Events
  • Opening Reception

    Sep 24| Special Event
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    New York-based artist Polly Apfelbaum’s work has situated itself as a hybrid of painting, sculpture, and installation over a career spanning 30 plus years. Exploring the intricacies of color, Apfelbaum weaves her way, both literally and conceptually, through ideas of Minimalism, Pop aesthetics, and Color Field painting to blur the lines between two and three dimensional art making.
     

  • Connie Butler, Chief Curator at the Hammer Museum

     

    Artist Polly Apfelbaum in conversation with Connie Butler, on Apfelbaum's exhibition Face (Geometry) (Naked) Eyes.

     

  • You are invited to hear acclaimed artist Mel Chin discuss his work and recent project The TIE that BINDS: MIRROR of the FUTURE.

    Sunday, September 25, 6:00-9:00pm

    RSVP HERE for Tickets

  • Guthrie Lonergan was born in 1984 in Los Angeles. He received a Bachelor of Arts from the University of California, Los Angeles in 2006.

  • Margo Victor

    Sep 29| Lectures
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    Margo Victor lives and works in Los Angeles, California and received her BFA at the California Institute of the Arts. Her work has been exhibited at Kunstlerhaus Stuttgart and Stedelijk Museum Amsterdam; Happy Lion in Chinatown, Los Angeles, California; Cirrus Gallery in Los Angeles; Elizabeth Dee Gallery in New York.

  • Shila Khatami

    Oct 04| Lectures
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    Shila Khatami has had solo exhibitions at:
    Autocenter in Berlin, Kunstverein Dillingen, 
    Galerie Samy Abraham in Paris, 
    Galerie Susanna Kulli in Zurich, 
    Clages in Cologne and Treize in Paris.
    Group exhibitions include:
    “00ooOO - holes, dots, balls“ with Davide Bertocchi at Hopstreet, Brussels ; 
    “Punkt-Systeme,Vom Pointilismus zum Pixel“ at the Wilhelm Hack Museum, Ludwigshafen; 
    „BYOB“ at Palais de Tokyo, Paris; 
    “Dorothea“ at Ancient & Modern, London; 
    “Ambigu“ at Kunstmuseum St. Gallen.

  • John Keene

    Oct 05| Lectures
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    John Keene is the author of the novels Annotations and Counternarratives, as well as several other works, including the poetry collection Seismosis, with artist Christopher Stackhouse, and a translation of Brazilian author Hilda Hilst's novel Letters from a Seducer. The recipient of a Whiting Award, Keene has been a member of the Dark Room Writers Collective and a Cave Canem fellow. He has served as the managing editor of Callaloo and taught at Northwestern. He currently teaches at Rutgers University-Newark and lives in New York.

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Continuing Education Course



Large Scale Figure Drawing: Construction and Form Analysis


This drawing course focuses on drawing the oversized or life size human figure, constructing the form and capturing the gesture. This class will be divided into three major drawings with lectures on some anatomy given. Students learn methods of gesturing and measuring, designed to create a convincing structural illusion and transparent beauty of the human figure. The human figure is the most amazing machine ever designed. Gain power in your drawing by learning anatomy. Lectures and demonstrations are given on each major anatomical part of the human figure. Students do direct drawing in three week studies. Students draw with charcoal or Conte pencil. All work is done on 32”x48” paper, or larger. At home studies are encouraged.

Prerequisite: XDWG1014 Life Drawing or equivalent knowledge

First class materials: Pencil Sharpener, Retractable Breakaway Knife, Large Kneaded Eraser, Charcoal Pencils - HB, 2B,
18” x 24” Newsprint , Extra soft vine charcoal, chamois cloth, 4 extra large alligator clips, 48”x 10’ roll of drawing paper

OPTIONAL TEXTS:
COMPLETE GUIDE TO LIFE DRAWING, Gottfried Bammes, Search Press, ISBN-10: 1844486907
ARTISTIC ANATOMY, Dr. Paul Richer, ISBN-10: 0823002977
FIGURE DRAWING: DESIGN AND INVENTION, Michael Hampton, ISBN-10: 0615272819
THE HUMAN FIGURE, David K. Rubins, 1953, Penguin Books, ISBN 0-14-004243-1


There are no sections for this course for this semester.
Course Details
Course Code: XDWG1018
Meetings: 10
Credit Hours: 1
Lab:
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