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Events
  • Lucy Orta (b. Sutton Coldfield, UK, 1966) and Jorge Orta (b. Rosario, Argentina, 1953) founded Studio Orta in 1991. Lucy + Jorge Orta’s collaborative practice focuses on the social and ecological factors of environmental sustainability to realise major bodies of work employing drawing, sculpture, installation, object making, couture, painting and silkscreen printing, as well staging workshops, ephemeral interventions and performances.

  • Otis Community Banquet

    Oct 22| Special Event
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    In conjunction with the exhibition Food - Water - Life / Lucy + Jorge Orta
    Wednesday, October 22 | Bobrow Green
    11:30am – 12:30pm: Banquet for participating classes
    12:30 – 1:15pm: Open to Otis Community to view class projects created for Banquet, and sample soup and fruit-infused water

  • Graduate Fine Arts, Visiting Artist Lecture Series presents artists Lucy + Jorge Orta.

    Thursday, October 23rd, 10am

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

  • Artists Lucy + Jorge Orta in conversation with the curators Ginger Gregg Duggan and Judith Hoos Fox of the traveling exhibition Food - Water - Life / Lucy + Jorge Orta. The conversation is followed by a reception. Food - Water - Life / Lucy + Jorge Orta is on view in the Ben Maltz Gallery through December 6, 2014.

  • JP Munro

    Oct 28| Lectures
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    Born 1975, Inglewood, CA. Lives and works in Los Angeles, CA.

    chinaartobjects.com/artists/jp-munro/

  • Minor Declaration

    Oct 29| Student Event
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    Highly Recommended for Sophomores

  • Rob Spillman

    Oct 29| Lectures
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    Rob Spillman is Editor and co-founder of Tin House, which has been honored in Best American Stories, Best American Essays, Best American Poetry, O’Henry Prize Stories, the Pushcart Prize Anthology and numerous other anthologies. He is also Executive Editor of Tin House Books and co-founder of the Tin House Literary Festival. His writing has appeared in BookForum, the Boston Review, Connoisseur, Details, GQ, Nerve, the New York Times Book Review, Rolling Stone, Salon, Spin, Sports Illustrated, Time, Vanity Fair, Vogue, and elsewhere.

O-Tube

Berton Hasebe ‘05

Dec 16, 2013
Studying type design in The Hague
Spotlight Category: Alumni
I can’t say that winter in The Hague was the easiest thing for me. As a Hawaii expat, biking in zero-degree weather or being surrounded by grey skies most of the time was difficult. However the city itself is great, the sky eventually became blue more often, and weather-related concerns are a small factor compared to how much I enjoyed living, studying, and traveling in The Netherlands.
I graduated in 2005 with a BFA in Graphic Design, and in my junior and senior years, my interest in letterforms and type design grew to a point where I knew I’d eventually like to continue my studies. After working for about two years at Intersection Studio in Venice, I was accepted at the Type and Media program at The Royal Academy of Art in The Hague (KABK). There are several courses in the world that offer a type design curriculum, however I was particularly interested in KABK because of its great faculty and underlying curriculum. Although research of historical type models plays a part in the curriculum, teaching comes from a hands-on approach, where students quickly begin drawing letterforms through an understanding of basic structures. Through lessons in contrast, spacing and  proportion, we analyzed and drew letters based on an understanding of construction rather than direct historical references. The first part of the curriculum introduces type design through a broad range of topics such as calligraphy, stone carving, letterform sketching, typeface software/production methods, Python programming, and type history and theory. The second part is devoted to an execution of a final project, where the student focuses on a specific area of interest and designs a type family in this context. Intermittently throughout the year are class trips outside of the Netherlands, which included the Plantin Moretus museum in Antwerp and the Typo Berlin Conference. The ten students in the class came from Brazil, Canada, Italy, Switzerland and Vienna. This diversity plays a strong role in the class atmosphere, as each person’s background and perspective  contributes to a variety of coursework and design sensibilities. We became quite close, acting as a family with the same goals, rather than individuals competing against one another.