• Todd Gray

    Oct 25| Lectures

    Todd Gray was born in 1954 in Los Angeles. Gray received an MFA and a BFA from California Institute of the Arts and is currently a professor at California State University, Long Beach. He has shown performance work at REDCAT (Roy and Edna Disney CalArts Theater), Los Angeles (2010); California African American Museum, Los Angeles (2009); the Commons, New York University (2008); 18th Street Arts Center, Santa Monica (2008); New Renaissance Theater, Syracuse, NY (2007); and Academy of Media Arts, Cologne (2004).

  • Ruby Neri is a sculptor, painter, and former street artist from San Francisco and Los Angeles, California, known for her evocative portrayal of horses.

  • Otis in NYC
    October 27, 2016 
    6 - 8 pm 
    Franklin Parrasch Gallery
    53 East 64 Street
    New York, NY 10065

    Otis College President Bruce W. Ferguson is coming to NYC! 
    Please come say hello and visit with your fellow alumni and friends of Otis College of Art and Design.
    Drinks and hors d'oeuvres.


  • Lecture takes place at 356 S. Mission Rd., co-presented with Ben Maltz Gallery in conjunction with the exhibition Polly Apfelbaum: Face (Geometry) (Naked) Eyes.

    New York-based critic and independent curator Bob Nickas presents his musings on one hundred paintings, choosing one from each year from 1915-2015.

  • Bob Nickas

    Oct 31| Lectures

    Bob Nickas is a critic and independent curator based in New York, having organized more than ninety exhibitions since 1984.
    He was Curatorial Advisor at P.S.1/MoMA in New York between 2004-07, where his exhibitions include: 
    Lee Lozano: Drawn From Life; 
    William Gedney—Christopher Wool: Into the Night; 
    Stephen Shore: American Surfaces; 
    Wolfgang Tillmans: Freedom From The Known. 

  • Looking at the recent works of Sebastian Stumpf one finds an interplay between performance and the recording of performance, between the execution of a physical act and the documentation of it by means of a camera. [He] operates in two distinct realms: in the empty spaces of contemporary art institutions and in urban settings with their preexisting orders. […] An inconspicuous architectural detail suddenly becomes the catalyst for a physical exploit…. The art gallery becomes a space for action.

  • Passionate Voices Expressed in Sound Bearing Plastic: An Evening with Collector Richard Shelton


Ruben Ochoa

Ruben OchoaRuben OchoaRuben Ochoa


Ochoa ('97)'s work typically makes use of basic building materials such as rebar, and crosses disciplines of sculpture, installation and photography. He often references Los Angeles, dealing with tensions between social class,culture, urban architecture and nature, and notions of containment and transgression. Ochoa made a mobile art gallery from his family’s old tortilla van, CLASS: C (2001–05) (above).

He brings concrete and dirt into museums (Whitney Biennal, 2008, at left) and conversely covers freeway barriers and infrastructure with wallpaper and large-scale digital prints (Extracted, 2006). In 2008, Ochoa was awarded a prestigous Guggenheim Fellowship. In 2010, he created a site-specific installation at the Museum of Contemporary Art San Diego.

“Ochoa’s work critiques class boundaries determined by these borders in his rejection of traditionally exclusionary exhibition styles. [He] juxtaposes refinement with grit, as did Walter De Maria and environmental sculptors like Edward Kienholz. Increasingly Ochoa studies areas where nature buttresses itself against annihilation, a cultural metaphor lending hope and vivacity to his work.” (Whitney 2008 Biennial)

Susanne Vielmetter Projects
lecture at Otis (Youtube)


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