Events
  • Shila Khatami

    Oct 04| Lectures
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    Shila Khatami has had solo exhibitions at:
    Autocenter in Berlin, Kunstverein Dillingen, 
    Galerie Samy Abraham in Paris, 
    Galerie Susanna Kulli in Zurich, 
    Clages in Cologne and Treize in Paris.
    Group exhibitions include:
    “00ooOO - holes, dots, balls“ with Davide Bertocchi at Hopstreet, Brussels ; 
    “Punkt-Systeme,Vom Pointilismus zum Pixel“ at the Wilhelm Hack Museum, Ludwigshafen; 
    „BYOB“ at Palais de Tokyo, Paris; 
    “Dorothea“ at Ancient & Modern, London; 
    “Ambigu“ at Kunstmuseum St. Gallen.

  • John Keene

    Oct 05| Lectures
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    John Keene is the author of the novels Annotations and Counternarratives, as well as several other works, including the poetry collection Seismosis, with artist Christopher Stackhouse, and a translation of Brazilian author Hilda Hilst's novel Letters from a Seducer. The recipient of a Whiting Award, Keene has been a member of the Dark Room Writers Collective and a Cave Canem fellow. He has served as the managing editor of Callaloo and taught at Northwestern. He currently teaches at Rutgers University-Newark and lives in New York.

  • Leonardo Bravo is an artist, curator, and educator and the Founder of Big City Forum. Big City Forum is an interdisciplinary project designed to explore the intersection between design-based creative disciplines (Design, Architecture, Urban Planning, etc) that take into account public space and the built environment. Big City Forum facilitates the exchange of ideas through gatherings, symposiums, exhibitions, and special events that promote forward-thinking projects and the individuals at the forefront of this vision.

  • Chris Coy

    Oct 11| Lectures
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    Chris Coy is an artist and filmmaker. His work has shown at the New Museum of Contemporary Art in New York, the Sundance Film Festival, the Utah Museum of Contemporary Art, the Netherlands Media Art Institute, and numerous international art festivals and exhibitions. He received his MFA from the University of Southern California in 2012. He is represented by Anat Ebgi, Los Angeles.

  • Professor Karen Tongson joined the USC faculty in English and Gender Studies in fall 2005. She received her Ph.D. in English from the University of California, Berkeley. Before coming to USC, Tongson held a University of California President's Postdoctoral Fellowship in Literature at UC San Diego, and a UC Humanities Research Institute (UCHRI) Residential Research Fellowship at UC Irvine.

  • Artist Polly Apfelbaum in conversation with David Pagel, within Apfelbaum's exhibition Face (Geometry) (Naked) Eyes.

     

  • Patrick Jackson studied at San Francisco Art Institute (BFA) and the University of Southern California (MFA). In May 2017, Patrick Jackson will have a solo exhibition at The Wattis Institute, San Francisco.

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Continuing Education Course



Portfolio Preparation: Painting


Students explore the materials and methods of painting, including the use and mixing of oil paint and the study of representational and abstract imagery. Focus is on painting from observation and developing an individual style. Both historical and contemporary artworks are examined. Students complete up to four paintings which can be included in a portfolio for application to college. Course includes homework.

Prerequisite: Basic Drawing experience is preferred but not required

First class materials: 200 ml tube titanium white and 37 ml ivory black oil paint, 1 canvas board (16” x 20"), 1 can turpenoid or gamsol, 1 flat 1/4" paint brush, 1 flat 1" inch paint brush, 3 12-16 oz screw top jars, rags, 9” x 12" disposable paper palette. List of additional supplies provided at first class meeting.

IMPORTANT:
• All students attending courses on the Goldsmith Campus must check in with Continuing Education staff in the lobby of the Ahmanson Building.
• All Portfolio Preparation students are required to submit a completed Pre-College Programs Emergency Contact Information Form, Policies and Procedures Acknowledgement of Receipt, and Photo/Video Release Form prior to admittance into the classroom. Students will not be permitted to attend without this.
• During the summer, Pre-College Programs offers a four week college immersion program, Summer of Art from July 5-July 29.


There are no sections for this course for this semester.
Course Details
Course Code: XPFP1163
Meetings: 10
Credit Hours: NC
Lab:
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