Otis College of Art and Design logo
Events
  • Charlotte Cotton

    “Photography is Magic!”

     

  • Lucy Orta (b. Sutton Coldfield, UK, 1966) and Jorge Orta (b. Rosario, Argentina, 1953) founded Studio Orta in 1991. Lucy + Jorge Orta’s collaborative practice focuses on the social and ecological factors of environmental sustainability to realise major bodies of work employing drawing, sculpture, installation, object making, couture, painting and silkscreen printing, as well staging workshops, ephemeral interventions and performances.

  • Otis Community Banquet

    Oct 22| Special Event
    More

    In conjunction with the exhibition Food - Water - Life / Lucy + Jorge Orta
    Wednesday, October 22 | Bobrow Green
    11:30am – 12:30pm: Banquet for participating classes
    12:30 – 1:15pm: Open to Otis Community to view class projects created for Banquet, and sample soup and fruit-infused water

  • Graduate Fine Arts, Visiting Artist Lecture Series presents artists Lucy + Jorge Orta.

    Thursday, October 23rd, 10am

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

  • Artists Lucy + Jorge Orta in conversation with the curators Ginger Gregg Duggan and Judith Hoos Fox of the traveling exhibition Food - Water - Life / Lucy + Jorge Orta. The conversation is followed by a reception. Food - Water - Life / Lucy + Jorge Orta is on view in the Ben Maltz Gallery through December 6, 2014.

  • JP Munro

    Oct 28| Lectures
    More

    Born 1975, Inglewood, CA. Lives and works in Los Angeles, CA.

    chinaartobjects.com/artists/jp-munro/

  • Minor Declaration

    Oct 29| Student Event
    More

    Highly Recommended for Sophomores

O-Tube

William Major

William MajorWilliam MajorWilliam Major

 

In 2007, William B. Major’s (‘52, Fine Arts) works appeared beside those of Otis colleague Tyrus Wong ('32) (and Lillian Michelson) as part of an exhibition, “The Art of the Motion Picture Illustrator,” at the Academy of Motion Picture Arts and Sciences.AMPAS notes: “The impressive skills of these men define an era when the film industry prized art school training and an ability to paint and draw quickly at the highest professional levels. These accomplished fine artists sketched and painted innumerable scenes for each film, drew hundreds of pages of storyboards, and illustrated key sets; they enabled production designers to convey their ideas to directors, facilitated set construction, and helped directors and cinematographers alike visualize their most important shots."

A formative early experience for Major was working for Paramount on Cecil B. DeMille’s The Ten Commandments (1956). He spent most of his career at Paramount and Universal, with a brief stint at Disney. Other films he left his indelible mark upon included Tom Sawyer, Huckleberry Finn, and Dick Tracy.

“Major’s work seems especially refined and detailed,” writes FilmJourney, “not only sketching in atmospheric widescreen possibilities, but also incorporating highly detailed sets, props, and lighting suggestions, thus allowing directors like Roman Polanski (Rosemary’s Baby) and Mike Nichols (The Graduate) to pre-visualize important shots long before animatics became the norm."