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Events
  • Angie Kim

    MFA Exhibition: SAME

    Reception Thursday, Feb 6th, 6-9 pm

  • Amy Adler

    Feb 03| Lectures
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    Amy Adler graduated from Cooper Union and received an MFA in Visual Art from UCLA and an MFA in Cinematic Arts from USC. She has had one person shows at the Museum of Contemporary Art Los Angeles, the Museum of Contemporary Art San Diego and The Aspen Art Museum as well as galleries worldwide. 
     
  • same / mfa THESIS EXHIBITION 



    Angie Kim

    Exhibition, February 2 - 8, 2015 

    Reception, February 5, 6:00 - 9:00pm
 

    
Map of Location

     
  • Walk-thru the exhibition Shhhh led by the artist Angie Bray. Gain insight into Bray's work and to the exhibition, and hear about her process, materials, and philosophies on art-making and on quieting, listening, and looking.

  • Alex Israel

    Feb 10| Lectures
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    The work of Alex Israel is deeply entwined with his hometown of Los Angeles. The artist creates art that riffs on Hollywood culture and the cult of celebrity. His first major body of work consisted of rented studio props, transformed into readymades by their placement in the gallery—some blatantly obvious in their artificiality. He gave celebrities the same treatment in the video series “As It Lays”, video portraits based on campy TV talk shows.
  • Menno Cruijsen, Lava Design
    February 12, 12:30-1:30, Ahmanson 6th floor

    Lava was founded in 1990 by creative director Hans Wolbers (the Netherlands, 1965). The current team consists of 10 talented designers and three projectmanagers. The agency is focused on creative strategy, editorial design and dynamic identities.

    http://www.lava.nl

  • MAKING SENSE / Thesis Exhibition 



    Exhibition, February 16 - 21, 2015 

    Reception, February  19, 6:00 - 9:00pm
 

    
Map of Location

     

    

Website: www.rachelwolfe.com | Blog: howlya.tumblr.com

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Continuing Education Course

SEM: 40


Critical Eye: Understanding Art


As the tangible evidence of human creativity, art is a vital part of every society and culture. Along with language, art making is the way people remember, imagine, build, decorate, worship, and critique themselves. Art is the vehicle that humans use to express their highest aspirations and deepest feelings. As such, art and art making are responsive to a wide variety of influences which can range from practical considerations of medium and technology to broader issues of ideology, gender and race.

This course investigates the interwoven fabric of art and culture, from the prehistoric cave paintings of Lascaux, France whose exact meaning has never been determined to Jackson Pollock's drip paintings, which epitomized the freedom of modern art.

Students are introduced to the major art movements and their cultural conditions, as well as the methodologies and critical theories that analyze and critique art history.

Prerequisite: None

First class materials: TBD


There are no sections for this course for this semester.
Course Details
Course Code: XARH1026
Meetings: 12
Credit Hours: 1
Lab:
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