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  • High&Low Bureau is a curatorial duo composed of Yael Messer and Gilad Reich. They curate exhibitions, film programs, performative events and publications, while engaging with a plethora of disciplines, media and modes of artistic expression.Their curatorial practice is dedicated to the exploration of artistic strategies that reflect on, and suggest alternatives to, specific social-political conditions.

  • Los Angeles is a city often described as having no center. Its art community has turned that "disadvantage" into an advantage and given itself a license for adventure. Organizations, galleries, and artists find decentralization to be an exciting option and they establish their addresses in unexpected neighborhoods and zones in the city and even beyond, in other cities and states. What are the challenges and advantages of this programmatic and conceptual strategy? What are the risks, to organization and audience alike? Is this necessary, and if so, is it sustainable?

  • Fritz Haeg

    Sep 25| Lectures
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    Image: Fritz Haeg, working to install the Edible Estate #12 garden in Budapest, 2012. Photo: Andras Kare.

    Graduate Fine Arts, Visiting Artist Lecture Series presents artist, Fritz Haeg.

    Thursday, September 25th 11:15am - 12:30pm

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

  • David Schafer

    Sep 30| Lectures
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    David Schafer is a visual and sound artist working in sculpture, sound, sound, performance, and works on paper. His work is concerned with the structures, translation, and intelligibility, of language and architecture. Schafer has shown nationally and internationally and has received several public commissions. Most recently he has had one-person shows at Studio10 gallery in Bushwick, Brooklyn, NY, and Glendale College Art Gallery, Glendale, CA.

  • Sarah Manguso

    Oct 01| Lectures
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    Sarah Manguso is the author, most recently, of The Guardians: An Elegy for a Friend, named one of the top ten books of the year by Salon. Her previous book, the memoir The Two Kinds of Decay, was named an Editors’ Choice by the New York Times Sunday Book Review and short-listed in the UK for the Wellcome Trust Book Prize and long-listed for the Royal Society Winton Prize. Her other books include the story collection Hard to Admit and Harder to Escape, and the poetry collections Siste Viator and The Captain Lands in Paradise.

  • Graduate Fine Arts, Visiting Artist Lecture Series presents artist, Jennifer Steinkamp.

    Thursday, October 2nd 11:15am - 12:30pm

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

     

  • Pae White

    Oct 07| Lectures
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    Pae White was born in 1963 in Pasadena, California. She lives and works in Los Angeles. She received her M.F.A. from Art Center College of Design in Pasadena and her B.A. from Scripps College in Claremont, California. She also studied at the Skowhegan School of Painting and Sculpture in Maine. Recent solo exhibition venues include Galerie Daniel Buchholz, Cologne; galleria francesca kaufmann, Milan; the Govett-Brewster Art Gallery, New Plymouth, New Zealand; the Contemporary Art Gallery, Vancouver; greengrassi, London; and 1301PE, Los Angeles.

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Past Exhibitions 2006

Yamandú Canosa: Three Spots
October 14 - December 9, 2006

Solo exhibition featuring new paintings, drawings and a site-specific wall mural. Curated by Meg Linton, Director of Ben Maltz Gallery. Yamandú Canosa was born in Montevideo, Uruguay in 1954. He studied briefly at the Architectural University in Montevideo before moving to Barcelona, Spain in 1975. Represented by Galería Tomás March in Valencia, he has shown extensively throughout Spain as well as in the Netherlands, France and Germany. www.tomasmarch.com

Press Release  /  Slideshow  /  Videos: Artist Walk-thru


Joan Tanner: On Tenderhooks
July 22 - September 23, 2006

Large-scale installation created by Southern California artist Joan Tanner, curated by Meg Linton, Director of the Ben Maltz Gallery. Using raw materials like Blister-Pac, corrugated plastic paneling, galvanized metal, air-duct filters, plywood, industrialized coating, light and video, Tanner assembles a precarious environment to tackle the visual paradox of architectonic order and disintegration—ordering to achieve perfection and humankind’s inability to escape imperfection. www.joantanner.com

Press Release  /  Slideshow  /  Videos: Installation Time-lapse


the epitaph project: 1995 -
A multimedia installation by Joyce Burstein
June 17 - August 31, 2006   Bolsky Gallery

Joyce Burstein began the epitaph project in 1995 by securing a mortgage for a plot at Hollywood Forever, a notable and historic cemetery adjacent to Paramount Studios in Los Angeles. The public artwork exists as a tombstone carved from slate like a chalkboard and is accompanied by a bronze box containing chalk. Passersby are invited to write an epitaph on the stone, and then she collects these sometimes profound or irreverent compositions with a photograph.  The project has extended into a multi-media presentation in the Bolsky Gallery and a forthcoming book with an essay by Peter Lamborn Wilson that enlists the help of all spectators in a process of self-discovery about death and life, as one does not exist without the other.  www.epitaphproject.com

Press Release  /  Slideshow


Infrasense
An installation by KIT and Robert Saucier
May 5 - July 1, 2006

Created by KIT, a fluxing collaborative team of international artists, writers, architects and programmers who have been active since 1995, and Canadian artist Robert Saucier. The artists are working with terminology adopted by Internet technology like worms, back doors, Trojan horses, and bugs that are metaphors for viral activities happening to our desktops and laptops in our work and home environments. The Infrasense project takes the Trojan horse and the bug—two digitally bound elements that live and replicate on the Internet—and makes them physical entities inside the gallery controlled partially by the Internet and visitor.  www.kitcollaboration.net

Press Release  /  Slideshow


From the Island of Misfit Toys
February 10 - April 15, 2006

Group show that looks at how fine artists are manipulating toys to create sculpture, video, and music that push the boundaries physically, emotionally, or conceptually to address larger themes of consumerism, the surrogate, and death. Through exaggeration of scale, excessive use of material, and do-it-yourself methods, this exhibition introduces a set of artists who are blurring the lines between creative fields and taking toys to humorous, thoughtful, and poignant places.
Artists: Elizabeth Berdann (blu), Deborah Brown, Nathan Cabrera, Jonathan Callan, Jeroen de Vries, Dan Goodsell, Kelly Heaton, Walter Martin & Paloma Muñoz, Anne Walsh, and 8 Bit Weapon

Press Release  /  Slideshow