Events
  • Artist Anna Craycroft, of the current exhibition Tuning the Room in Ben Maltz Gallery, in discussion with artist and curator Micah Silver.

  • Emily Thorpe's art work addresses the twisting formation of memory through spatial relations and moments of domesticity. She will be presenting a solo exhibition for her Graduate Thesis at The Bolsky Gallery, Otis College of Art & Design, on view February 20 to February 25, 2017. There will be a closing reception on Saturday, February 25, 6-9pm.

  • You can easily spot The Little Friends of Printmaking in a crowd—their inky hands and clothes are a dead giveaway. Their work is just as distinctive. JW & Melissa Buchanan first made a name for themselves through their silkscreened concert posters, but soon branched out into further fields, designing fancy junk for whoever would pay them money. In addition to their work as illustrators and designers, they've continued their fine art pursuits through exhibitions, lectures, and artists’ residencies, spreading the gospel of silkscreen to anyone inclined to listen.

  • "In publishers’ terms, Shock and Awe – a hefty, intellectual book about glam rock – is timely." - Jude Rogers, The Guardian

  • Solmaz Sharif

    Mar 01| Lectures
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    Solmaz Sharif’s first collection, Look, was recently published by Graywolf Press and is a 2016 National Book Award finalist. Her poetry has appeared in the New Republic, Granta, Poetry, and other journals. Her first collection, Look, was recently published by Graywolf Press. A former Stegner Fellow, she is currently a lecturer at Stanford University and lives in the Bay Area.

  • Join us on Thursday, March 2nd for an evening of conversation and exploration! Connect with fellow alumni, see friends, tour our new buildings, and meet President Ferguson at this Alumni Night reception. It will be a casual and fun evening and we hope you can join us. 

    The evening includes:

    A beer and wine reception 

    Introduction of the new Director of Alumni Relations Phil Scanlon

    Campus tour

    Visits to the Anna Craycroft exhibit at the Ben Maltz Gallery and Millard Sheets Library

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  • Brendan Folwer was born 1978, Berkeley, California and lives and works in Los Angeles. His solo exhibitions include New Portraits (2017), Richard Telles Fine Art, Los Angeles, Portraits (2016), Mathew, New York and New Pictures, Six Sampler Works, and Benches (2015), Richard Telles Fine Art, Los Angeles.

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In his lecture, Laurence Rickels reenters the exchange between Walter Benjamin and Alexander Mette, which led to Mette’s review of Ursprung des deutschen Trauerspiels in Imago and brought Benjamin to consider the clinical picture of schizophrenia, the topic of Mette’s dissertation-book, which he in turn reviewed. While this contact underscores Benjamin’s interest in the clinical picture of psychosis (he attended at this time to Schreber’s Memoirs and to Freud’s analysis of the document), which Rickels sees as fundamental to Benjamin’s understanding of the melancholic mode of allegory, Rickels’ emphasis this time lies on the research Mette pursued as bona fide psychoanalyst in Nazi Berlin. After his 1934 book on the psychoanalytic elaboration of Nietzsche’s Apollo/Dionysus dyad was censored, he turned in a 1939 study to the interpretation of dreams recorded during the recent past. What links and separates the German dreams from 1917, 1926, and 1935 amounts to an allegory of the instrumentalization of adolescence in the Third Reich, between its reabsorption within the fairytale of childhood and its elevation to the position of superego. His final psychoanalytic study in 1940, which was also his last publication during the Nazi years, consolidated the dream insights in a “depth psychological” interpretation of the childish clown as the ultimate delegate of Dionysus.

 

After thirty years teaching at the University of California, in 2011 Laurence A. Rickels accepted the professorship in art and theory at the Staatliche Akademie der Bildenden Künste Karlsruhe as successor to Klaus Theweleit. Since 2006 he holds the Sigmund Freud Chair in Media and Philosophy at the European Graduate School in Saas Fee, Switzerland. Rickels is the author of Aberrations of Mourning (1988), The Case of California (1991), Nazi Psychoanalysis (2002), The Vampire Lectures (1999), The Devil Notebooks (2008), Ulrike Ottinger. The Autobiography of Art Cinema (2008), I Think I Am. Philip K. Dick  (2010), SPECTRE (2013), Germany. A Science Fiction (2014), and The Psycho Records (2016). 

February 2017
23
Lectures
GFA Lecture Series: Laurence A. Rickels
11:00AM Graduate Fine Arts Studios
Sponsored by
Graduate Fine Arts
February 2017
23
2017-02-23 11:00 2017-02-23 11:00
Lectures
GFA Lecture Series: Laurence A. Rickels
11:00AM 2017-02-23 11:00 | Graduate Fine Arts Studios
10455 Jefferson Blvd., Culver City, CA 90232