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Events
  • Otis Fine Arts hosts a Visiting Artist lecture series featuring Matthew Brandt, a Los Angeles-based artist. Read more about him here.
    Contact: Soo Kim, skim@otis.edu
  • Otis Fine Arts hosts a Visiting Artist lecture series featuring Kerry Tribe, an artist working primarily in film, video, and installation. Read more about her here
     
    Contact: Soo Kim, skim@otis.edu
  • You are invited to a Movies that Matter Special Screening of the powerful new film shaping the debate about rape on college campuses, The Hunting Ground, on Tuesday, September 15 at 7:15 PM in the Otis Forum.  The Hunting Ground is a startling exposé of sexual assaults on U.S. colleges, institutional cover-ups and the brutal social toll on the victims and their families from the Academy Award-nominated filmmaking team of Kirby Dick and Amy Ziering.
  • Otis Books is pleased to publish Tim Erickson’s debut collection of poetry, Egopolis, a textual journey through destruction, resistance, city, and the Ego, from ancient times to the present day. Erickson’s work has appeared in the Chicago Review, Western Humanities Review, and the Salt Anthology of New Writing. He lives in Salt Lake City.

  • The Architecture/Landscape/Interiors Department at OTIS College of Art and Design is pleased to announce a lecture by 

  • Otis Fine Arts hosts a Visiting Artist lecture series featuring Hassan Khan, an artist who lives and works in Cairo, Egypt. Read more about him here.

     

    Contact: Soo Kim, skim@otis.edu

  • Otis Graduate Writing students will read from their works-in-progress.

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Continuing Education Course

SEM: 42


Critical Eye: Understanding Art


As the tangible evidence of human creativity, art is a vital part of every society and culture. Along with language, art making is the way people remember, imagine, build, decorate, worship, and critique themselves. Art is the vehicle that humans use to express their highest aspirations and deepest feelings. As such, art and art making are responsive to a wide variety of influences which can range from practical considerations of medium and technology to broader issues of ideology, gender and race.

This course investigates the interwoven fabric of art and culture, from the prehistoric cave paintings of Lascaux, France whose exact meaning has never been determined to Jackson Pollock's drip paintings, which epitomized the freedom of modern art.

Students are introduced to the major art movements and their cultural conditions, as well as the methodologies and critical theories that analyze and critique art history.

Prerequisite: None

First class materials: TBD


There are no sections for this course for this semester.
Course Details
Meetings: 12
Credit Hours: 1
Lab:
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