Events
  • Mining fields like education, cinema, psychology, literature and art history Anna Craycroft examines cultural models for fostering individuality. Through drawings, paintings, videos, sculptures, furniture, installations, books, workshops, or curatorial projects she works thematically on a single thesis over a series of exhibitions.

  • In his lecture, Laurence Rickels reenters the exchange between Walter Benjamin and Alexander Mette, which led to Mette’s review of Ursprung des deutschen Trauerspiels in Imago and brought Benjamin to consider the clinical picture of schizophrenia, the topic of Mette’s dissertation-book, which he in turn reviewed.

  • Artist Anna Craycroft, of the current exhibition Tuning the Room in Ben Maltz Gallery, in discussion with artist and curator Micah Silver.

  • Emily Thorpe's art work addresses the twisting formation of memory through spatial relations and moments of domesticity. She will be presenting a solo exhibition for her Graduate Thesis at The Bolsky Gallery, Otis College of Art & Design, on view February 20 to February 25, 2017. There will be a closing reception on Saturday, February 25, 6-9pm.

  • Solmaz Sharif

    Mar 01| Lectures
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    Solmaz Sharif’s first collection, Look, was recently published by Graywolf Press and is a 2016 National Book Award finalist. Her poetry has appeared in the New Republic, Granta, Poetry, and other journals. Her first collection, Look, was recently published by Graywolf Press. A former Stegner Fellow, she is currently a lecturer at Stanford University and lives in the Bay Area.

  • Brendan Folwer was born 1978, Berkeley, California and lives and works in Los Angeles. His solo exhibitions include New Portraits (2017), Richard Telles Fine Art, Los Angeles, Portraits (2016), Mathew, New York and New Pictures, Six Sampler Works, and Benches (2015), Richard Telles Fine Art, Los Angeles.

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Continuing Education Course



Urban Noir: Night Photography at the Santa Monica Pier


Join internationally renowned night photographer, Helen K. Garber, as she guides students through the specialized techniques of night photography at one of the artist’s favorite Los Angeles Landmarks – the world famous Santa Monica Pier. (This is the first photography class, taking place on the pier that is sanctioned by the Santa Monica Pier Restoration Corporation.) The course begins at Otis for an introductory meeting to prepare students for the shoot. The second session meets late in the day, in the private quarters of the Pier Restoration Corporation, the old apartments above the landmark Carousel, a special treat in itself. After a preliminary discussion and a tour with your instructor to point out the best vantage points, students watch and evaluate the available light, to be ready to shoot by sunset. Shooting continues through dusk and nightfall. Following the shooting session, the students may opt to stay, relax and share a meal with Ms. Garber at one of the restaurants on the pier. The final meeting takes place at Otis for a critique of the students’ photographs.

Prerequisite: Students are expected to understand how to use their camera, including ISO, speed, and aperture settings.

First class materials: Note-taking materials. Film cameras are acceptable for the shoot, with t-max 400 or 3200 film, but digital cameras are recommended. A mini Tripod or tripod is mandatory for shooting at the pier.

Course meets:
Tues, 2/19 from 7-10pm at Otis
Mon 2/25 from 4-9pm at the Santa Monica Pier
and Tues, 3/5 from 7:00-10:00pm at Otis


There are no sections for this course for this semester.
Course Details
Course Code: XPHO2086
Meetings: 3
Credit Hours: 1
Lab:
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