Otis College of Art and Design logo
Events
  • Otis Fine Arts hosts a Visiting Artist lecture series featuring Matthew Brandt, a Los Angeles-based artist. Read more about him here.
    Contact: Soo Kim, skim@otis.edu
  • Otis Fine Arts hosts a Visiting Artist lecture series featuring Kerry Tribe, an artist working primarily in film, video, and installation. Read more about her here
     
    Contact: Soo Kim, skim@otis.edu
  • You are invited to a Movies that Matter Special Screening of the powerful new film shaping the debate about rape on college campuses, The Hunting Ground, on Tuesday, September 15 at 7:15 PM in the Otis Forum.  The Hunting Ground is a startling exposé of sexual assaults on U.S. colleges, institutional cover-ups and the brutal social toll on the victims and their families from the Academy Award-nominated filmmaking team of Kirby Dick and Amy Ziering.
  • Otis Books is pleased to publish Tim Erickson’s debut collection of poetry, Egopolis, a textual journey through destruction, resistance, city, and the Ego, from ancient times to the present day. Erickson’s work has appeared in the Chicago Review, Western Humanities Review, and the Salt Anthology of New Writing. He lives in Salt Lake City.

  • The Architecture/Landscape/Interiors Department at OTIS College of Art and Design is pleased to announce a lecture by 

  • Otis Fine Arts hosts a Visiting Artist lecture series featuring Hassan Khan, an artist who lives and works in Cairo, Egypt. Read more about him here.

     

    Contact: Soo Kim, skim@otis.edu

  • Otis Graduate Writing students will read from their works-in-progress.

O-Tube

William Major

William MajorWilliam MajorWilliam Major

 

In 2007, William B. Major’s (‘52, Fine Arts) works appeared beside those of Otis colleague Tyrus Wong ('32) (and Lillian Michelson) as part of an exhibition, “The Art of the Motion Picture Illustrator,” at the Academy of Motion Picture Arts and Sciences.AMPAS notes: “The impressive skills of these men define an era when the film industry prized art school training and an ability to paint and draw quickly at the highest professional levels. These accomplished fine artists sketched and painted innumerable scenes for each film, drew hundreds of pages of storyboards, and illustrated key sets; they enabled production designers to convey their ideas to directors, facilitated set construction, and helped directors and cinematographers alike visualize their most important shots."

A formative early experience for Major was working for Paramount on Cecil B. DeMille’s The Ten Commandments (1956). He spent most of his career at Paramount and Universal, with a brief stint at Disney. Other films he left his indelible mark upon included Tom Sawyer, Huckleberry Finn, and Dick Tracy.

“Major’s work seems especially refined and detailed,” writes FilmJourney, “not only sketching in atmospheric widescreen possibilities, but also incorporating highly detailed sets, props, and lighting suggestions, thus allowing directors like Roman Polanski (Rosemary’s Baby) and Mike Nichols (The Graduate) to pre-visualize important shots long before animatics became the norm."