Events
  • Public-Library is a cross-disciplinary design studio in Los Angeles. They construct identities, concepts and experiences for brands through the practice of reduction using fundamental typographic theory and experimentation with space and form.

    Ramón Coronado and Marshall Rake met as design students at Art Center College of Design in Pasadena. After studying, working, and exhibiting independently for many years—both stateside and internationally—their design philosophy and approach brought them back together as Public-Library in 2011.

  • Sandra Lim

    Mar 29| Lectures
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    Sandra Lim is the author of two collections of poetry, Loveliest Grotesque and The Wilderness, winner of the 2013 Barnard Women Poets Prize, selected by Louise Glück. Her work is also included in the anthologies Gurlesque, The Racial Imaginary, and Among Margins: An Anthology on Aesthetics. She has received fellowships from the MacDowell Colony, the Vermont Studio Center, and the Getty Research Institute.

  • Intern Recruitment Day

    Mar 30| Special Event
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    Continental breakfast will be from 8:00 – 8:45, interviews will take place from 9:00 am – 12:00 pm. Otis welcomes companies that are recruiting for Summer internships in the following areas: Architecture/Landscape/Interiors, Digital Media, Communications Arts, Fashion Design, Fine Arts, Product Design, Toy Design.
  • A quintessentially Los Angeles artist, Larry Johnson has worked for over 4 decades investigating the inherent contradictions between the shiny surfaces and underlying cynical logics of American culture. His works reference the languages of animation (especially the fantasy worlds of Walt Disney), graphic and commercial design, and advertising.

  • A limited number of tickets are available to FUN HOME, an emotionally charged and poignant family drama, inspired by the graphic novel of the same name by Alison Bechdel, in which she explores her coming out and the suicide of her domineering father Bruce. Sign up in the Office of Student Activities located in the Student Life Center Room 150E.

  • Edgar Arceneaux was born in Los Angeles in 1972. He investigates historical patterns through drawings, installations, and multimedia events, such as the reenactment of Ben Vereen’s tragically misunderstood blackface performance at Ronald Reagan’s 1981 Inaugural Gala.

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PERFORMING THE GRID

Performing the Grid Header

January 23 – May 15, 2016

Performing the Grid brings together an intergenerational group of artists and cultural producers that utilize the grid as a performative strategy to examine, challenge and position philosophical, political, social, domestic, corporeal, mythical and  
Artists in the Exhibition

Neil Beloufa, Lucinda Childs with Sol LeWitt and Philip Glass, Charles Gaines, David Haxton, Channa Horwitz, Xylor Jane, Rudolf Laban, Dashiell Manley, Debra McCall, Rebecca Morris, Bruce Nauman, Kelly Nipper, Heather Rowe, Emily Roysdon, Kathleen Ryan, and Emmett Williams.

 

Performing the Grid brings together an intergenerational group of artists and cultural producers that utilize the grid as a performative strategy to examine, challenge and position philosophical, political, social, domestic, corporeal, mythical and ideological perspectives. Rosalind Kraus famously wrote that the grid “functions to declare the modernity of modern art” in her 1979 essay, Grids. The grid has played a historical role in conceptual and minimalist art practices and continues to motivate and engage artists today. As we delve deeper into technology, a culture of images, violence, and surveillance, how do we locate presence inside of the grid? How is the self presented within the grid? Can intimacy be made visible? The included works in Performing the Grid access, address, reject and evoke the grid using video, performance, documentation, sound, sculpture, painting and installation. At times the grid is a means of tracing movement, a tool for documenting the passage of time and arranging visual texts and compositions. In other works, the grid is conjured as a blatant motif, a utopian design, and theatrical prop. From Debra McCall’s geometric re-performances of Oskar Schlemmer’s Bauhaus dances to Bruce Nauman’s meditative studio walks and Kelly Nipper’s Laban Movement informed performances to Heather Rowe’s film-inspired sculptures, the grid takes on new meaning and new movement. 


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About the Exhibition