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  • High&Low Bureau is a curatorial duo composed of Yael Messer and Gilad Reich. They curate exhibitions, film programs, performative events and publications, while engaging with a plethora of disciplines, media and modes of artistic expression.Their curatorial practice is dedicated to the exploration of artistic strategies that reflect on, and suggest alternatives to, specific social-political conditions.

  • Los Angeles is a city often described as having no center. Its art community has turned that "disadvantage" into an advantage and given itself a license for adventure. Organizations, galleries, and artists find decentralization to be an exciting option and they establish their addresses in unexpected neighborhoods and zones in the city and even beyond, in other cities and states. What are the challenges and advantages of this programmatic and conceptual strategy? What are the risks, to organization and audience alike? Is this necessary, and if so, is it sustainable?

  • Fritz Haeg

    Sep 25| Lectures
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    Image: Fritz Haeg, working to install the Edible Estate #12 garden in Budapest, 2012. Photo: Andras Kare.

    Graduate Fine Arts, Visiting Artist Lecture Series presents artist, Fritz Haeg.

    Thursday, September 25th 11:15am - 12:30pm

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

  • David Schafer

    Sep 30| Lectures
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    David Schafer is a visual and sound artist working in sculpture, sound, sound, performance, and works on paper. His work is concerned with the structures, translation, and intelligibility, of language and architecture. Schafer has shown nationally and internationally and has received several public commissions. Most recently he has had one-person shows at Studio10 gallery in Bushwick, Brooklyn, NY, and Glendale College Art Gallery, Glendale, CA.

  • Sarah Manguso

    Oct 01| Lectures
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    Sarah Manguso is the author, most recently, of The Guardians: An Elegy for a Friend, named one of the top ten books of the year by Salon. Her previous book, the memoir The Two Kinds of Decay, was named an Editors’ Choice by the New York Times Sunday Book Review and short-listed in the UK for the Wellcome Trust Book Prize and long-listed for the Royal Society Winton Prize. Her other books include the story collection Hard to Admit and Harder to Escape, and the poetry collections Siste Viator and The Captain Lands in Paradise.

  • Graduate Fine Arts, Visiting Artist Lecture Series presents artist, Jennifer Steinkamp.

    Thursday, October 2nd 11:15am - 12:30pm

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

     

  • Pae White

    Oct 07| Lectures
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    Pae White was born in 1963 in Pasadena, California. She lives and works in Los Angeles. She received her M.F.A. from Art Center College of Design in Pasadena and her B.A. from Scripps College in Claremont, California. She also studied at the Skowhegan School of Painting and Sculpture in Maine. Recent solo exhibition venues include Galerie Daniel Buchholz, Cologne; galleria francesca kaufmann, Milan; the Govett-Brewster Art Gallery, New Plymouth, New Zealand; the Contemporary Art Gallery, Vancouver; greengrassi, London; and 1301PE, Los Angeles.

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Tom McKimson

Suzanne Caporael

 

Tom McKimson (‘25), born in 1907, established his career as a pioneering animator through his work at the Warner Bros. studio, where he created such characters as the legendary Tweety Bird. He was the older brother of notable animators Robert and Charles McKimson.

Born in Denver, he joined the Walt Disney Studio in a1928 as an assistant to animator Norman Ferguson. He left Disney in the early 1930s to work briefly for Romer Grey Studios, then joined Harman-Ising at MGM. As a member of Bob Clampett's animation unit, he created the original design for Tweety Bird.

Some of his other well-known work for WB included The Foxy Duckling (layout artist); Birth of a Notion (animator); Bacall to Arms (background & layout artist); The Great Piggy Bank Robbery (background & layout artist); The Bashful Buzzard (character designer); A Gruesome Twosome (background & layout artist); The Old Grey Hare (character designer); and Birdy and the Beast (animator).


During his time at Warner Bros., McKimson also worked for Dell Comics, providing illustrations for the Bugs Bunny and Road Runner comic books. He illustrated the Roy Rogers daily comic strip from 1949-1953, in collaboration with his brother Charles and artist Pete Alvarado, using the collective pseudonym "Al McKimson." He left Warners in 1947 to become art director for Dell's parent company, Western Publishing, where he remained until he retired in 1972.