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Events
  • Communication Arts presents a lecture by type designer Raul Plancarte

  • Allison Peck 

     

    Tied Tides and Small Shifts 

     

    Opening: Thursday, April 17 from 7-10p
    Onview: April 14-19 from 10-6p
    Location: Bolsky Gallery, Otis College of Art and Design, 9045 Lincoln Blvd, Los Angeles, CA 90045
    allison.josephine@gmail.com.

  • Join us for the ultimate genre mash up as we drop the best hip hop and underground hiphop from all over as well as some of the freshest hard hitting electronic music out today. Presented by DJ Chewby (Pamela Torzan), DJ Snowden (Ryan Snowden) Daybid 1X (David Namkoong), and 90’s Kid (Danial Siddiqui) of the Otis Radio class.

     

  • Come enjoy the awesomeness of Soundtracks from Games, Movies and TV Shows with DJ Tea Time (Joshua Timmons), DJ SurgeMiester (Sergio Betancourt ) and DJ ForGrapeJelly (Steven Escarcega).

     

  • Fine Arts presents a lecture by painter Mary Weatherford. She received her BA from Princeton and MFA from Bard. Weatherford has shown at David Kordansky Gallery in L.A., LAxART in L.A., Brennan & Griffin in New York, and Debs & Co in New York.  In addition, her work is included in collections of MoMA, LACMA, Hammer Museum, Museum of Contemporary Art in San Diego, and OCMA.
    All are welcome
    Series organized by Photography Director Soo Kim
  • “Foregrounds” is a show exploring how we listen to sounds. It utilizes field recordings by blending songs and spoken word pieces with the soundscapes in which we listen to them – whether it be played along with Los Angeles traffic, the sound of a meal being prepared, or waves at the beach. Presented by DJ Derek (Corn), DJ Nasera (Alayon), DJ Max (Miles) of the Otis Radio class.

     

  • HOT & HE∆VY

    Apr 28| Special Event
    More

     

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Upcoming Exhibitions

 

Lucy + Jorge Orta

Lucy + Jorge Orta, OrtaWater – Fluvial Intervention Unit, 2005

Food – Life – Water  / Lucy + Jorge Orta
August 16 – December 6, 2014

This exhibition is the US premier of the Orta’s work and was curated by Judith Hoos Fox and Ginger Gregg Duggan (c2 | curatorsquared) and organized by the Tufts University Art Gallery.

The sculptures, drawings, installations and video by this French wife-husband duo, Lucy+Jorge Orta, collectively explore major concerns that define the 21st century: biodiversity, environmental conditions, climate change and exchange among peoples. At the same time, this work embodies the philosophy that steers their pioneering art practice, ‘the ethics of aesthetics.’ As heirs to the practice of social sculpture, formulated by Joseph Beuys in the 1960s, the Ortas’ works are relics of their own function—beguiling assemblages that are the platform for the preparation of food, mechanisms that actually purify water, and elements created for a 2007 expedition to Antarctica that are part of an effort to amend the 1948 Universal Declaration of Human Rights. The works in this exhibition are metaphors-in-action, constructions that perform the tasks of which they are emblematic.

These humorous, jerrybuilt contraptions are obviously not the most efficient means to purify, prepare and transport food and water, or to launch a world-wide humanitarian effort, but in their ability to actually function, albeit, awkwardly and haltingly, they gain power as works of art created to move us to awareness and action. The artists have created a unique visual language through which they tackle the major global issues affecting our lives and the precarious position of this planet. As the Orta’s artwork communicates widely to audiences beyond the field of contemporary art, it demonstrates the importance of art as a creative agent for awareness and change.

Working in partnership since 2005, Lucy+Jorge Orta create, produce, and assemble their artworks and large installations together with a team of artists, designers, architects, and craftspeople. They stage on-location workshops, ephemeral interventions, residencies, and master classes, which explore the crucial themes of the contemporary world: the community, autonomy, dwelling, migration, sustainable development, and recycling. Their work has been the focus of important survey exhibitions in major museums, including: the Barbican Art Gallery, London; Modern Art Museum, Paris; Museum of Contemporary Art, Sydney; Museum Boijmans Van Beuningen, Rotterdam; Hangar Bicocca, Milan; as well as the Venice, Havana, and Johannesburg Biennales.
 



