Events
  • In conjunction with the current exhibition Patterns Bigger Than Any of Us: Jesse Fleming / Pat O'Neill in Ben Maltz Gallery, May 7 - August 12, 2017.

    In Conversation: Jesse Fleming and Pat O'Neill, moderated by LA-based idependent curator and historian Ciara Moloney

     

    Jesse Fleming (b. 1977) is part of an emerging group of artists and technologists that examine the convergence of media art and mindfulness. Recent solo exhibitions were held at Five Car Garage; 356 Mission; and Night Gallery, all in Los Angeles, CA; and the University of Texas in Austin, TX.

    Pat O’Neill’s (b. 1939) artistic and filmmaking career spans over 50 years, and he is highly-regarded for his experiments with film and optical printing. Recent solo exhibitions were held at Berkeley Art Museum and Pacific Film Archive in Berkeley, CA; Monitor in Rome, Italy; VeneKlasen/Werner in Berlin, Germany; Quinta do Quetzal in Vidigueira, Portugal; Mitchell-Innes & Nash in New York, NY; and Cherry and Martin in Los Angeles, CA.

    Ciara Moloney is an independent curator, editor, and writer based in Los Angeles. She was formerly Curator of Exhibitions and Projects at Modern Art Oxford where she curated exhibitions by Barbara Kruger, Josh Kline, Lynn Hershman Leeson, Christian Boltanski and Kiki Kogelnik.

  • Amelia Gray is the author of the short story collections AM/PM, Museum of the Weird, and Gutshot, as well as the novels Threats and, most recently, Isadora, published by Farrar, Straus and Giroux. Her fiction and essays have appeared in The New Yorker, the New York Times, the Wall Street Journal, Tin House, and VICE. She is winner of the New York Public Library Young Lions Award, of FC2's Ronald Sukenick Innovative Fiction Prize, and a finalist for the PEN/Faulkner Award. 

  • Luis J. Rodriguez was Los Angeles Poet Laureate from 2014-2016. The twenty-fifth edition of his first book, Poems Across the Pavement, won a 2015 Paterson Award for Sustained Literary Achievement. He has written fourteen other books of poetry, children’s literature, fiction, and nonfiction, including the best-selling memoir Always Running: La Vida Loca: Gang Days in L.A. Rodriguez is also founding editor of Tia Chucha Press and co-founder of Tia Chucha’s Centro Cultural & Bookstore in the San Fernando Valley. In 2016 Tia Chucha Press produced the largest anthology of L.A.-area poets, Coiled Serpent: Poets Arising from the Cultural Quakes & Shifts of Los Angeles. Rodriguez’s last memoir It Calls You Back: An Odyssey Through Love, Addiction, Revolutions, and Healing was a finalist for the 2012 National Book Critics Circle Award. His latest poetry collection Borrowed Bones appeared in 2016 from Curbstone Books/Northwestern University Press.

  • Raised in Philadelphia, with roots in South Africa and Trinidad, Zinzi Clemmons’ writing has appeared in Zoetrope: All-Story, Transition, The Paris Review Daily, and elsewhere. She has received fellowships and support from the MacDowell Colony, Bread Loaf, the Fine Arts Work Center in Provincetown, and the Kimbilio Center for African American Fiction. She is co-founder and former Publisher of Apogee Journal, and a Contributing Editor to LitHub. She teaches literature and creative writing at the Colburn Conservatory and Occidental College. Her debut novel, What We Lose, as well as a second title, are forthcoming from Viking.

  • Louise Sandhaus is a graphic designer and graphic design educator. She was previously Director of the Graphic Design Program at CalArts where she currently is faculty. Her recent book on California graphic design, Earthquakes, Mudslides, Fires and Riots: California and Graphic Design 1936-1986, co-published by Metropolis Books and Thames & Hudson, has received laudatory reviews from The New York Times, The Guardian, Eye, and Creative Review. The book received the Palm d’Argent for best art book at FILAF (International Festival of Art Books and Films on Art).

  • Photo Credit: Jesse Pniak

     

    F. Douglas Brown received the 2013 Cave Canem Poetry Prize (selected by Tracy K. Smith) for Zero to Three, published by the University of Georgia. He also co-authored the chapbook Begotten with Geffrey Davis as part of Upper Rubber Boot Book's Floodgate Poetry Series. Both a past Cave Canem and Kundiman Fellow, his poems have appeared in the Academy of American Poets, The Virginia Quarterly, Bat City Review, The Chicago Quarterly Review, The Southern Humanities Review, The Sugar House Review, Cura Magazine, and Muzzle Magazine. He is co-founder and curator of un::fade::able - The Requiem for Sandra Bland, a quarterly reading series examining restorative justice through poetry as a means to address racism. Brown currently teaches English at Loyola High School in Los Angeles.

