Events
  • Artist Anna Craycroft, of the current exhibition Tuning the Room in Ben Maltz Gallery, in discussion with artist and curator Micah Silver.

  • Emily Thorpe's art work addresses the twisting formation of memory through spatial relations and moments of domesticity. She will be presenting a solo exhibition for her Graduate Thesis at The Bolsky Gallery, Otis College of Art & Design, on view February 20 to February 25, 2017. There will be a closing reception on Saturday, February 25, 6-9pm.

  • You can easily spot The Little Friends of Printmaking in a crowd—their inky hands and clothes are a dead giveaway. Their work is just as distinctive. JW & Melissa Buchanan first made a name for themselves through their silkscreened concert posters, but soon branched out into further fields, designing fancy junk for whoever would pay them money. In addition to their work as illustrators and designers, they've continued their fine art pursuits through exhibitions, lectures, and artists’ residencies, spreading the gospel of silkscreen to anyone inclined to listen.

  • "In publishers’ terms, Shock and Awe – a hefty, intellectual book about glam rock – is timely." - Jude Rogers, The Guardian

  • Solmaz Sharif

    Mar 01| Lectures
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    Solmaz Sharif’s first collection, Look, was recently published by Graywolf Press and is a 2016 National Book Award finalist. Her poetry has appeared in the New Republic, Granta, Poetry, and other journals. Her first collection, Look, was recently published by Graywolf Press. A former Stegner Fellow, she is currently a lecturer at Stanford University and lives in the Bay Area.

  • Brendan Folwer was born 1978, Berkeley, California and lives and works in Los Angeles. His solo exhibitions include New Portraits (2017), Richard Telles Fine Art, Los Angeles, Portraits (2016), Mathew, New York and New Pictures, Six Sampler Works, and Benches (2015), Richard Telles Fine Art, Los Angeles.

  • One of two "Show and Tell" hands-on book events held inside the exhibition Tuning the Room in the Ben Maltz Gallery, featuring selections from the highly regarded Millard Sheets Library Artists’ Books Collection.

     

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William Major

William MajorWilliam MajorWilliam Major

 

In 2007, William B. Major’s (‘52, Fine Arts) works appeared beside those of Otis colleague Tyrus Wong ('32) (and Lillian Michelson) as part of an exhibition, “The Art of the Motion Picture Illustrator,” at the Academy of Motion Picture Arts and Sciences.AMPAS notes: “The impressive skills of these men define an era when the film industry prized art school training and an ability to paint and draw quickly at the highest professional levels. These accomplished fine artists sketched and painted innumerable scenes for each film, drew hundreds of pages of storyboards, and illustrated key sets; they enabled production designers to convey their ideas to directors, facilitated set construction, and helped directors and cinematographers alike visualize their most important shots."

A formative early experience for Major was working for Paramount on Cecil B. DeMille’s The Ten Commandments (1956). He spent most of his career at Paramount and Universal, with a brief stint at Disney. Other films he left his indelible mark upon included Tom Sawyer, Huckleberry Finn, and Dick Tracy.

“Major’s work seems especially refined and detailed,” writes FilmJourney, “not only sketching in atmospheric widescreen possibilities, but also incorporating highly detailed sets, props, and lighting suggestions, thus allowing directors like Roman Polanski (Rosemary’s Baby) and Mike Nichols (The Graduate) to pre-visualize important shots long before animatics became the norm."

 

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