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Events
  • Michael Joyce

    Sep 17| Lectures
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    Otis Books/Seismicity Editions is pleased to publish Twentieth-Century Man by Michael Joyce. Starting with a disappearance, Twentieth-Century Man contemplates issues imbedded in aging, memory, language, family, and even life and death, covering and uncovering many profound mysteries.

  • Alice Konitz

    Sep 18| Lectures
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    Graduate Fine Arts, Visiting Artist Lecture Series presents artist, Alice Konitz.

    Thursday, September 18th 11:115am - 12:30pm

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

    Image from alicekonitz.com

     

  • High&Low Bureau is a curatorial duo composed of Yael Messer and Gilad Reich. They curate exhibitions, film programs, performative events and publications, while engaging with a plethora of disciplines, media and modes of artistic expression.Their curatorial practice is dedicated to the exploration of artistic strategies that reflect on, and suggest alternatives to, specific social-political conditions.

  • Los Angeles is a city often described as having no center. Its art community has turned that "disadvantage" into an advantage and given itself a license for adventure. Organizations, galleries, and artists find decentralization to be an exciting option and they establish their addresses in unexpected neighborhoods and zones in the city and even beyond, in other cities and states. What are the challenges and advantages of this programmatic and conceptual strategy? What are the risks, to organization and audience alike? Is this necessary, and if so, is it sustainable?

  • Fritz Haeg

    Sep 25| Lectures
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    Image: Fritz Haeg, working to install the Edible Estate #12 garden in Budapest, 2012. Photo: Andras Kare.

    Graduate Fine Arts, Visiting Artist Lecture Series presents artist, Fritz Haeg.

    Thursday, September 25th 11:15am - 12:30pm

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

  • David Schafer

    Sep 30| Lectures
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    David Schafer is a visual and sound artist working in sculpture, sound, sound, performance, and works on paper. His work is concerned with the structures, translation, and intelligibility, of language and architecture. Schafer has shown nationally and internationally and has received several public commissions. Most recently he has had one-person shows at Studio10 gallery in Bushwick, Brooklyn, NY, and Glendale College Art Gallery, Glendale, CA.

  • Sarah Manguso

    Oct 01| Lectures
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    Sarah Manguso is the author, most recently, of The Guardians: An Elegy for a Friend, named one of the top ten books of the year by Salon. Her previous book, the memoir The Two Kinds of Decay, was named an Editors’ Choice by the New York Times Sunday Book Review and short-listed in the UK for the Wellcome Trust Book Prize and long-listed for the Royal Society Winton Prize. Her other books include the story collection Hard to Admit and Harder to Escape, and the poetry collections Siste Viator and The Captain Lands in Paradise.

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Dean Tavoularis

Dean TavoularisDean TavoularisDean Tavoularis

 

Identifying Dean Tavoularis (‘55, Fine Arts) as Francis Ford Coppola’s production designer does not fully encapsulate his design career in and beyond Hollywood. His rich collaboration with Coppola led to such classics as The Godfather films, Apocalypse Now, The Conversation, One From the Heart, Rumble Fish, The Outsiders, Tucker, and New York Stories.

According to Tavoularis, “when I was young, I attended art school, [but] there were no film schools to speak of then, though this was L.A. I went to movies and lost myself in them. Their settings registered but I was not aware of art direction in film and I never said to myself: “This is what I want to do.”

“Very often with Dean,” remembers Coppola, “even early on when I didn’t know if I agreed with him, I learned that his instincts were very good and that later on I would like very much his idea even if it wasn’t immediately something I liked."

Other directors with whom Dean collaborated on his more than 30 films and five Academy Award nominations include Arthur Penn (Bonnie and Clyde), Michelangelo Antonioni (Zabriske Point), Roman Polanski (The Ninth Gate), Wim Wenders (Hammet) and Warren Beatty (Bullworth).

“He attained a higher reality, that of poetry,” notes writer Jean-Paul Scarpitta. “Any form of spectacle is for him a visual feast, a challenge, and a source of inspiration. In his art, he doesn’t dwell on magic, visual deception, optical illusion, or unreality... His penetrating eyes allow him to watch and feel things deeply, which leads him to capture what others are not privy to see: the gimmicks, the artifices, the tricks, the element of life upon which the veil of illusion is cast. In his mind there is a clear parallel between painting and cinema, in that he considers one and the other as different yet compatible means to create an illusory world which only exists in a dimension of its own."