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  • High&Low Bureau is a curatorial duo composed of Yael Messer and Gilad Reich. They curate exhibitions, film programs, performative events and publications, while engaging with a plethora of disciplines, media and modes of artistic expression.Their curatorial practice is dedicated to the exploration of artistic strategies that reflect on, and suggest alternatives to, specific social-political conditions.

  • Los Angeles is a city often described as having no center. Its art community has turned that "disadvantage" into an advantage and given itself a license for adventure. Organizations, galleries, and artists find decentralization to be an exciting option and they establish their addresses in unexpected neighborhoods and zones in the city and even beyond, in other cities and states. What are the challenges and advantages of this programmatic and conceptual strategy? What are the risks, to organization and audience alike? Is this necessary, and if so, is it sustainable?

  • Fritz Haeg

    Sep 25| Lectures
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    Image: Fritz Haeg, working to install the Edible Estate #12 garden in Budapest, 2012. Photo: Andras Kare.

    Graduate Fine Arts, Visiting Artist Lecture Series presents artist, Fritz Haeg.

    Thursday, September 25th 11:15am - 12:30pm

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

  • David Schafer

    Sep 30| Lectures
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    David Schafer is a visual and sound artist working in sculpture, sound, sound, performance, and works on paper. His work is concerned with the structures, translation, and intelligibility, of language and architecture. Schafer has shown nationally and internationally and has received several public commissions. Most recently he has had one-person shows at Studio10 gallery in Bushwick, Brooklyn, NY, and Glendale College Art Gallery, Glendale, CA.

  • Sarah Manguso

    Oct 01| Lectures
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    Sarah Manguso is the author, most recently, of The Guardians: An Elegy for a Friend, named one of the top ten books of the year by Salon. Her previous book, the memoir The Two Kinds of Decay, was named an Editors’ Choice by the New York Times Sunday Book Review and short-listed in the UK for the Wellcome Trust Book Prize and long-listed for the Royal Society Winton Prize. Her other books include the story collection Hard to Admit and Harder to Escape, and the poetry collections Siste Viator and The Captain Lands in Paradise.

  • Graduate Fine Arts, Visiting Artist Lecture Series presents artist, Jennifer Steinkamp.

    Thursday, October 2nd 11:15am - 12:30pm

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

     

  • Pae White

    Oct 07| Lectures
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    Pae White was born in 1963 in Pasadena, California. She lives and works in Los Angeles. She received her M.F.A. from Art Center College of Design in Pasadena and her B.A. from Scripps College in Claremont, California. She also studied at the Skowhegan School of Painting and Sculpture in Maine. Recent solo exhibition venues include Galerie Daniel Buchholz, Cologne; galleria francesca kaufmann, Milan; the Govett-Brewster Art Gallery, New Plymouth, New Zealand; the Contemporary Art Gallery, Vancouver; greengrassi, London; and 1301PE, Los Angeles.

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Paul Landacre

Paul LandacrePaul LandacrePaul LandacrePaul Landacre

 

Landacre ('27) has carved out a hallowed space among preeminent printmakers of the 20th century. His prints and early linocuts can be found in more than 150 active public collections nationwide, and in numerous books on American printmaking and wood engraving. His wood engravings have been included in numerous exhibitions, including the 1939 New York Worlds Fair. The Silver Lake house he shared with his wife of 38 years is now designated as an Historic Building.

The land and sea of the American West, including the hills and mountains of Big Sur, Palm Springs, Monterey, and Berkeley. provided a fundamental inspiration for many of Landacre's linoleum cuts and wood engravings. His unique style included meticulously carved fine lines, delicate cross hatching, and flecking – all in white, that sharply contrast with richly blackened areas.

Landacre also taught wood engraving at USC, and Otis, and held memberships in the California Society of Etchers, California Print Makers Society, American Society of Wood Engravers, and the American Society of Etchers, Gravers, Lithographers and Woodcutters.

Landacre’s personal story is noteworthy. A promising track and field athlete at Ohio State University, Landacre was stricken with a streptococcus infection that rendered his upper body permanently and physically weakened. After graduation, he moved to the healthier climate of San Diego where he worked as a draftsman. To advance his drawing skills, Landacre relocated in 1923 to study at Otis, where he met Margaret McCreery, an advertising copywriter, and by 1925 they were married.

Feeling the call of printmaking, and eager to transition into fine art, Landacre taught himself the demanding art of carving linoleum blocks and, eventually, woodblocks for both wood engravings and woodcuts. He met and impressed Jake Zeitlin, who ran a bookshop that included a small gallery space; here Landacre had his first significant solo exhibition.