Events
  • In his lecture, Laurence Rickels reenters the exchange between Walter Benjamin and Alexander Mette, which led to Mette’s review of Ursprung des deutschen Trauerspiels in Imago and brought Benjamin to consider the clinical picture of schizophrenia, the topic of Mette’s dissertation-book, which he in turn reviewed.

  • Artist Anna Craycroft, of the current exhibition Tuning the Room in Ben Maltz Gallery, in discussion with artist and curator Micah Silver.

  • Emily Thorpe's art work addresses the twisting formation of memory through spatial relations and moments of domesticity. She will be presenting a solo exhibition for her Graduate Thesis at The Bolsky Gallery, Otis College of Art & Design, on view February 20 to February 25, 2017. There will be a closing reception on Saturday, February 25, 6-9pm.

  • Solmaz Sharif

    Mar 01| Lectures
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    Solmaz Sharif’s first collection, Look, was recently published by Graywolf Press and is a 2016 National Book Award finalist. Her poetry has appeared in the New Republic, Granta, Poetry, and other journals. Her first collection, Look, was recently published by Graywolf Press. A former Stegner Fellow, she is currently a lecturer at Stanford University and lives in the Bay Area.

  • Brendan Folwer was born 1978, Berkeley, California and lives and works in Los Angeles. His solo exhibitions include New Portraits (2017), Richard Telles Fine Art, Los Angeles, Portraits (2016), Mathew, New York and New Pictures, Six Sampler Works, and Benches (2015), Richard Telles Fine Art, Los Angeles.

  • One of two "Show and Tell" hands-on book events held inside the exhibition Tuning the Room in the Ben Maltz Gallery, featuring selections from the highly regarded Millard Sheets Library Artists’ Books Collection.

     

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Continuing Education Course



Grantwriting for Artists with Linda Vallejo


Join acclaimed artist and instructor, Linda Vallejo, as she guides you through the steps of raising funds for individual arts projects as well as non-profit arts organizations. The first day focuses on learning how to search for individual artist grants, fellowships, and residencies, and how to complete a full grant proposal package including artist statement, resume and bio, proposed program narrative and budget. The second day focuses on how to work effectively as a grantwriting professional for arts organizations, institutions, and agencies with lessons focused on how to research and organize “good match” funding sources. Also covers how to write compelling need statements, measurable objectives, and evaluation plans, as well as how to create accurate budgets. Participants have an opportunity to submit draft proposal materials to the instructor to receive valuable suggestions for improvement.

Prerequisite: None

First class materials: Project idea and/or draft of project proposal; notebook


There are no sections for this course for this semester.
Course Details
Course Code: XDEV1057
Meetings: 2
Credit Hours: NC
Lab:
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