Events
  • Mining fields like education, cinema, psychology, literature and art history Anna Craycroft examines cultural models for fostering individuality. Through drawings, paintings, videos, sculptures, furniture, installations, books, workshops, or curatorial projects she works thematically on a single thesis over a series of exhibitions.

  • In his lecture, Laurence Rickels reenters the exchange between Walter Benjamin and Alexander Mette, which led to Mette’s review of Ursprung des deutschen Trauerspiels in Imago and brought Benjamin to consider the clinical picture of schizophrenia, the topic of Mette’s dissertation-book, which he in turn reviewed.

  • Artist Anna Craycroft, of the current exhibition Tuning the Room in Ben Maltz Gallery, in discussion with artist and curator Micah Silver.

  • Emily Thorpe's art work addresses the twisting formation of memory through spatial relations and moments of domesticity. She will be presenting a solo exhibition for her Graduate Thesis at The Bolsky Gallery, Otis College of Art & Design, on view February 20 to February 25, 2017. There will be a closing reception on Saturday, February 25, 6-9pm.

  • Solmaz Sharif

    Mar 01| Lectures
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    Solmaz Sharif’s first collection, Look, was recently published by Graywolf Press and is a 2016 National Book Award finalist. Her poetry has appeared in the New Republic, Granta, Poetry, and other journals. Her first collection, Look, was recently published by Graywolf Press. A former Stegner Fellow, she is currently a lecturer at Stanford University and lives in the Bay Area.

  • Brendan Folwer was born 1978, Berkeley, California and lives and works in Los Angeles. His solo exhibitions include New Portraits (2017), Richard Telles Fine Art, Los Angeles, Portraits (2016), Mathew, New York and New Pictures, Six Sampler Works, and Benches (2015), Richard Telles Fine Art, Los Angeles.

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Dean Tavoularis

Dean TavoularisDean TavoularisDean Tavoularis

 

Identifying Dean Tavoularis (‘55, Fine Arts) as Francis Ford Coppola’s production designer does not fully encapsulate his design career in and beyond Hollywood. His rich collaboration with Coppola led to such classics as The Godfather films, Apocalypse Now, The Conversation, One From the Heart, Rumble Fish, The Outsiders, Tucker, and New York Stories.

According to Tavoularis, “when I was young, I attended art school, [but] there were no film schools to speak of then, though this was L.A. I went to movies and lost myself in them. Their settings registered but I was not aware of art direction in film and I never said to myself: “This is what I want to do.”

“Very often with Dean,” remembers Coppola, “even early on when I didn’t know if I agreed with him, I learned that his instincts were very good and that later on I would like very much his idea even if it wasn’t immediately something I liked."

Other directors with whom Dean collaborated on his more than 30 films and five Academy Award nominations include Arthur Penn (Bonnie and Clyde), Michelangelo Antonioni (Zabriske Point), Roman Polanski (The Ninth Gate), Wim Wenders (Hammet) and Warren Beatty (Bullworth).

“He attained a higher reality, that of poetry,” notes writer Jean-Paul Scarpitta. “Any form of spectacle is for him a visual feast, a challenge, and a source of inspiration. In his art, he doesn’t dwell on magic, visual deception, optical illusion, or unreality... His penetrating eyes allow him to watch and feel things deeply, which leads him to capture what others are not privy to see: the gimmicks, the artifices, the tricks, the element of life upon which the veil of illusion is cast. In his mind there is a clear parallel between painting and cinema, in that he considers one and the other as different yet compatible means to create an illusory world which only exists in a dimension of its own."

 

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