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  • High&Low Bureau is a curatorial duo composed of Yael Messer and Gilad Reich. They curate exhibitions, film programs, performative events and publications, while engaging with a plethora of disciplines, media and modes of artistic expression.Their curatorial practice is dedicated to the exploration of artistic strategies that reflect on, and suggest alternatives to, specific social-political conditions.

  • Los Angeles is a city often described as having no center. Its art community has turned that "disadvantage" into an advantage and given itself a license for adventure. Organizations, galleries, and artists find decentralization to be an exciting option and they establish their addresses in unexpected neighborhoods and zones in the city and even beyond, in other cities and states. What are the challenges and advantages of this programmatic and conceptual strategy? What are the risks, to organization and audience alike? Is this necessary, and if so, is it sustainable?

  • Fritz Haeg

    Sep 25| Lectures
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    Image: Fritz Haeg, working to install the Edible Estate #12 garden in Budapest, 2012. Photo: Andras Kare.

    Graduate Fine Arts, Visiting Artist Lecture Series presents artist, Fritz Haeg.

    Thursday, September 25th 11:15am - 12:30pm

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

  • David Schafer

    Sep 30| Lectures
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    David Schafer is a visual and sound artist working in sculpture, sound, sound, performance, and works on paper. His work is concerned with the structures, translation, and intelligibility, of language and architecture. Schafer has shown nationally and internationally and has received several public commissions. Most recently he has had one-person shows at Studio10 gallery in Bushwick, Brooklyn, NY, and Glendale College Art Gallery, Glendale, CA.

  • Sarah Manguso

    Oct 01| Lectures
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    Sarah Manguso is the author, most recently, of The Guardians: An Elegy for a Friend, named one of the top ten books of the year by Salon. Her previous book, the memoir The Two Kinds of Decay, was named an Editors’ Choice by the New York Times Sunday Book Review and short-listed in the UK for the Wellcome Trust Book Prize and long-listed for the Royal Society Winton Prize. Her other books include the story collection Hard to Admit and Harder to Escape, and the poetry collections Siste Viator and The Captain Lands in Paradise.

  • Graduate Fine Arts, Visiting Artist Lecture Series presents artist, Jennifer Steinkamp.

    Thursday, October 2nd 11:15am - 12:30pm

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

     

  • Pae White

    Oct 07| Lectures
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    Pae White was born in 1963 in Pasadena, California. She lives and works in Los Angeles. She received her M.F.A. from Art Center College of Design in Pasadena and her B.A. from Scripps College in Claremont, California. She also studied at the Skowhegan School of Painting and Sculpture in Maine. Recent solo exhibition venues include Galerie Daniel Buchholz, Cologne; galleria francesca kaufmann, Milan; the Govett-Brewster Art Gallery, New Plymouth, New Zealand; the Contemporary Art Gallery, Vancouver; greengrassi, London; and 1301PE, Los Angeles.

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Rick Owens

Rick OwensRick OwensRick Owens

 

As a member of the Los Four collective, together with Frank Romero, Roberto de la Rocha and Gilbert Lujan, and his wife Elsa Flores Almaraz, he collaborated on many public murals in L.A. He was also a prolific painter and printmaker whose work captured the vitality and life of East Los Angeles neighborhoods such as Echo Park with bright violets, hot pinks and bloodlike reds and expressionistic paint handling. From his apartment window, he painted the view in various incarnations, from serenely bucolic to hot, feverish and dangerous. Despite his untimely death in 1989, Almaraz continues to influence younger generations through exhibitions and collections.The Paris-based American fashion designer Rick Owens (‘81) enjoys prominence in the international fashion world. His edgy, rough-hewn designs are sometimes described as “glunge” [glamour + grunge], and are worn by the likes of Courtney Love, Madonna and Helena Bonham Carter. Owens sells tens of millions of dollars’ worth of clothes each year, in 250+ high-end fashion stores around the world.

“Think of Rick Owens as the Ben Franklin of fashion,” writes Fashion Wire Daily Paris, “an American in Paris, a novel inventor, a rabid iconoclast, and an individualist blessed, or blemished, with the whiff of the sexually perverse. Admired at home in the United States, both were hailed in Paris — Franklin for his sharp wit and fertile mind, Owens for his unique vision and successful resuscitation of nearly moribund fur label Revillon. Though they arrived as celebrities in Paris, touted as influential players in the métier of choice, they both came from modest backgrounds — Benjamin from Massachusetts and Rick from Porterville, California.”

After Otis, Owens did knock-offs in L.A. before cutting patterns at a sportswear company owned by his now-wife Michele Lamy. He started selling his designs at Charles Gallay, and a few years later had negotiated a contract with Maxfield; by 1999, his line was a top seller at Barneys. In 2001, he signed a distribution deal with an Italian agency, and an Annie Leibovitz spread in Vogue further propelled his career. In 2002, he won the Council of Fashion Designers of America Perry Ellis Emerging Talent Award. Owens began his longstanding collaboration with stylist, Panos Yiapanis, and showed his first runway collection in New York in 2002. Since 2003, he has worked out of Paris where he doubly serves as creative director for the furrier Revillon. Some of his pieces were used to create the look for Emily Blunt’s character in the 2006 film The Devil Wears Prada. Owens was awarded a Cooper-Hewitt National Design Award, and his second store in New York's Tribeca district opened in 2008.

“With each new favorable notice,” writes The New Yorker, “Owens seems more determined to prove his independence from the fashion establishment. He doesn’t worry that his provocativeness will alienate customers or critics. [And though] he gives few interviews, doesn’t employ a publicist, and has never advertised his line, his diffidence seems to only enhance his cachet among fashion editors and insiders.”

“I have a simple long silhouette that I started out with,” says Owens in Image Gallery, “and still sell those same pieces the most since day one of my business. These are my foundations. But each season allows me to experiment with some new proportions to refresh my foundation.

“My look is about an appreciation of teenage angst without actually having the angst,” he has been known to say, and compares his style to a Brancusi sculpture: “(Just) a slab of metal on a hunk of wood, but it's about the right piece of metal, the right hunk of wood and the perfect gesture.”