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Events
  • Learn about the Teacher Credentialing process with:

  • Communication Arts presents a lecture by type designer Raul Plancarte

  • Allison Peck 

     

    Tied Tides and Small Shifts 

     

    Opening: Thursday, April 17 from 7-10p
    Onview: April 14-19 from 10-6p
    Location: Bolsky Gallery, Otis College of Art and Design, 9045 Lincoln Blvd, Los Angeles, CA 90045
    allison.josephine@gmail.com.

  • Join us for the ultimate genre mash up as we drop the best hip hop and underground hiphop from all over as well as some of the freshest hard hitting electronic music out today. Presented by DJ Chewby (Pamela Torzan), DJ Snowden (Ryan Snowden) Daybid 1X (David Namkoong), and 90’s Kid (Danial Siddiqui) of the Otis Radio class.

     

  • Come enjoy the awesomeness of Soundtracks from Games, Movies and TV Shows with DJ Tea Time (Joshua Timmons), DJ SurgeMiester (Sergio Betancourt ) and DJ ForGrapeJelly (Steven Escarcega).

     

  • Fine Arts presents a lecture by painter Mary Weatherford. She received her BA from Princeton and MFA from Bard. Weatherford has shown at David Kordansky Gallery in L.A., LAxART in L.A., Brennan & Griffin in New York, and Debs & Co in New York.  In addition, her work is included in collections of MoMA, LACMA, Hammer Museum, Museum of Contemporary Art in San Diego, and OCMA.
    All are welcome
    Series organized by Photography Director Soo Kim
  • “Foregrounds” is a show exploring how we listen to sounds. It utilizes field recordings by blending songs and spoken word pieces with the soundscapes in which we listen to them – whether it be played along with Los Angeles traffic, the sound of a meal being prepared, or waves at the beach. Presented by DJ Derek (Corn), DJ Nasera (Alayon), DJ Max (Miles) of the Otis Radio class.

     

O-Tube

Curricular Connections

Ben Maltz Gallery Curricular Connections Tour


This information is designed to help Otis faculty members prepare their students for visits to the Ben Maltz Gallery. The reference material for each exhibition may vary but included are artists’ biographies and reviews of previous work; essay(s) by the curator(s); didactic material; checklist; and other background information that might be useful in the classroom. To schedule a tour of the exhibition for your group or class, you can do so online using the Tour Scheduling Form.
 

Guide for Current Exhibition

Freeway Studies #2: Inside the Quad  |  April 12 - July 27, 2014
 

Recent Curricular Guides

For all past guides see menu at left

Binding Desire: Unfolding Artists Books
January 25 - March 30, 2014

Freeway Studies #2: This Side of the 405
April 13 – June 1, 2013

Tapping the Third Realm
September 22 – December 8, 2013

Bridging Homeboy Industries
January 2 – March 23, 2013

Tips for class visits

Prior to coming to the gallery, review the materials and the information available on the Maltz Gallery’s exhibition page: images, press release, and often a short documentary style video tour.

If attending a scheduled tour with the curator or gallery staff member, take a stroll around the gallery for a first look to gather your impressions before the guided experience.

Ask students to prepare a question for the curator or tour guide prior to coming to the gallery to help create conversation, and to promote discussions.The gallery is for conversation not silence.

Please have students leave their bags in the gallery office while on the tour, and remind them that there is no food or drink allowed in the gallery.
 

Sample Assignments

A collection of helpful ideas for instructors who are designing gallery and exhibition related projects.
Sample Assignment 1

Tips for visiting an art gallery or museum on your own

Do research. See what information is available about the institution or specific exhibition prior to your visit.

Time it right. Check the gallery or museum hours before venturing out, and see if there are any public programs you might want to attend.

Keep an open mind. When you enter the gallery, take a look around the room at the work on your own first, before reading any of the didactic materials. Note your first impressions and then as you learn more about what you are looking at, reflect on how your impressions might change with more information. It’s important to understand the “who, what, where, why and how” of an artist’s intent and the context within which they are making work, but also important to allow for your own response to the work itself.

Ask questions. If you don’t understand what you are looking at or want more information, don’t hesitate to ask the people working at the gallery.

Stay in touch. If you like what you see at a gallery, sign up to be on the mailing list and go back again and again to learn more about their programming. Each venue has a different mission or focus.