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Events
  • Otis Fine Arts hosts a Visiting Artist lecture series featuring Matthew Brandt, a Los Angeles-based artist. Read more about him here.
    Contact: Soo Kim, skim@otis.edu
  • Otis Fine Arts hosts a Visiting Artist lecture series featuring Kerry Tribe, an artist working primarily in film, video, and installation. Read more about her here
     
    Contact: Soo Kim, skim@otis.edu
  • You are invited to a Movies that Matter Special Screening of the powerful new film shaping the debate about rape on college campuses, The Hunting Ground, on Tuesday, September 15 at 7:15 PM in the Otis Forum.  The Hunting Ground is a startling exposé of sexual assaults on U.S. colleges, institutional cover-ups and the brutal social toll on the victims and their families from the Academy Award-nominated filmmaking team of Kirby Dick and Amy Ziering.
  • Otis Books is pleased to publish Tim Erickson’s debut collection of poetry, Egopolis, a textual journey through destruction, resistance, city, and the Ego, from ancient times to the present day. Erickson’s work has appeared in the Chicago Review, Western Humanities Review, and the Salt Anthology of New Writing. He lives in Salt Lake City.

  • The Architecture/Landscape/Interiors Department at OTIS College of Art and Design is pleased to announce a lecture by 

  • Otis Fine Arts hosts a Visiting Artist lecture series featuring Hassan Khan, an artist who lives and works in Cairo, Egypt. Read more about him here.

     

    Contact: Soo Kim, skim@otis.edu

  • Otis Graduate Writing students will read from their works-in-progress.

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Harwell Hamilton Harris

Harwell Hamilton HarrisHarwell Hamilton Harris

 

Born in Redlands, California in 1903, Harwell Hamilton Harris ('23) created a very personal Southern California architectural style that carefully modulated interior and exterior space. He began his studies at Pomona College but dropped out to study sculpture at the Otis Art Institute. In 1928, he began working with architect Richard Neutra with whom he was associated until 1932.

Adopting Neutra's modernist sensiblity, Harris merged the vernacular of California with a sensitivity to site and materials characteristic of the American Arts & Crafts movement. In his residential work of the 1930s and 1940s, Harris created a tension and a continuum between exterior and interior with continuous rooflines. Learning from Frank Lloyd Wright, he designed interior spaces that are often based on the cruciform plan. His work is characterized by a careful use of materials and clean, fluid spaces.