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Events
  • Bauhaus Dances

    Feb 07| Screening
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    Bauhaus Dances, 1986 presented by Debra McCall
    Sunday, February 7, 4pm, Otis Forum, Free

  • Jillian Mayer is an artist and filmmaker living in South Florida. Her video works and performances have been premiered at galleries and museums internationally such as MoMA, MoCA:NoMi, BAM, Bass Museum, the Contemporary Museum of Montreal with the Montreal Biennial (2014) and film festivals such as Sundance, SXSW, and the New York Film Festival. She was recently featured in Art Papers, ArtNews and Art Forum discussing identity, Internet and her artistic practices and influences.
  • York Chang (b. 1973, St. Louis, MO) is an interdisciplinary artist who uses forensic and archival information systems as supports for poetic gestures and alternate histories, in order to interrogate the aesthetic conventions of authority which often serve to blur the line between fiction and reality. He earned both his BFA (1996) and Juris Doctorate (2001) from University of California, Los Angeles (UCLA). York Chang lives and works in Los Angeles, CA, and is represented by Greene Exhibitions. 
     
  • Presidents' Day Holiday

    Feb 15| Academic Dates
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    Otis offices are closed for the Holiday.

  • Oliver Kellhammer is an independent artist, writer and researcher, who seeks, through his botanical interventions and social art practice, to demonstrate nature’s surprising ability to recover from damage. His recent work has focused on the psychosocial effects of climate change, cleaning up contaminated soils, reintroducing prehistoric trees to landscape damaged by industrial logging and cataloging the ecology of brownfield ecologies. He currently works as a lecturer in sustainable systems at Parsons in New York City.
     
  • In this performance I try to summarize In search of past time with my own words, as a story of another time which reveals itself contemporary. I deliver my own intimate and personal perception of this book which radiates in my life. Each performance is another opportunity to explore different zones of the book, proceeding at random, inspired by an aleatory and fickle memory. 
     
  • The Architecture/Landscape/Interiors Department at Otis College of Art and Design is pleased to announce the George H. Scanlon Foundation Lecture REDUX.4 by IÑAKI ÁBALOS

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About the Gallery

Opening reception Phyllis Green

The Ben Maltz Gallery supports the artistic/cultural production of creative professionals and connects their work to the Otis community and the public at large through exhibitions, presentations, and publications. The Gallery—equal parts public forum, classroom, and laboratory—is an active academic partner on and off campus. Its expansive curatorial initiatives provide direct experience with artists/designers/curators/scholars and their work within an environment that fosters conversation, curiosity, visual literacy, critical thinking, individuality, collaboration, and social responsibility. Engaging in a wide range of contemporary art and ideas, the Gallery highlights work that pushes the frontiers of traditional form and subject matter while providing a contextual framework for interpretation, reflection, and understanding. Open free to the public year round, the Gallery serves Los Angeles’ vibrant art community and the City's diverse population, while acting as an important educational resource for students, faculty, and staff. It also reaches beyond the region by both originating and participating in national and international touring exhibitions and programs.

Learning Outcomes

Attentive visitors from the student body, campus community, and general public will be able to:

  • Attend, experience, and identify the work of emerging and established creative practitioners first hand and be exposed to the visual language of contemporary cultural production from the region and beyond.
  • Distinguish a range of genres, media, and creative practices from the traditional to the contemporary including sculpture, painting, printmaking, installation, time-based media, and emerging practices. 
  • Identify and articulate the primary themes, concerns and/or context (aesthetic, social, political or historical) of an exhibition after viewing it.
  • Engage with public programming and creative actions like lectures, symposia, workshops, and performances led by artists, designers, curators, writers, scholars and other creative practitioners.

Gallery History

The Otis Gallery was the vision of artist Millard Sheets and opened in 1957 at the MacArthur Park campus in downtown Los Angeles. When the College moved to Westchester in 1997, the Gallery was temporarily housed on the ground floor of the Ahmanson Building until the Bronya and Andy Galef Fine Arts Center was completed in 2001. Los Angeles Architect Frederick Fisher designed a stunning 3,200 square foot exhibition space and it was christened the Ben Maltz Gallery.

Gallery Name

The Gallery is named in honor of Benjamin N. Maltz, father of Elaine Goldsmith (namesake of the Otis main campus), and prominent philanthropist. Maltz was a broker and founding Director and former Chairman of City National Bank in Beverly Hills. Ben Maltz had a strong belief in giving back to the community and he was a generous benefactor of many local and national charities. He passed this philosophy on to his children, one of whom is Elaine Goldsmith, a longtime member of the Otis Board of Trustees, and one of the College's major supporters.

Artist Submissions
For artist submissions, please see our Artist Submission Guidelines document (PDF).
 

Staff

Kate McNamara
Director of Galleries and Exhibitions
310.665.6907
kmcnamara@otis.edu

Kathy MacPherson
Gallery Manager and Outreach Coordinator
(310) 665–6909
galleryinfo@otis.edu

 

Jinger Heffner
Exhibitions Coordinator and Registrar
(310) 665–6906
jheffner@otis.edu

Jeseca Dawson
Curatorial Assistant / PST Coordinator
(310) 846–2579
jdawson@otis.edu
 

 

 

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