Events
  • Opening Reception

    Sep 24| Special Event
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    New York-based artist Polly Apfelbaum’s work has situated itself as a hybrid of painting, sculpture, and installation over a career spanning 30 plus years. Exploring the intricacies of color, Apfelbaum weaves her way, both literally and conceptually, through ideas of Minimalism, Pop aesthetics, and Color Field painting to blur the lines between two and three dimensional art making.
     

  • Connie Butler, Chief Curator at the Hammer Museum

     

    Artist Polly Apfelbaum in conversation with Connie Butler, on Apfelbaum's exhibition Face (Geometry) (Naked) Eyes.

     

  • You are invited to hear acclaimed artist Mel Chin discuss his work and recent project The TIE that BINDS: MIRROR of the FUTURE.

    Sunday, September 25, 6:00-9:00pm

    RSVP HERE for Tickets

  • Guthrie Lonergan was born in 1984 in Los Angeles. He received a Bachelor of Arts from the University of California, Los Angeles in 2006.

  • Margo Victor

    Sep 29| Lectures
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    Margo Victor lives and works in Los Angeles, California and received her BFA at the California Institute of the Arts. Her work has been exhibited at Kunstlerhaus Stuttgart and Stedelijk Museum Amsterdam; Happy Lion in Chinatown, Los Angeles, California; Cirrus Gallery in Los Angeles; Elizabeth Dee Gallery in New York.

  • Shila Khatami

    Oct 04| Lectures
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    Shila Khatami has had solo exhibitions at:
    Autocenter in Berlin, Kunstverein Dillingen, 
    Galerie Samy Abraham in Paris, 
    Galerie Susanna Kulli in Zurich, 
    Clages in Cologne and Treize in Paris.
    Group exhibitions include:
    “00ooOO - holes, dots, balls“ with Davide Bertocchi at Hopstreet, Brussels ; 
    “Punkt-Systeme,Vom Pointilismus zum Pixel“ at the Wilhelm Hack Museum, Ludwigshafen; 
    „BYOB“ at Palais de Tokyo, Paris; 
    “Dorothea“ at Ancient & Modern, London; 
    “Ambigu“ at Kunstmuseum St. Gallen.

  • John Keene

    Oct 05| Lectures
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    John Keene is the author of the novels Annotations and Counternarratives, as well as several other works, including the poetry collection Seismosis, with artist Christopher Stackhouse, and a translation of Brazilian author Hilda Hilst's novel Letters from a Seducer. The recipient of a Whiting Award, Keene has been a member of the Dark Room Writers Collective and a Cave Canem fellow. He has served as the managing editor of Callaloo and taught at Northwestern. He currently teaches at Rutgers University-Newark and lives in New York.

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Continuing Education Course



Perspective Drawing


Developed during the Renaissance, perspective was as innovative then as the Internet is today. Perspective enabled artists to create the illusion of depth, volume, and three-dimensional space on a two-dimensional picture plane. Interior design is concerned with the creation of living, working, and hospitality environments. The spaces themselves, as well as their contents, needs to be rendered both two and three-dimensionally. This is accomplished through using grids, floor plans, and one-point and two-point perspective drawings. Floor plans help to illustrate a design concept. One-point and two-point perspective grids help bring the designer's vision into reality. In this hands-on course, students gather reference photos of furniture, accessories, and plants to fill their rooms, and render them in felt-tip markers. Students create two room designs, print, and render them in felt-tip markers. Students work in class every session - bring supplies to all class meetings.

Prerequisites: Drawing & Composition

First class materials: • drawing pencils (graphite & "no print") • kneaded, plastic or vinyl eraser • architect's scale (a triangular ruler; NOT an engineer's scale) • artist's drawing triangle (14", 30/60 degree with a beveled edge is best) • T-square (optional) • drawing pens or Rapidographs (optional) • drawing paper for pencil or pen--(paper size anywhere from 9" x 12" to 11" x 17"; to be used for homework assignments) • colored media (final projects to executed water color &/or markers &/or colored pencils, etc.--students' choice) • paper suitable for colored medium chosen (students' choice; no smaller than 9" x 12")

Course Details
Course Code: XPRD7607
Meetings: 10
Credit Hours: 1
Lab:
Section 1 Product Design
Instructor: Scott Zaragoza
Meeting Day(s): Monday
Meeting Time(s): 7 p.m. - 10 p.m.
Meeting Date(s): September 12, 2016  -  November 14, 2016
No Meeting/Special Note:
Class Size: 16
Meeting Room:
Location: Goldsmith Campus
9045 Lincoln Blvd.
Los Angeles, CA 90045-3505
Registration
Credit: Reg #: Fee:
Non-Credit 35321 $435  
Certificate 35322 $475  
Credit 35323 $1370  
0 of 0 seats available (last 2 seats are not available online)
Early bird = $50 EARLY BIRD DISCOUNT applied to individual courses $435 or more (ends at Open House).
* 2.75% fee to pay online. Read More
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