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Events
  • Composer Kubilay Üner offers a reactive experience with a live presentation of a new composition made in response to the exhibition Angie Bray: Shhhh. The performance will be interspersed with conversation between Üner and Bray.

  • Kathryn Andrews gets some of her best ideas driving around Los Angeles, where the visual contradictions she sees every day find their way into her art. Andrews, who is originally from Mobile, Alabama, is known for the commonplace objects she fabricates from highly polished and painted metal, into which she incorporates inexpensive or borrowed finds, including rented Hollywood props.

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    Los Angeles Premiere Screening of 

    The State of Creativity

    A Look into the Otis Report on the Creative Economy

    Otis College of Art and Design is pleased to announce the formation of a media partnership with KCETLink. The partnership will bring the 2014 Otis Report on the Creative Economy of the Los Angeles Region and the State of California into the digital age through an interactive, multi-platform presentation developed by, and for, KCETLink’s award-winning arts and culture series, Artbound.

  • Angie Bray is something of a Renaissance woman with a wide range of artistic abilities and interests encouraged and enriched by her upbringing and her liberal arts education. She spent her childhood in the countryside outside Philadelphia where she attended a girls’ school that emphasized music, drama, and art in addition to academics. She studied at La Sorbonne in Paris and earned a Bachelor of Arts from Sarah Lawrence College in New York, followed by a Masters in Education from Harvard University in Massachusetts.

  • Sean Cully

    Bolsky Gallery

    Otis College of Art and Design

    9045 Lincoln Boulevard, Los Angeles, CA 90045
    (310) 846-2614

     

  • Orange County Premiere Screening of 

    The State of Creativity

    A Look into the Otis Report on the Creative Economy

    Otis College of Art and Design is pleased to announce the formation of a media partnership with KCETLink. The partnership will bring the 2014 Otis Report on the Creative Economy of the Los Angeles Region and the State of California into the digital age through an interactive, multi-platform presentation developed by, and for, KCETLink’s award-winning arts and culture series, Artbound.

  • Closing reception for exhibition Angie Bray: Shhhh

O-Tube

Wilfred Jackson

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Born in Chicago in 1906, Wilfred Jackson ('28) one of cartoon's greatest directors, worked in a formative period for the budding new medium. Working long hours through the heydays of early animation, Jackson is widely judged to have set the standard for subsequent cartoon directors. At Disney, he was integral to the creation of feature classics like Snow White, and was also a technical innovator in terms of merging sound to pictures.

“Jaxon,” as he was called by Walt Disney, attended Otis in 1925. Three years later, after “hanging around the Studios,” he volunteered to wash cels and assist animators at Disney until — in the same year that Mickey Mouse was born — he “found himself holding a paycheck,” later joking that "I'm the only guy [at Disney] who was never [actually] hired."

Jackson claims to have gotten into directing, too, by accident. After being asked by Walt to work out a sound-picture synchronization problem for the early sound cartoons, Jackson successfully devised a metronome to mark time that could be converted to a music track (a method still used in contemporary animation). The innovation, featured in Mickey Mouse's debut film "Steamboat Willie," revolutionized the entertainment medium, and Walt quickly promoted him from animator to director. Jackson garnered a reputation among Disney studio directors as “easily the most creative of the directors, but also the most ‘picky.’”

Among his other feats, Jackson contributed to the "Silly Symphony" shorts, and went on to direct 35 Academy Awards®-winning shorts: The Tortoise and The Hare, The Country Cousin, and The Old Mill. Probably the greatest example of his skill in developing action to music, however, was The Band Concert starring Mickey Mouse.

 Jaxon also applied his talent to other animated features, including Pinocchio, Dumbo, Saludos Amigos, Melody Time, Cinderella, Alice in Wonderland, Peter Pan, and Lady and the Tramp. He directed such memorable sequences as "The Night on Bald Mountain" in Fantasia. During the war years, he produced and directed government films for the U.S. Navy.

 In 1954, as Walt entered the new television medium, he asked Jaxon to produce and direct animated shows on the "Disneyland" series. His career at Disney spanned 35 years.