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  • Rendering female models and celebrities on large-scale canvases and with quick, expressive brushstrokes, painter Katherine Bernhardt examines representations of beauty in mainstream media and fashion photography. She paints her subjects with severe, exaggerated features and emaciated limbs that sometimes morph into abstraction, recalling the works of Pablo Picasso. “Some people ask if I hate the models I paint,” she says. “I say no, I don't hate them.

  • UpCycle Day 2014!

    Sep 03| Special Event
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    Join us for the 3rd Annual UpCycle Day!

    Learn about the Resource Exchange

    Bring your excess supplies and materials to share and trade. 

    Stock up for the school year with Free supplies and materials. 

    Help divert our collective waste from ending up in landfills.

     

  • Forrest Gander

    Sep 03| Lectures
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    Otis Books/Seismicity Editions is pleased to publish Panic Cure: Poetry from Spain for the 21st Century, an anthology of poems from eleven contemporary Spanish poets, active from the 1960s through the present. Selected and translated by Forrest Gander, Panic Cure is notable for its impressive range of poetic voices.

  • Jan Brandt

    Sep 04| Lectures
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  • Joel Kyack

    Sep 09| Lectures
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    JOEL KYACK Lives and works in Los Angeles.

    ghebaly.com/artists/joel-kyack

  • A dynamic portrait of the life of computer prodigy Aaron Swartz who championed free speech and data sharing, this must-see documentary premiered at the 2014 Sundance Film Festival in Park City, Utah and was the opening night film at the 2014 Hot Docs International Film Festival in Toronto, Canada. 

    We're excited the film’s director Brian Knappenberger will be our special guest speaker for the Q & A moderated by Movies that Matter series producers Judy Arthur and Perri Chasin after the screening. 

  • Koenraad Dedobbeleer lives and works in Brussels.

     

O-Tube

Continuing Education Course

SEM: 39


Urban Noir: Night Photography at the Santa Monica Pier


Join internationally renowned night photographer, Helen K. Garber, as she guides students through the specialized techniques of night photography at one of the artist’s favorite Los Angeles Landmarks – the world famous Santa Monica Pier. (This is the first photography class, taking place on the pier that is sanctioned by the Santa Monica Pier Restoration Corporation.) The course begins at Otis for an introductory meeting to prepare students for the shoot. The second session meets late in the day, in the private quarters of the Pier Restoration Corporation, the old apartments above the landmark Carousel, a special treat in itself. After a preliminary discussion and a tour with your instructor to point out the best vantage points, students watch and evaluate the available light, to be ready to shoot by sunset. Shooting continues through dusk and nightfall. Following the shooting session, the students may opt to stay, relax and share a meal with Ms. Garber at one of the restaurants on the pier. The final meeting takes place at Otis for a critique of the students’ photographs.

Prerequisite: Students are expected to understand how to use their camera, including ISO, speed, and aperture settings.

First class materials: Note-taking materials. Film cameras are acceptable for the shoot, with t-max 400 or 3200 film, but digital cameras are recommended. A mini Tripod or tripod is mandatory for shooting at the pier.

Course meets:
Tues, 2/19 from 7-10pm at Otis
Mon 2/25 from 4-9pm at the Santa Monica Pier
and Tues, 3/5 from 7:00-10:00pm at Otis


There are no sections for this course for this semester.
Course Details
Course Code: XPHO2086
Meetings: 3
Credit Hours: 1
Lab:
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