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Events
  • Eileen Cowin

    Nov 25| Lectures
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    Eileen Cowin is an artist who sees living as a means to break boundaries, and psychology as a way to confront us with strange attitudes or to implicate us in seemingly self-imposed spatial confinements. –Art Papers April 2007 by Eve Wood

     

  • enneagram

    Nov 25| Exhibition
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    Enneagram is a group show of work by Fine Arts seniors.  Exhibting artists include Austin Mathew, David Klein, Veronica Marshall, Liliana Sanchez, So Jung Tak, Jose Zuniga, Lauren Bowering, Mohsen Manzoor and Justin Wilson.  The show will open with a reception on Tuesday, November 25, 6-8 pm.

  • Creative Action and the Otis Radio class present weekly broadcasts each Monday.

  • Objects In Crisis is a series of two-person exhibitions by students in the Photography 3 class. 

     

    Exhbition 1--November 18-22:  Greg Toothacre and Lani De Soto

    Reception: Thursday, November 20 @ 6 pm

     

    Exhibition 2--December 2-6:  Allison Mogan and Tia Chen

    Reception:  Thursday, December 4 @ 6 pm

     

    Exhibition 3--December 8-12: Yijia Liu and Cara Friedman

  • Mary Alinder

    Dec 02| Lectures
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  • Professor Julia Czerniak is educated in both architecture and landscape architecture, and serves as Associate Dean at the School of Architecture at Syracuse University. Through her own design practice, CLEAR, and most recently as the former inaugural Director of UPSTATE: Syracuse’s SOA’s Center for Design, Research and Real-Estate, Julia’s  research and practice draw on the intersection of landscape and architecture.

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Harwell Hamilton Harris

Harwell Hamilton HarrisHarwell Hamilton Harris

 

Born in Redlands, California in 1903, Harwell Hamilton Harris ('23) created a very personal Southern California architectural style that carefully modulated interior and exterior space. He began his studies at Pomona College but dropped out to study sculpture at the Otis Art Institute. In 1928, he began working with architect Richard Neutra with whom he was associated until 1932.

Adopting Neutra's modernist sensiblity, Harris merged the vernacular of California with a sensitivity to site and materials characteristic of the American Arts & Crafts movement. In his residential work of the 1930s and 1940s, Harris created a tension and a continuum between exterior and interior with continuous rooflines. Learning from Frank Lloyd Wright, he designed interior spaces that are often based on the cruciform plan. His work is characterized by a careful use of materials and clean, fluid spaces.