Events
  • Mining fields like education, cinema, psychology, literature and art history Anna Craycroft examines cultural models for fostering individuality. Through drawings, paintings, videos, sculptures, furniture, installations, books, workshops, or curatorial projects she works thematically on a single thesis over a series of exhibitions.

  • In his lecture, Laurence Rickels reenters the exchange between Walter Benjamin and Alexander Mette, which led to Mette’s review of Ursprung des deutschen Trauerspiels in Imago and brought Benjamin to consider the clinical picture of schizophrenia, the topic of Mette’s dissertation-book, which he in turn reviewed.

  • Artist Anna Craycroft, of the current exhibition Tuning the Room in Ben Maltz Gallery, in discussion with artist and curator Micah Silver.

  • Emily Thorpe's art work addresses the twisting formation of memory through spatial relations and moments of domesticity. She will be presenting a solo exhibition for her Graduate Thesis at The Bolsky Gallery, Otis College of Art & Design, on view February 20 to February 25, 2017. There will be a closing reception on Saturday, February 25, 6-9pm.

  • Solmaz Sharif

    Mar 01| Lectures
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    Solmaz Sharif’s first collection, Look, was recently published by Graywolf Press and is a 2016 National Book Award finalist. Her poetry has appeared in the New Republic, Granta, Poetry, and other journals. Her first collection, Look, was recently published by Graywolf Press. A former Stegner Fellow, she is currently a lecturer at Stanford University and lives in the Bay Area.

  • Brendan Folwer was born 1978, Berkeley, California and lives and works in Los Angeles. His solo exhibitions include New Portraits (2017), Richard Telles Fine Art, Los Angeles, Portraits (2016), Mathew, New York and New Pictures, Six Sampler Works, and Benches (2015), Richard Telles Fine Art, Los Angeles.

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Gajin Fujita

Gajin FujitaGajin FujitaGajin Fujita

 

Born in 1972 to Japanese parents, Gajin Fujita ('97) wasted no time in establishing himself in the world of art, first while honing his style as a graffiti artist on the streets of East Los Angeles, and later at L.A. Louver and museums such as LACMA, Kemper Museum of Contemporary Art (Kansas City) and several international venues in Switzerland, Greece, and Belgium.

Luckman Gallery Director Julie Joyce said of Fujita's work, "His striking color and gold leaf panels depict the same distinguished, mythological figures that may be found in the venerated Japanese tradition of tattoo art as well as ukiyo-e prints - images distributed to the masses in the Edo period yet which resonate today with amazing magnificence."

Fujita blends Eastern techniques (anime, partitioned screens), and elements (geishas, warriors, demons), with Western, urban imagery (Latino graffiti, U.S. pop culture imagery) in a way that is stunning and vibrant, yet harmonious.

His startling works embody the cultural and class contradictions that are an integral part of urban Los Angeles. He constantly explores how artistic traditions are both maintained and altered as they move across stylistic and national borders.

According to the artist himself, "I kind of look at myself as a hip-hopper, the way of a DJ would sample all sorts of great music from the past - sounds and beats. I'm just doing it with visuals."

www.lalouver.com

 

 

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