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Events
  • Women of Otis, Please Join…. 

     

    Victoria Alonso 

    Executive Vice President of Visual Effects and Post Production, Marvel Studios 
    In a conversation about how to become a successful woman in a male dominated field 

     

    Thursday, October 30 

    The Forum 

    11:00 – 12:30 

     

    *open to women students, faculty and staff.

  • Phillip Zach

    Oct 30| Lectures
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    Graduate Fine Arts, Visiting Artist Lecture Series presents artist, Phillip Zach.

    Thursday, October 30th 11:15am - 12:30pm

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

     

  • Visit the Campus. Get advice on your portfolio. Talk to faculty and students. Learn more about financial aid.

     

    Register now for Open House 2014.

     

    CHECK-IN BEGINS AT 12:30
    WORKSHOPS 

    1:00 – 1:45
    Financing Your Education
    Center for Creative Professions: Create Your Future 

    2:00 – 2:45
    Housing Options: Making a Good Fit

  • Creative Action and the Otis Radio class present weekly broadcasts each Monday.

     

    This week 4-6pm is Waves to Asia with DJ Pheonix, DJ Z and DJ Kai, bringing some Asian culture to the air waves, including J-Pop, K-Pop and Chinese Pop, as well as popular anime music. Also as part of the show we will feature a talk about Asian food that you can get and try in Los Angeles.

     

  • Creative Action and the Otis Radio class present weekly broadcasts each Monday.

    This week 4-5pm is Rewind 1976 with DJ’s Gabriel Rojas, Nauseous P, and Little C. Join us to count down the songs on the top of the charts... 1976 style. We'll be playing the hits as if it's that very Autumn day 30+ years ago.

  • Otis Radio: Rap Realm

    Nov 10| Special Event
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    Creative Action and the Otis Radio class present weekly broadcasts each Monday.

  • Scott Short

    Nov 11| Lectures
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    Scott Short | Born 1964 in Marion, OH | Lives and works in Paris, France 

     

O-Tube

Raymond Zibach

Raymond ZibachRaymond ZibachRaymond Zibach

 

Watch youtube video interview

Zibach (’90 Illustration) entered the world of Hollywood as a background artist, stylist, and key background painter before becoming head of a feature background paint department, then art director, and has recently crowned his achievements as the production designer for Kung Fu Panda, a DreamWorks hit, receiving the most Animated Film Society ‘Annie Award’ nominations (17) among animated films in 2008. The film is currently a shortlisted nominee for one of three coveted Academy Award feature animation spots, garnering critical raves such as Time magazine’s, that it "provides a master coursed in cunning visual art.”

"Raymond had great design ideas for the show in terms of the characters' shape language and the textural detail we wanted to achieve, “says visual effects supervisor Markus Manninen in Animation World magazine. "We spent a lot of time evaluating and deciding how to get that richness onscreen while making smart choices about what big complicated systems we needed to develop [in order to realize the final project]."

“We used tons of reference sources,” adds Zibach. “I was on the film for five years. We looked at Chinese art and architecture, even temple carvings. We immersed ourselves in the culture. […] Our original [concept] paintings of China were a big influence. They were done in watercolor and ink wash, but the more modern colors we used came naturally to me from working in animation. I was more influenced by people like Mary Blair and classic animation art directors who always pushed the color emotionally. Our backgrounds have an electricity to them when they're lit in CG.”

"I was definitely more influenced by traditional animation, but also by movies like Hero, Crouching Tiger, Hidden Dragon or House of Flying Daggers. They're kung fu movies, but they're so heavily art-directed and beautiful, with a great emotional tie between color and what's happening onscreen.”

Zibach has constantly found ways to blend drawing and painting with cutting-edge CG techniques in order to create a fresh look and feel for each TV or film project that he works on, which includes Space Jam, Star Wars: Clone Wars, Alvin and the Chipmunks, Ren and Stimpy and Sinbad: Legend of the Seven Seas.

Thinking back on his Otis days, Zibach recalls: “Design, composition, color, traditional painting ability, the drive to complete assignments in creative ways and be your own worst critic, were all key to landing a job in animation. From that point on I found my own way.”