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Events
  • David Schafer

    Sep 30| Lectures
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    David Schafer is a visual and sound artist working in sculpture, sound, sound, performance, and works on paper. His work is concerned with the structures, translation, and intelligibility, of language and architecture. Schafer has shown nationally and internationally and has received several public commissions. Most recently he has had one-person shows at Studio10 gallery in Bushwick, Brooklyn, NY, and Glendale College Art Gallery, Glendale, CA.

  • Sarah Manguso

    Oct 01| Lectures
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    Sarah Manguso is the author, most recently, of The Guardians: An Elegy for a Friend, named one of the top ten books of the year by Salon. Her previous book, the memoir The Two Kinds of Decay, was named an Editors’ Choice by the New York Times Sunday Book Review and short-listed in the UK for the Wellcome Trust Book Prize and long-listed for the Royal Society Winton Prize. Her other books include the story collection Hard to Admit and Harder to Escape, and the poetry collections Siste Viator and The Captain Lands in Paradise.

  • Graduate Fine Arts, Visiting Artist Lecture Series presents artist, Jennifer Steinkamp.

    Thursday, October 2nd 11:15am - 12:30pm

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

     

  • OR GALLERY
    10455 JEFFERSON BLVD.
    CULVER CITY, CA 90232
  • Pae White

    Oct 07| Lectures
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    Pae White was born in 1963 in Pasadena, California. She lives and works in Los Angeles. She received her M.F.A. from Art Center College of Design in Pasadena and her B.A. from Scripps College in Claremont, California. She also studied at the Skowhegan School of Painting and Sculpture in Maine. Recent solo exhibition venues include Galerie Daniel Buchholz, Cologne; galleria francesca kaufmann, Milan; the Govett-Brewster Art Gallery, New Plymouth, New Zealand; the Contemporary Art Gallery, Vancouver; greengrassi, London; and 1301PE, Los Angeles.

  • Graduate Fine Arts, Visiting Artist Lecture Series presents artist, Paradise Garage.

    Thursday, October 9th 11:15am - 12:30pm

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

     
  • Jennifer Moon

    Oct 14| Lectures
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    Artist, Adventurer, and Revolutionary 

    Phoenix Rising, Part 2: Eros vs. Agape is on view now in Made in L.A. 2014 at the Hammer Museum through Sept. 7th! 

O-Tube

Calendar

June 22
-
August 28
Exhibition
Glued to the Seat: Revealing Hidden Realities
Open to the Public
Free Icon

Glued to the Seat presents the work of six artists who use narrative elements to reveal hidden truths and confront deep-rooted stereotypes.Through the guise of history, cultural traditions or personal experience, these provocative artists use authorship to expose oppressive stigmas and question sources.

Artists in the Exhibition

Lili Bernard (’14 Otis MFA Public Practice), Channing Martinez (’13 Otis Fine Arts), Jessica Minckley (’13 Otis MFA Fine Arts), Silvia Juliana Mantilla Ortiz (’13 Otis MFA Public Practice), Hyung min Rhee (’13 Otis MFA Fine Arts), and Susan Slade Sanchez (’13 Otis MFA Public Practice).

On March 2, 1955, fifteen year-old Claudette Colvin was the first person arrested for resisting bus segregation in Montgomery, Alabama; nine months before Rosa Parks. When recently asked why she didn’t get up, Claudette Colvin replied, “I could not move, because history had me glued to the seat. It felt like Sojourner Truth’s hands were pushing me down on one shoulder and Harriet Tubman’s hands were pushing me down on the other." These six artists are glued to their seats in present day America and are finding their power to change the tide.

Lili Bernard “The generational struggle of my family and Afro-Indigenous Caribbean ancestors, coupled with my own personal experiences as a mixed-heritage, Black Cuban immigrant in the United States of America, informs my exploration of the diasporic stain of racism, born of colonialism, and of the unconquerable nature of the human spirit.”

Channing Martinez “I’m interested in using myself as a tool to create conversation, if not contradiction of many of the useless constructions that mainstream media would like us to all fit into…the fact still remains that the African American male body still raises prominent social questions, especially when that body isn’t represented in the typical masculine fashion that it ‘should be’… As a gay man I see it as my duty to raise questions of the community I help to support when I’m faced with homophobia.”

Jessica Minckley works with the idea personal agency - where and how power is activated - and its absence; resulting in hopelessness, futility, immobilization and thus, failure. This investigation insists on representation of, or the implication of, a figure, the image of a live body (always inherently a site for potential violence) as a foundational element, which stems from Minckley's background in observational drawing.

Silvia Juliana Mantilla Ortiz “Talk is cheap, I know it, you know it, we all know it. As a matter of fact it is so cheap it is practically free! And yet, sometimes we pay a steep price when we misspeak... TALK IS CHEAP: Unincorporated Language Laboratories has set out on the mission of researching and experimenting with this magnificently rich and affordable medium. T.I.C. is comprised of various laboratories that, through questions about language and miscommunication, explore issues dealing with hybrid and continuously evolving practices present in the immigrant community.”

Hyung min Rhee “When one's value and interest collide with those of others, a translation is bound to be a failure. Metaphors are read differently, symbols bear different meanings, poetries fall apart and the most tragically, jokes fail. Cultural differences are symptoms, not the causes. My current works focus on failure and humor that is unavoidable in translation.”

Susan Slade Sanchez “At this moment in history, LGBTQ rights are being voted on, debated, over turned, passed and put under a microscope. Many LGBTQ couples have had to hide their relationships with family, neighbors, co-workers and others. I want to give a voice, or better, a face to what a long-term LGBTQ couple looks like in 2013. There has been a lack of role models, especially for LGBTQ youth, a lack of a modern Lucy & Ricky or Mr. & Mrs. Brady in the media and in the world.”

Events

Saturday, June 22, 4–6pm, Free
Opening Reception With performative reading of "Losing What You Didn't Know You Had," by Jessica Minckley.

Saturday, July 13, 2pm, Free
Performance & Reading With MFA candidates Hyung min Rhee and Jessica Minckley.

Saturday, August 24, 12:30pm, Free
Gallery Tour Leb by the curator and artists.

 

Curator

Jeseca Dawson is the Ben Maltz Gallery 2012/14 Curatorial Fellow, and is a recent graduate of the Otis MFA Public Practice program (’12). She is a video performance artist and photographer who explores issues of systemic violence in American culture. Her recent work, Home of the Braver, questions the blind patriotism of our time, focusing specifically on classism, patriarchy and xenophobia

 

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Jessica Minckley, photograph to accompany reading of the text Losing What You Didn't Know You Had

 

image here:

Lili Bernard, The Sale of Venus, 2011, Oil on canvas, 72”x96”

 

Sponsored by
Ben Maltz Gallery
Send to my calendar
June 22 -
August 28
2013-06-22 10:00 2013-08-28 19:00
Exhibition
Glued to the Seat: Revealing Hidden Realities
Open to the Public
Free Icon