after graduating. “Johnny Appleseeds for the 21st Century” is how Fast Company described their seed bomb project, a grass roots campaign to raise public awareness as well as reveal and remedy issues of spatial inequity. Across Los Angeles and in Europe, Greece, Canada and Mexico, residents find repurposed gum ball machines that dispense seed bombs (a mixture of clay, compost, and seeds), for 25 cents, and toss them into derelict urban spaces such as vacant lots and median strips. Karlsrud and Phillips co-founded COMMONstudio, a design practice that has "an interdisciplinary approach to objects, systems, tools, and spaces, with an emphasis on urban ecology, social enterprise, and adaptive reuse."

They returned to Otis to teach “Design for Social Impact,” in which students sourced local materials and industrial scraps, conducted lifecycle analyses, and creatively employed the ethics and aesthetics of “doing more with less.” Site partners included TOMS Shoes and the Boys and Girls Club in East L.A. As Karlsrud explains, “It’s no longer about designers going into third world countries and working with craft communities to make $3,000 coffee mugs.” Instead, students used reclaimed materials from the garment district or bike shop inner tubes, and transformed them functionally and aesthetically.

In 2011, they collaborated with classmate Aaron Maninang ('07 Fashion Design), a designer at Brooklyn Industries, to create the Seed Dress and Seed Bracelet for Earth Day. They received a Core 77 award for their Educational Initiative D3 (Dream It, Design it, Do It) at Nightingale Middle School, Cypress Park, L.A.

 

 

Otis College Ranked 6th in Nation by The Economist