Bray
Angie Bray, Looking Out         going fast, 2010


Angie Bray: Shhhh...
January 17 – March 22, 2015
Opening Reception: January 24, 4-6pm
Details TBA

 


Aldridge
James Aldridge, The Gathering, 2010
 

Dusk to Dusk: Unsettled, Unraveled, Unreal

Apr 11 - July 26, 2015

Dusk to Dusk is a sublimely curated exhibition that acknowledges the "unsettled, unraveled, unreal" in contemporary experience. Drawn from a single private European collection, Dusk to Dusk presents thirty-two powerful and haunting works by renowned contemporary artists who examine issues of individual isolation, political repression, and collective ennui in the decline of the industrial age. Curated by Richard Rinehart, Director, Samek Art Gallery, Bucknell University, the exhibition features the work of Louise Bourgeois, Gilbert & George, Richard Long, Edward Burtynsky, Hiroshi Sugimoto, Erwin Wurm, Erwin Olaf, James Aldridge, Salvador Dali, Tony Cragg, Marcel Dzama, Matthew Day Jackson, and Ruud van Empel among others. Toured by Curatorial Assistance Traveling Exhibitions.


Bacerra
 

Ralph Bacerra, Untitled Bowl, 2007


Exquisite Beauty: The Ceramics of Ralph Bacerra

September 26 – December 6, 2015
Bacerra was recognized early in his career as a key artist working in ceramics by two major publications, American Ceramics: 1876 to The Present by Garth Clark (1987) and The History of American Ceramics: From Pipkins and Bean Pots to Contemporary Forms, 1607 to the Present by Elaine Levin (1988). More recently, his work appeared in several significant ceramic exhibitions at the Los Angeles County Museum of Art in 2000, Newark Museum in 2003, and the Museum of Fine Arts, Houston in 2012. Despite this acknowledgement, Bacerra’s work remains under-recognized and under-documented, having lacked a major survey, mid-career, or retrospective devoted entirely to his prodigious output and vast influence. That is until now. Exquisite Beauty brings together more than 60 examples of his finest works, showcasing dramatic, highly decorated vessels and sculptures that have never before been the focus of a major exhibition. These masterworks, along with a fully illustrated catalog, illuminate the extraordinary creative vision of one of the key ceramic artists of our time.

Curators: Jo Lauria, Independent Decorative Arts Curator and Scholar, and Meg Linton, Director of Galleries and Exhibitions, Otis College of Art and Design. Exhibition Designer: Michael Patrick Porter. Sponsors to date: Friends of Contemporary Ceramics, Lois Boardman Family Foundation, Joan Takayama-Ogawa, Sue Wilson Keanne, and Lin Werner.

Ralph Bacerra Tribute

A traveling exhibition is being planned. If you are interested in hosting Exquisite Beauty between 2016-2018, please contact Meg Linton, mlinton@otis.edu for a prospectus.
 



Map


Freeway Studies #3: In the Loop

Spring 2016
Freeway Studies is a multi-year, contemporary art-focused curatorial project organized by Meg Linton, Director of Galleries and Exhibitions,  and launched with the assistance of Jeseca Dawson, 2012-2014 Curatorial Fellow, at the Ben Maltz Gallery at Otis College of Art and Design.

In the Loop will feature work by 25-30 contemporary artists whose studios are located inside the border defined by the following freeways: I-I10, I-110, and I-5. The impetus for this curatorial endeavor continues to be an effort to survey, one studio at a time, the neighborhoods and networks of artists working in Los Angeles. Starting in June and ending in December 2014, Linton and the 2014-16 Curatorial Fellow are visiting with as many artists as they can within the designated area and documenting each visit on the project blog. This dérive breaks out of existing curatorial preconceptions and knowledge to expand the analog network between curator, artist, and institution. Geographic parameters, along with word-of-mouth referrals, are used to ping-pong from studio to studio, shifting the confines of the existing paradigm.