  • Emily Raboteau’s nonfiction work Searching for Zion was named a best book of 2013 by the Huffington Post and the San Francisco Chronicle, and was a finalist for the Hurston Wright Legacy Award, grand prize winner of the New York Book Festival, and a winner of a 2014 American Book Award. She is the author of a novel, The Professor’s Daughter, and her fiction and essays have been published and anthologized in Best American Short Stories, the New York Times, The New Yorker, Tin House, Buzzfeed, LitHub, The Guardian, Guernica, Virginia Quarterly, The Believer, and Salon. Other honors include a Pushcart Prize, the Chicago Tribune’s Nelson Algren Award, and fellowships from the NEA, the Lannan Foundation, and the MacDowell Colony. Raboteau teaches creative writing at City College in New York.

O-Tube

Ralph Bacerra: Exquisite Beauty

September 26 – December 6, 2015

Exquisite Beauty is the first retrospective and publication to document the eye-dazzling ceramics created by Ralph Bacerra (1938–2008), a Los Angeles–based artist. 
Exquisite Beauty is the first retrospective and publication to document the eye-dazzling ceramics created by Ralph Bacerra (1938-2008), a Los Angeles-based artist known for his innovative approach to surface embellishment. Curated by Jo Lauria, the exhibition features more than ninety of the artist's finest pieces—dramatic, highly decorated vessels and sculptures that have never before been the focus of a major exhibition or publication. Bacerra's career in ceramics spanned five decades, over the course of which his work moved stylistically from traditionalism to pattern and decoration to "post-baroque." He was part of the group of second-generation post&-World War II California artists who followed the boundary-expanding lead of Robert Arneson, Viola Frey, John Mason, Ken Price, and Peter Voulkos. These visionary artists sought to use clay in a way that responded to their time and place. Collectively they broadened the possibilities of the medium and brought recognition to the field. Like those before him, Bacerra regularly challenged ceramic conventions, resolutely experimenting with unfamiliar materials and techniques in his studio. His unique contribution was the creation of a new “grammar of ornament” through the complex layering of aggregated design motifs, achieved primarily through multiple applications of underglazes and overglazes combined with metallic lusters. The resultant interweave generated a language rich in cross-cultural inflection and design schemes fluent in optically inventive patterns that played with perception and teased the eye.
In addition to achieving artistic excellence in the studio, Bacerra was a passionate and effective teacher in the classroom. He served as the head of ceramics at Chouinard from 1964 through 1971, when the school was formally absorbed by the California Institute of the Arts and the ceramics major eliminated from the curriculum. The second phase of Bacerra's teaching career began in 1982 at the invitation of Otis Art Institute. The first year he taught part-time, leading classes in Surface Design and Glaze Technology. The following year he was appointed chair of ceramics with oversight of all aspects of the ceramics studio. He held the position for thirteen years, teaching a new generation of students the skills to become successful studio artists and educators. All who spent time in his classroom benefited from his technical expertise and keen design sensibility. Many former students from both Chouinard and Otis have ascended to prominence in the ceramics field and have contributed to its vitality.
 
Ralph Bacerra: Exquisite Beauty was funded in part by the National Endowment for the Arts, Pasadena Art Alliance, The Boardman Family Foundation, Friends of Contemporary Ceramics, The Japan Foundation, Los Angeles, and by the generosity of many individuals.
National Endowment for the Arts Logo   pasadena art alliance logo     Japan Foundation
More about Ralph Bacerra

Visit the Ralph Bacerra Tribute Page to read more about Ralph and view the video Art is What I Do: The Life of Ralph Bacerra, a film by Jo Lauria, produced by The Boardman Family Foundation in cooperation with Otis.

Ralph Bacerra Through the Eyes of Otis Students 
A new video produced by Otis Creative Action students is an aspirational story about the life of Ralph Bacerra, who inspired his students to live their dreams, become renowned artists, and pass their knowledge on to future generations.


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Exhibition Catalogue | $20 | Available on Amazon.com
Beautiful, fully illustrated catalogue featuring Introduction and Chronology by exhibition curator Jo Lauria; essays by Jeannine Falino, Hollis Goodall, Christy Johnson; and remembrances by Garth Clark, Elaine Levin, Frank Lloyd, Keith Miller, and Don Pilcher.
Softcover / 136 pages / 60 color plates / 10.25 x 12.25 inches | ISBN-13: 978-0-930209-41-4