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Events
  • Otis Fine Arts hosts a Visiting Artist lecture series featuring Matthew Brandt, a Los Angeles-based artist. Read more about him here.
    Contact: Soo Kim, skim@otis.edu
  • Otis Fine Arts hosts a Visiting Artist lecture series featuring Kerry Tribe, an artist working primarily in film, video, and installation. Read more about her here
     
    Contact: Soo Kim, skim@otis.edu
  • You are invited to a Movies that Matter Special Screening of the powerful new film shaping the debate about rape on college campuses, The Hunting Ground, on Tuesday, September 15 at 7:15 PM in the Otis Forum.  The Hunting Ground is a startling exposé of sexual assaults on U.S. colleges, institutional cover-ups and the brutal social toll on the victims and their families from the Academy Award-nominated filmmaking team of Kirby Dick and Amy Ziering.
  • Otis Books is pleased to publish Tim Erickson’s debut collection of poetry, Egopolis, a textual journey through destruction, resistance, city, and the Ego, from ancient times to the present day. Erickson’s work has appeared in the Chicago Review, Western Humanities Review, and the Salt Anthology of New Writing. He lives in Salt Lake City.

  • The Architecture/Landscape/Interiors Department at OTIS College of Art and Design is pleased to announce a lecture by 

  • Otis Fine Arts hosts a Visiting Artist lecture series featuring Hassan Khan, an artist who lives and works in Cairo, Egypt. Read more about him here.

     

    Contact: Soo Kim, skim@otis.edu

  • Otis Graduate Writing students will read from their works-in-progress.

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John Altoon

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John Altoon ('49) was an important presence in the L.A. art scene of the 1950s and '60s. As a member of the Ferus Gallery (Venice) group, he applied an expressionistic style to painting the bohemian life of the city streets and beaches. Among other members of this group were Edward Kienholz and Robert Irwin ('50).

According to the New York Times’ Grace Glueck, “In the last years of his short life, the California painter John Altoon (1925-69) broke out of the free-wheeling West Coast mode of Abstract Expressionism to zero in on more personal images -- some dreamy, others explicitly sexual, still others biomorphic doodles -- that floated through his fantasy.” (2/25/05)

An exhibition of his work was held at the Museum of Contemporary Art, San Diego, in 1997, curated by Hugh M. Davies and Andrea Hales.


http://www.otis.edu/alumni/john-altoon