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  • Rendering female models and celebrities on large-scale canvases and with quick, expressive brushstrokes, painter Katherine Bernhardt examines representations of beauty in mainstream media and fashion photography. She paints her subjects with severe, exaggerated features and emaciated limbs that sometimes morph into abstraction, recalling the works of Pablo Picasso. “Some people ask if I hate the models I paint,” she says. “I say no, I don't hate them.

  • UpCycle Day 2014!

    Sep 03| Special Event
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    Join us for the 3rd Annual UpCycle Day!

    Learn about the Resource Exchange

    Bring your excess supplies and materials to share and trade. 

    Stock up for the school year with Free supplies and materials. 

    Help divert our collective waste from ending up in landfills.

     

  • Forrest Gander

    Sep 03| Lectures
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    Otis Books/Seismicity Editions is pleased to publish Panic Cure: Poetry from Spain for the 21st Century, an anthology of poems from eleven contemporary Spanish poets, active from the 1960s through the present. Selected and translated by Forrest Gander, Panic Cure is notable for its impressive range of poetic voices.

  • Jan Brandt

    Sep 04| Lectures
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  • Joel Kyack

    Sep 09| Lectures
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    JOEL KYACK Lives and works in Los Angeles.

    ghebaly.com/artists/joel-kyack

  • A dynamic portrait of the life of computer prodigy Aaron Swartz who championed free speech and data sharing, this must-see documentary premiered at the 2014 Sundance Film Festival in Park City, Utah and was the opening night film at the 2014 Hot Docs International Film Festival in Toronto, Canada. 

    We're excited the film’s director Brian Knappenberger will be our special guest speaker for the Q & A moderated by Movies that Matter series producers Judy Arthur and Perri Chasin after the screening. 

  • Koenraad Dedobbeleer lives and works in Brussels.

     

O-Tube

Derek Thompson

Derek Thompson

 

Derek Thompson (’94) first learned to tell stories in his major, Illustration. Many years later, as storyboardist for Pixar’s WALL-E, he and his team turned out more than 157,00 drawings. His early career included stints as a freelancer at Electronic Arts, Dark Horse Comics and Maverick Studios before he joined Industrial Light and Magic, and then Pixar in 2005. He finds the collective studio experience exciting, stating “The storyboard artist has to wear a lot of hats, thinking like a director, actor, editor, cinematographer, production designer, art director, and more. Then you have to be able to draw your ideas to communicate them.”

Since the age of five, Thompson has been obsessed with drawing dinosaurs and monsters. In a recent workshop on character and creature development he led with more than 150 Otis students, the topic was the psychology of fear. He reviewed the students’ sketches of aliens, bugs, and dark closets, and explored with them ways to create pathos and emotional responses using characters and narrative.

photo: Debby Coleman