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  • Warren Neidich

    Aug 28| Lectures
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    Warren Neidich is a Berlin and Los Angeles based post-conceptual artist, theorist and writer who explores the interfaces between cultural production, brain research and cognitive capitalism. “Art Before Philosophy not After”. His interdisciplinary works combines photographic, video, internet downloads, scotch tape  and noise installations.

    www.warrenneidich.com

  • Rendering female models and celebrities on large-scale canvases and with quick, expressive brushstrokes, painter Katherine Bernhardt examines representations of beauty in mainstream media and fashion photography. She paints her subjects with severe, exaggerated features and emaciated limbs that sometimes morph into abstraction, recalling the works of Pablo Picasso. “Some people ask if I hate the models I paint,” she says. “I say no, I don't hate them.

  • UpCycle Day 2014!

    Sep 03| Special Event
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    Join us for the 3rd Annual UpCycle Day!

    Learn about the Resource Exchange

    Bring your excess supplies and materials to share and trade. 

    Stock up for the school year with Free supplies and materials. 

    Help divert our collective waste from ending up in landfills.

     

  • Jan Brandt

    Sep 04| Lectures
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  • Joel Kyack

    Sep 09| Lectures
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    JOEL KYACK Lives and works in Los Angeles.

    ghebaly.com/artists/joel-kyack

  • A dynamic portrait of the life of computer prodigy Aaron Swartz who championed free speech and data sharing, this must-see documentary premiered at the 2014 Sundance Film Festival in Park City, Utah and was the opening night film at the 2014 Hot Docs International Film Festival in Toronto, Canada. 

    We're excited the film’s director Brian Knappenberger will be our special guest speaker for the Q & A moderated by Movies that Matter series producers Judy Arthur and Perri Chasin after the screening. 

  • Koenraad Dedobbeleer lives and works in Brussels.

     

O-Tube

Continuing Education Course

SEM: 39


Critical Eye: Understanding Art


As the tangible evidence of human creativity, art is a vital part of every society and culture. Along with language, art making is the way people remember, imagine, build, decorate, worship, and critique themselves. Art is the vehicle that humans use to express their highest aspirations and deepest feelings. As such, art and art making are responsive to a wide variety of influences which can range from practical considerations of medium and technology to broader issues of ideology, gender and race.

This course investigates the interwoven fabric of art and culture, from the prehistoric cave paintings of Lascaux, France whose exact meaning has never been determined to Jackson Pollock's drip paintings, which epitomized the freedom of modern art.

Students are introduced to the major art movements and their cultural conditions, as well as the methodologies and critical theories that analyze and critique art history.

Prerequisite: None

First class materials: TBD


There are no sections for this course for this semester.
Course Details
Course Code: XARH1026
Meetings: 12
Credit Hours: 1
Lab:
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