Events
  • Sandra Lim

    Mar 29| Lectures
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    Sandra Lim is the author of two collections of poetry, Loveliest Grotesque and The Wilderness, winner of the 2013 Barnard Women Poets Prize, selected by Louise Glück. Her work is also included in the anthologies Gurlesque, The Racial Imaginary, and Among Margins: An Anthology on Aesthetics. She has received fellowships from the MacDowell Colony, the Vermont Studio Center, and the Getty Research Institute.

  • Intern Recruitment Day

    Mar 30| Special Event
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    Continental breakfast will be from 8:00 – 8:45, interviews will take place from 9:00 am – 12:00 pm. Otis welcomes companies that are recruiting for Summer internships in the following areas: Architecture/Landscape/Interiors, Digital Media, Communications Arts, Fashion Design, Fine Arts, Product Design, Toy Design.
  • A quintessentially Los Angeles artist, Larry Johnson has worked for over 4 decades investigating the inherent contradictions between the shiny surfaces and underlying cynical logics of American culture. His works reference the languages of animation (especially the fantasy worlds of Walt Disney), graphic and commercial design, and advertising.

  • A limited number of tickets are available to FUN HOME, an emotionally charged and poignant family drama, inspired by the graphic novel of the same name by Alison Bechdel, in which she explores her coming out and the suicide of her domineering father Bruce. Sign up in the Office of Student Activities located in the Student Life Center Room 150E.

  • Transfer Day

    Apr 01| Admissions
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    At Transfer Day, prospective transfer students are invited to take a tour of campus, have their questions answered in a one-on-one appointment, and learn how to make a smooth transition to Otis College. If you are considering transferring into one of our programs, please join us on Saturday, April 1, 2017 from 12-3pm. 

     

  • Edgar Arceneaux was born in Los Angeles in 1972. He investigates historical patterns through drawings, installations, and multimedia events, such as the reenactment of Ben Vereen’s tragically misunderstood blackface performance at Ronald Reagan’s 1981 Inaugural Gala.

  • The Architecture/Landscape/Interiors Department at Otis College of Art and Design is pleased to announce the George H. Scanlon Foundation Lecture REDUX.5 by Michiel Riedijk at MOCA.

     

    Michiel Riedijk regularly lectures at universities, cultural institutions and symposia worldwide. His theories and writings on architecture have gained international recognition from fellow architects and scholars. The work of Neutelings Riedijk Architects has received worldwide appreciation through numerous publications, international awards and exhibitions around the world. - Neutelings Riedijk Architects

O-Tube

Tom McKimson

Suzanne Caporael

 

Tom McKimson (‘25), born in 1907, established his career as a pioneering animator through his work at the Warner Bros. studio, where he created such characters as the legendary Tweety Bird. He was the older brother of notable animators Robert and Charles McKimson.

Born in Denver, he joined the Walt Disney Studio in a1928 as an assistant to animator Norman Ferguson. He left Disney in the early 1930s to work briefly for Romer Grey Studios, then joined Harman-Ising at MGM. As a member of Bob Clampett's animation unit, he created the original design for Tweety Bird.

Some of his other well-known work for WB included The Foxy Duckling (layout artist); Birth of a Notion (animator); Bacall to Arms (background & layout artist); The Great Piggy Bank Robbery (background & layout artist); The Bashful Buzzard (character designer); A Gruesome Twosome (background & layout artist); The Old Grey Hare (character designer); and Birdy and the Beast (animator).


During his time at Warner Bros., McKimson also worked for Dell Comics, providing illustrations for the Bugs Bunny and Road Runner comic books. He illustrated the Roy Rogers daily comic strip from 1949-1953, in collaboration with his brother Charles and artist Pete Alvarado, using the collective pseudonym "Al McKimson." He left Warners in 1947 to become art director for Dell's parent company, Western Publishing, where he remained until he retired in 1972.

 

 

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