• Todd Gray

    Oct 25| Lectures

    Todd Gray was born in 1954 in Los Angeles. Gray received an MFA and a BFA from California Institute of the Arts and is currently a professor at California State University, Long Beach. He has shown performance work at REDCAT (Roy and Edna Disney CalArts Theater), Los Angeles (2010); California African American Museum, Los Angeles (2009); the Commons, New York University (2008); 18th Street Arts Center, Santa Monica (2008); New Renaissance Theater, Syracuse, NY (2007); and Academy of Media Arts, Cologne (2004).

  • Ruby Neri is a sculptor, painter, and former street artist from San Francisco and Los Angeles, California, known for her evocative portrayal of horses.

  • Otis in NYC
    October 27, 2016 
    6 - 8 pm 
    Franklin Parrasch Gallery
    53 East 64 Street
    New York, NY 10065

    Otis College President Bruce W. Ferguson is coming to NYC! 
    Please come say hello and visit with your fellow alumni and friends of Otis College of Art and Design.
    Drinks and hors d'oeuvres.


  • Lecture takes place at 356 S. Mission Rd., co-presented with Ben Maltz Gallery in conjunction with the exhibition Polly Apfelbaum: Face (Geometry) (Naked) Eyes.

    New York-based critic and independent curator Bob Nickas presents his musings on one hundred paintings, choosing one from each year from 1915-2015.

  • Bob Nickas

    Oct 31| Lectures

    Bob Nickas is a critic and independent curator based in New York, having organized more than ninety exhibitions since 1984.
    He was Curatorial Advisor at P.S.1/MoMA in New York between 2004-07, where his exhibitions include: 
    Lee Lozano: Drawn From Life; 
    William Gedney—Christopher Wool: Into the Night; 
    Stephen Shore: American Surfaces; 
    Wolfgang Tillmans: Freedom From The Known. 

  • Looking at the recent works of Sebastian Stumpf one finds an interplay between performance and the recording of performance, between the execution of a physical act and the documentation of it by means of a camera. [He] operates in two distinct realms: in the empty spaces of contemporary art institutions and in urban settings with their preexisting orders. […] An inconspicuous architectural detail suddenly becomes the catalyst for a physical exploit…. The art gallery becomes a space for action.

  • Passionate Voices Expressed in Sound Bearing Plastic: An Evening with Collector Richard Shelton


Judithe Hernandez

Norman ZammittNorman ZammittNorman Zammitt


As one of the pioneering artists in the vanguard of the Chicano Art and Los Angeles Mural Movement of the 1960's and 70's, ('74) Judithe Hernandez is regarded as one of the important visual artists of the period. During a time when Latinas were discouraged from seeking careers in the visual arts, she was one of a handful of women who shared equal footing with her male contemporaries and was the only female member of the seminal and influential artist collective "Los Four". The group also included the late well-known California painter, Carlos Almaraz, whom she met when they both attended graduate school at Otis Art Institute.

Her numerous works of public art and exhibitions have helped pave the way for the new generations of Latina artists that have followed. She has exhibited extensively in the United States, Europe, and Mexico, including the ground-breaking first exhibition of contemporary Chicano Art in Europe: Le démon des Anges. Her public works include the Los Angeles Bicentennial Mural (1981). Selected by competition from among the leading visual artists in Los Angeles, hers was the only mural commissioned by the Los Angeles Bicentennial Committee to officially commemorate the 200th anniversary of the city's founding in 1781. From its site within the El Pueblo State Historical Park on Spring Street, the 3-story mural, Recuredos de Ayer, Sueños de Mañana, overlooked the downtown area of Los Angeles for nearly 20 years. In contrast to her mural work, her studio work has always been pastel on paper. The lush color and haunting imagery of the work prompted one art critic to compare it to two legendary artists, saying it was a unique and beautiful "blend of Rivera and Rousseau".

Committed to the education of the next generation of Latinos, she spent 30 years teaching, lecturing, and in college administration at several major universities in California and Illinois, including: California State University of Long Beach where she was an Assistant Professor in the Chicano Studies Department; the University of California at Santa Barbara, Occidental College; the University of Illinois at Chicago; Triton College; Rush University; and the School of the Art Institute of Chicago.

Born and raised in East Los Angeles, she now resides with her husband, graphic designer Morton Neikrug, and their daughter Ariel in Chicago. She maintains a studio and is currently working on a new series drawings and pastels for exhibition.


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