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  • Rendering female models and celebrities on large-scale canvases and with quick, expressive brushstrokes, painter Katherine Bernhardt examines representations of beauty in mainstream media and fashion photography. She paints her subjects with severe, exaggerated features and emaciated limbs that sometimes morph into abstraction, recalling the works of Pablo Picasso. “Some people ask if I hate the models I paint,” she says. “I say no, I don't hate them.

  • UpCycle Day 2014!

    Sep 03| Special Event
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    Join us for the 3rd Annual UpCycle Day!

    Learn about the Resource Exchange

    Bring your excess supplies and materials to share and trade. 

    Stock up for the school year with Free supplies and materials. 

    Help divert our collective waste from ending up in landfills.

     

  • Forrest Gander

    Sep 03| Lectures
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    Otis Books/Seismicity Editions is pleased to publish Panic Cure: Poetry from Spain for the 21st Century, an anthology of poems from eleven contemporary Spanish poets, active from the 1960s through the present. Selected and translated by Forrest Gander, Panic Cure is notable for its impressive range of poetic voices.

  • Jan Brandt

    Sep 04| Lectures
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  • Joel Kyack

    Sep 09| Lectures
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    JOEL KYACK Lives and works in Los Angeles.

    ghebaly.com/artists/joel-kyack

  • A dynamic portrait of the life of computer prodigy Aaron Swartz who championed free speech and data sharing, this must-see documentary premiered at the 2014 Sundance Film Festival in Park City, Utah and was the opening night film at the 2014 Hot Docs International Film Festival in Toronto, Canada. 

    We're excited the film’s director Brian Knappenberger will be our special guest speaker for the Q & A moderated by Movies that Matter series producers Judy Arthur and Perri Chasin after the screening. 

  • Koenraad Dedobbeleer lives and works in Brussels.

     

O-Tube

Ruben Ochoa

Ruben OchoaRuben OchoaRuben Ochoa

 

Ochoa ('97)'s work typically makes use of basic building materials such as rebar, and crosses disciplines of sculpture, installation and photography. He often references Los Angeles, dealing with tensions between social class,culture, urban architecture and nature, and notions of containment and transgression. Ochoa made a mobile art gallery from his family’s old tortilla van, CLASS: C (2001–05) (above).

He brings concrete and dirt into museums (Whitney Biennal, 2008, at left) and conversely covers freeway barriers and infrastructure with wallpaper and large-scale digital prints (Extracted, 2006). In 2008, Ochoa was awarded a prestigous Guggenheim Fellowship. In 2010, he created a site-specific installation at the Museum of Contemporary Art San Diego.

“Ochoa’s work critiques class boundaries determined by these borders in his rejection of traditionally exclusionary exhibition styles. [He] juxtaposes refinement with grit, as did Walter De Maria and environmental sculptors like Edward Kienholz. Increasingly Ochoa studies areas where nature buttresses itself against annihilation, a cultural metaphor lending hope and vivacity to his work.” (Whitney 2008 Biennial)

Susanne Vielmetter Projects
lecture at Otis (Youtube)