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  • High&Low Bureau is a curatorial duo composed of Yael Messer and Gilad Reich. They curate exhibitions, film programs, performative events and publications, while engaging with a plethora of disciplines, media and modes of artistic expression.Their curatorial practice is dedicated to the exploration of artistic strategies that reflect on, and suggest alternatives to, specific social-political conditions.

  • Los Angeles is a city often described as having no center. Its art community has turned that "disadvantage" into an advantage and given itself a license for adventure. Organizations, galleries, and artists find decentralization to be an exciting option and they establish their addresses in unexpected neighborhoods and zones in the city and even beyond, in other cities and states. What are the challenges and advantages of this programmatic and conceptual strategy? What are the risks, to organization and audience alike? Is this necessary, and if so, is it sustainable?

  • Fritz Haeg

    Sep 25| Lectures
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    Image: Fritz Haeg, working to install the Edible Estate #12 garden in Budapest, 2012. Photo: Andras Kare.

    Graduate Fine Arts, Visiting Artist Lecture Series presents artist, Fritz Haeg.

    Thursday, September 25th 11:15am - 12:30pm

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

  • David Schafer

    Sep 30| Lectures
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    David Schafer is a visual and sound artist working in sculpture, sound, sound, performance, and works on paper. His work is concerned with the structures, translation, and intelligibility, of language and architecture. Schafer has shown nationally and internationally and has received several public commissions. Most recently he has had one-person shows at Studio10 gallery in Bushwick, Brooklyn, NY, and Glendale College Art Gallery, Glendale, CA.

  • Sarah Manguso

    Oct 01| Lectures
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    Sarah Manguso is the author, most recently, of The Guardians: An Elegy for a Friend, named one of the top ten books of the year by Salon. Her previous book, the memoir The Two Kinds of Decay, was named an Editors’ Choice by the New York Times Sunday Book Review and short-listed in the UK for the Wellcome Trust Book Prize and long-listed for the Royal Society Winton Prize. Her other books include the story collection Hard to Admit and Harder to Escape, and the poetry collections Siste Viator and The Captain Lands in Paradise.

  • Graduate Fine Arts, Visiting Artist Lecture Series presents artist, Jennifer Steinkamp.

    Thursday, October 2nd 11:15am - 12:30pm

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

     

  • Pae White

    Oct 07| Lectures
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    Pae White was born in 1963 in Pasadena, California. She lives and works in Los Angeles. She received her M.F.A. from Art Center College of Design in Pasadena and her B.A. from Scripps College in Claremont, California. She also studied at the Skowhegan School of Painting and Sculpture in Maine. Recent solo exhibition venues include Galerie Daniel Buchholz, Cologne; galleria francesca kaufmann, Milan; the Govett-Brewster Art Gallery, New Plymouth, New Zealand; the Contemporary Art Gallery, Vancouver; greengrassi, London; and 1301PE, Los Angeles.

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Continuing Education Course

SEM: 39


Watercolor Painting


An introduction to the techniques, styles, and materials, which are unique to watercolor painting.

This course focuses on layering of color to create contrast and texture in a two-dimensional composition. Also examines characteristics of transparent pigment, color mixing, basic brushstroke, and painting techniques. Covers different weights and textures of paper, as well as the tools needed to complete the job.

Course emphasizes the basic rules of good design. Projects are designed to expose students to various challenges specific to the medium.

Prerequisite: None

First class materials: Transparent watercolors: ultramarine blue, winsor violet, winsor yellow, winsor red; #8 round watercolor brush (sable, sable mix, or synthetic,) pencil, kneaded eraser, paper towels, water bucket, palette (Robert Wood or one of similar size – round or rectangle,) 12”x16” block of 140 lb. cold pressed watercolor paper or a single large sheet

Course Details
Course Code: XPTG1750
Meetings: 10
Credit Hours: 1
Lab:
Section 1 Painting
Instructor: Deborah Swan McDonald
Meeting Day(s): Saturday
Meeting Time(s): 1:30 p.m. - 4:30 p.m.
Meeting Date(s): September 06, 2014  -  November 08, 2014
No Meeting/Special Note:
Class Size: 12
Meeting Room:
Location: Goldsmith Campus
9045 Lincoln Blvd.
Los Angeles, CA 90045-3505
Registration
Credit: Reg #: Fee:
Non-Credit 35433 $395  
Certificate 35434 $430  
Credit 35435 $1250  
1 of 12 seats available (last 2 seats are not available online)
Early bird = $50 EARLY BIRD DISCOUNT on courses $395 or more (ends at Open House).
* 2.75% fee to pay online. Read More
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