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  • Rendering female models and celebrities on large-scale canvases and with quick, expressive brushstrokes, painter Katherine Bernhardt examines representations of beauty in mainstream media and fashion photography. She paints her subjects with severe, exaggerated features and emaciated limbs that sometimes morph into abstraction, recalling the works of Pablo Picasso. “Some people ask if I hate the models I paint,” she says. “I say no, I don't hate them.

  • UpCycle Day 2014!

    Sep 03| Special Event
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    Join us for the 3rd Annual UpCycle Day!

    Learn about the Resource Exchange

    Bring your excess supplies and materials to share and trade. 

    Stock up for the school year with Free supplies and materials. 

    Help divert our collective waste from ending up in landfills.

     

  • Jan Brandt

    Sep 04| Lectures
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  • Joel Kyack

    Sep 09| Lectures
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    JOEL KYACK Lives and works in Los Angeles.

    ghebaly.com/artists/joel-kyack

  • A dynamic portrait of the life of computer prodigy Aaron Swartz who championed free speech and data sharing, this must-see documentary premiered at the 2014 Sundance Film Festival in Park City, Utah and was the opening night film at the 2014 Hot Docs International Film Festival in Toronto, Canada. 

    We're excited the film’s director Brian Knappenberger will be our special guest speaker for the Q & A moderated by Movies that Matter series producers Judy Arthur and Perri Chasin after the screening. 

  • Koenraad Dedobbeleer lives and works in Brussels.

     

  • High&Low Bureau is a curatorial duo composed of Yael Messer and Gilad Reich. They curate exhibitions, film programs, performative events and publications, while engaging with a plethora of disciplines, media and modes of artistic expression.Their curatorial practice is dedicated to the exploration of artistic strategies that reflect on, and suggest alternatives to, specific social-political conditions.

O-Tube

Daniel Phillips and Kim Karlsrud, Common Studio

Dec 16, 2013
Guerilla Gardening
Spotlight Category: Alumni

Daniel Phillips (’08 Architecture/Landscape/Interiors) and Kim Karlsrud (’07 Product Design)
 of COMMONstudio


Daniel and Kim created Greenaid, a Los Angeles-based social enterprise that makes guerilla gardening efforts easier and more accessible to the general public.  Seedbombs are the weapon of choice -  small nuggets of clay, compost, and native seeds that are thrown (and grown) in otherwise neglected corners of the urban landscape.  The Greenaid vending machine offers the public instant and affordable access to seedbombs at over 100 locations (and counting) worldwide, and Greenaid seedbombs are hand-rolled in Culver City using local materials, sustainable packaging, and socially responsible labor.  Working in partnership with Chrysalis, a local non-profit, Greenaid offers employment opportunities and a living wage to formerly homeless or economically disadvantaged men and women.


It happened organically and a little accidentally – it didn’t start off as a entrepreneurial ambition, but a means of realizing a design idea in the face of a recession. After experiencing the frustration and lack of opportunities within our fields we tried to stay proactive and engaged through collaborating (together and otherwise) on projects we found interesting. We’ve found that when you start with local issues and needs, rather than clients, the projects are way more relevant, meaningful, impact-oriented and fun. Sure the economy is bad right now, but that means there’s huge opportunities for new types of creative and responsible industries to emerge – and if you’re willing to take a risk for something you believe in, there’s always a way to make it happen.

What we soon realized was that it’s relatively easy to do one copy of something, and it’s a whole new ball game when you suddenly have to think about doing more.  Our breakthrough moment was when we were introduced to the crowd-funding website Kickstarter.com. We raised $10,000 through Kickstarter which enabled us to establish an initial presence in L.A. To date, we’ve over 100 Greenaid dispensers across the U.S. Mexico, Canada, and Europe.  We estimate that we’ve distributed about 75 million native seeds into the world using seedbombs.

Otis provided a curriculum that was rigorous without being too rigid.  It was flexible enough and small enough to nurture the passions and unique approaches of the individual.  There was a lot of room to find your own way.  No school can completely prepare you for what everyone faces after graduation, but it was at Otis that we learned to combine our creative instincts with the ability to act upon them in strategic ways, and that’s made the difference for us.

 

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