• Todd Gray

    Oct 25| Lectures

    Todd Gray was born in 1954 in Los Angeles. Gray received an MFA and a BFA from California Institute of the Arts and is currently a professor at California State University, Long Beach. He has shown performance work at REDCAT (Roy and Edna Disney CalArts Theater), Los Angeles (2010); California African American Museum, Los Angeles (2009); the Commons, New York University (2008); 18th Street Arts Center, Santa Monica (2008); New Renaissance Theater, Syracuse, NY (2007); and Academy of Media Arts, Cologne (2004).

  • Ruby Neri is a sculptor, painter, and former street artist from San Francisco and Los Angeles, California, known for her evocative portrayal of horses.

  • Otis in NYC
    October 27, 2016 
    6 - 8 pm 
    Franklin Parrasch Gallery
    53 East 64 Street
    New York, NY 10065

    Otis College President Bruce W. Ferguson is coming to NYC! 
    Please come say hello and visit with your fellow alumni and friends of Otis College of Art and Design.
    Drinks and hors d'oeuvres.


  • Lecture takes place at 356 S. Mission Rd., co-presented with Ben Maltz Gallery in conjunction with the exhibition Polly Apfelbaum: Face (Geometry) (Naked) Eyes.

    New York-based critic and independent curator Bob Nickas presents his musings on one hundred paintings, choosing one from each year from 1915-2015.

  • Bob Nickas

    Oct 31| Lectures

    Bob Nickas is a critic and independent curator based in New York, having organized more than ninety exhibitions since 1984.
    He was Curatorial Advisor at P.S.1/MoMA in New York between 2004-07, where his exhibitions include: 
    Lee Lozano: Drawn From Life; 
    William Gedney—Christopher Wool: Into the Night; 
    Stephen Shore: American Surfaces; 
    Wolfgang Tillmans: Freedom From The Known. 

  • Looking at the recent works of Sebastian Stumpf one finds an interplay between performance and the recording of performance, between the execution of a physical act and the documentation of it by means of a camera. [He] operates in two distinct realms: in the empty spaces of contemporary art institutions and in urban settings with their preexisting orders. […] An inconspicuous architectural detail suddenly becomes the catalyst for a physical exploit…. The art gallery becomes a space for action.

  • Passionate Voices Expressed in Sound Bearing Plastic: An Evening with Collector Richard Shelton


Eduardo Sarabia

Eduardo SarabiaEduardo SarabiaEduardo SarabiaEduardo Sarabia


Eduardo Sarabia ('99), born in L.A., lives in Berlin and Guadalajara. His work honors and mocks his Latino heritage through exposing Mexican cultural clichés about drug smuggling, banditry, and the import/export of tawdry contraband. He stages semifictional events, for which he creates the fake evidence: handcrafted ceramic objects, drawings, paintings, photographs, and sculptures. An installation titled “A Thin Line between Love and Hate” (2005) juxtaposed shipping boxes screenprinted with “Maizena,” “Producto de Colima”) and the containers’ “real” contents—blue-and-white Chinese-style vases decorated with images of pinup girls, marijuana leaves, rifles, and skulls.

At Salon Aleman, in Berlin, created for curator Anton Vidokle's Unitednationsplaza, patrons drank the artist’s Sarabia tequila. Playing on the stereotype of Latinos as cantina dwellers, Sarabia exposed the symbiosis between the third-world poverty of rural agave farming and tequila production and the first-world market economy. His work blends humor and absurdity, reinforcing the importance of considering the physical and human consequences of economic forces.


top right: "The Gift," Installation at Whitney Museum Biennial, 2008

bottom left: “A Thin Line between Love and Hate," 2005

bottom right: Babylon Bar, 2006



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