• Todd Gray

    Oct 25| Lectures

    Todd Gray was born in 1954 in Los Angeles. Gray received an MFA and a BFA from California Institute of the Arts and is currently a professor at California State University, Long Beach. He has shown performance work at REDCAT (Roy and Edna Disney CalArts Theater), Los Angeles (2010); California African American Museum, Los Angeles (2009); the Commons, New York University (2008); 18th Street Arts Center, Santa Monica (2008); New Renaissance Theater, Syracuse, NY (2007); and Academy of Media Arts, Cologne (2004).

  • Ruby Neri is a sculptor, painter, and former street artist from San Francisco and Los Angeles, California, known for her evocative portrayal of horses.

  • Otis in NYC
    October 27, 2016 
    6 - 8 pm 
    Franklin Parrasch Gallery
    53 East 64 Street
    New York, NY 10065

    Otis College President Bruce W. Ferguson is coming to NYC! 
    Please come say hello and visit with your fellow alumni and friends of Otis College of Art and Design.
    Drinks and hors d'oeuvres.


  • Lecture takes place at 356 S. Mission Rd., co-presented with Ben Maltz Gallery in conjunction with the exhibition Polly Apfelbaum: Face (Geometry) (Naked) Eyes.

    New York-based critic and independent curator Bob Nickas presents his musings on one hundred paintings, choosing one from each year from 1915-2015.

  • Bob Nickas

    Oct 31| Lectures

    Bob Nickas is a critic and independent curator based in New York, having organized more than ninety exhibitions since 1984.
    He was Curatorial Advisor at P.S.1/MoMA in New York between 2004-07, where his exhibitions include: 
    Lee Lozano: Drawn From Life; 
    William Gedney—Christopher Wool: Into the Night; 
    Stephen Shore: American Surfaces; 
    Wolfgang Tillmans: Freedom From The Known. 

  • Looking at the recent works of Sebastian Stumpf one finds an interplay between performance and the recording of performance, between the execution of a physical act and the documentation of it by means of a camera. [He] operates in two distinct realms: in the empty spaces of contemporary art institutions and in urban settings with their preexisting orders. […] An inconspicuous architectural detail suddenly becomes the catalyst for a physical exploit…. The art gallery becomes a space for action.

  • Passionate Voices Expressed in Sound Bearing Plastic: An Evening with Collector Richard Shelton


George Chann

George ChannGeorge ChannGeorge ChannGeorge Chann


George Chann (‘45, Fine Arts) was born in Canton, China in 1913 and at age twelve, he emigrated with his father to California. With a solid training in Impressionist techniques, Chann painted poor blacks, Chinese, and Mexicans, especially the aged and the orphaned. He is best known for Chinese calligraphy-incorporated abstract expressionist paintings, which he began producing in the ‘50s.

His own art gallery displayed not only his own work, but also jewelry and Chinese artifacts, including calligraphy and rubbings taken from oracle bones, bronze vessels and steles. Chann worked every day at the easel in the back room of his shop for 40 years, though he sold little of his work. After he died in 1995, his social realist paintings gained recognition.

Chann's first posthumous exhibitiion took place in Taipei in 2000. Earllier exhibitions include the California Art Club, 1941 (solo); CPLH, 1942, 1944 (solos); LACMA, 1942 (solo), 1943; De Young Museum, 1944 (solo); and Foundation of Western Art (LA), 1945. His work was also featured at the Shanghai Art Museum in China in the fall of 2005.

A series of Chann’s paintings involved scenes from the Bible. He donated 250 works to the Crystal Cathedral in Orange County, where they are permanently displayed.


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