Events
  • Mexican artist Yoshua Okón’s videos blur the lines between documentary, reality, and fiction. He collaborates closely with his actors (often amateurs who are also the subjects of the work) to create sociological examinations that ask viewers to contemplate uncomfortable situations and circumstances.
  • Dana Johnson is the author of the short story collection In the Not Quite Dark. She is also the author of Break Any Woman Down, winner of the Flannery O’Connor Award for Short Fiction, and the novel Elsewhere, California.

  • Gallery 169 will be hosting the Otis College of Art and Design Communication Arts Graphic Design Junior Show, "5328," displaying a selection of work made over the five thousand twenty eight hours that make up the fall and spring semesters of the academic year. Work will include collected posters, publications, and typographic projects.
  • Clay, Body is a solo exhibition from artist Sydney Aubert: Unapologetically fat, crass, and sexual, a ceramics artist who also works in video, and whatever other materials arouse her in the moment. Exhibition will be on view from Monday, April 24 - Friday, April 28 at the Bolsky Gallery, Otis College of Art and Design. On view by appointment only, please contact the artist at sydney.aubert@gmail.com Reception: Thursday, April 27 | 6pm-9pm Bolsky Gallery, Otis College of Art and Design

  • Audrey Wollen is a feminist theorist and visual artist based in Los Angeles. Wollen uses social media, such as Twitter and Instagram, as platforms for her work on Sad Girl Theory, a theory which posits that internalized female sadness can be used as a radical and political action, separate from masculinized forms of protests such as anger and violence. She introduces this form of protest as an alternative to masculinized anger and violence.
  • Bring family and friends to reconnect with fellow alumni at the studio of Albert Valdez ('10) following Brewery ArtWalk, an open studio weekend with over 100 participating resident artists.

    Parking is located inside the Brewery campus.  

    Visit www.breweryartwalk.com for directions and other information. 

  • Otis Radio: Our Story`

    May 01| Special Event
    More

    Creative Action and the Otis Community Radio class present weekly broadcasts each Monday.

     

    This week from 4:00 - 5:00 pm is Our Story. Join DJ Wormlord (Maggie Gilbert), DJ Ace (Grace Kanchana), and DJ Mango (Stacy Li) as we have real talk in real time. Don't miss out!

     

    Listen online at KLMU.

    All shows will be simulcast on 96.1FM in the Otis Commons and archived on otisradio.tumblr.com

O-Tube

Calendar

In his lecture, Laurence Rickels reenters the exchange between Walter Benjamin and Alexander Mette, which led to Mette’s review of Ursprung des deutschen Trauerspiels in Imago and brought Benjamin to consider the clinical picture of schizophrenia, the topic of Mette’s dissertation-book, which he in turn reviewed. While this contact underscores Benjamin’s interest in the clinical picture of psychosis (he attended at this time to Schreber’s Memoirs and to Freud’s analysis of the document), which Rickels sees as fundamental to Benjamin’s understanding of the melancholic mode of allegory, Rickels’ emphasis this time lies on the research Mette pursued as bona fide psychoanalyst in Nazi Berlin. After his 1934 book on the psychoanalytic elaboration of Nietzsche’s Apollo/Dionysus dyad was censored, he turned in a 1939 study to the interpretation of dreams recorded during the recent past. What links and separates the German dreams from 1917, 1926, and 1935 amounts to an allegory of the instrumentalization of adolescence in the Third Reich, between its reabsorption within the fairytale of childhood and its elevation to the position of superego. His final psychoanalytic study in 1940, which was also his last publication during the Nazi years, consolidated the dream insights in a “depth psychological” interpretation of the childish clown as the ultimate delegate of Dionysus.

 

After thirty years teaching at the University of California, in 2011 Laurence A. Rickels accepted the professorship in art and theory at the Staatliche Akademie der Bildenden Künste Karlsruhe as successor to Klaus Theweleit. Since 2006 he holds the Sigmund Freud Chair in Media and Philosophy at the European Graduate School in Saas Fee, Switzerland. Rickels is the author of Aberrations of Mourning (1988), The Case of California (1991), Nazi Psychoanalysis (2002), The Vampire Lectures (1999), The Devil Notebooks (2008), Ulrike Ottinger. The Autobiography of Art Cinema (2008), I Think I Am. Philip K. Dick  (2010), SPECTRE (2013), Germany. A Science Fiction (2014), and The Psycho Records (2016). 

February 2017
23
Lectures
GFA Lecture Series: Laurence A. Rickels
11:00AM Graduate Fine Arts Studios
Sponsored by
Graduate Fine Arts
February 2017
23
2017-02-23 11:00 2017-02-23 11:00
Lectures
GFA Lecture Series: Laurence A. Rickels
11:00AM 2017-02-23 11:00 | Graduate Fine Arts Studios
10455 Jefferson Blvd., Culver City, CA 90232