Events
  • Margo Victor

    Sep 29| Lectures
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    Margo Victor lives and works in Los Angeles, California and received her BFA at the California Institute of the Arts. Her work has been exhibited at Kunstlerhaus Stuttgart and Stedelijk Museum Amsterdam; Happy Lion in Chinatown, Los Angeles, California; Cirrus Gallery in Los Angeles; Elizabeth Dee Gallery in New York.

  • Shila Khatami

    Oct 04| Lectures
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    Shila Khatami has had solo exhibitions at:
    Autocenter in Berlin, Kunstverein Dillingen, 
    Galerie Samy Abraham in Paris, 
    Galerie Susanna Kulli in Zurich, 
    Clages in Cologne and Treize in Paris.
    Group exhibitions include:
    “00ooOO - holes, dots, balls“ with Davide Bertocchi at Hopstreet, Brussels ; 
    “Punkt-Systeme,Vom Pointilismus zum Pixel“ at the Wilhelm Hack Museum, Ludwigshafen; 
    „BYOB“ at Palais de Tokyo, Paris; 
    “Dorothea“ at Ancient & Modern, London; 
    “Ambigu“ at Kunstmuseum St. Gallen.

  • John Keene

    Oct 05| Lectures
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    John Keene is the author of the novels Annotations and Counternarratives, as well as several other works, including the poetry collection Seismosis, with artist Christopher Stackhouse, and a translation of Brazilian author Hilda Hilst's novel Letters from a Seducer. The recipient of a Whiting Award, Keene has been a member of the Dark Room Writers Collective and a Cave Canem fellow. He has served as the managing editor of Callaloo and taught at Northwestern. He currently teaches at Rutgers University-Newark and lives in New York.

  • Leonardo Bravo is an artist, curator, and educator and the Founder of Big City Forum. Big City Forum is an interdisciplinary project designed to explore the intersection between design-based creative disciplines (Design, Architecture, Urban Planning, etc) that take into account public space and the built environment. Big City Forum facilitates the exchange of ideas through gatherings, symposiums, exhibitions, and special events that promote forward-thinking projects and the individuals at the forefront of this vision.

  • Chris Coy

    Oct 11| Lectures
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    Chris Coy is an artist and filmmaker. His work has shown at the New Museum of Contemporary Art in New York, the Sundance Film Festival, the Utah Museum of Contemporary Art, the Netherlands Media Art Institute, and numerous international art festivals and exhibitions. He received his MFA from the University of Southern California in 2012. He is represented by Anat Ebgi, Los Angeles.

  • Professor Karen Tongson joined the USC faculty in English and Gender Studies in fall 2005. She received her Ph.D. in English from the University of California, Berkeley. Before coming to USC, Tongson held a University of California President's Postdoctoral Fellowship in Literature at UC San Diego, and a UC Humanities Research Institute (UCHRI) Residential Research Fellowship at UC Irvine.

  • Artist Polly Apfelbaum in conversation with David Pagel, within Apfelbaum's exhibition Face (Geometry) (Naked) Eyes.

     

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Continuing Education Course



Fine Art Photojournalism in the Age of Social Media


Fine Art Photojournalism has evolved into a specialized type of art reportage that requires skills in photography, writing, diplomacy, and art criticism. Social Media has evolved to support our need to know and to stay connected. In this course, students report the news about fellow artists and the emerging icons of the contemporary art world using Twitter, Facebook, YouTube, Blogger, Tumblr, and more. Students photograph art and interview artists at gallery exhibitions, museum openings, and art receptions in the Los Angeles area. Participants learn how to develop and write objective stories, maintain professional relationships, and demonstrate skilled criticism. Students develop images for publication online and/or portfolio review. Lectures take place at Otis however students are required to visit exhibitions throughout the city to collect relevant information.

Prerequisite: XPHO0000, Introduction to Photography; XPHO0000, Introduction to Black and White Darkroom

First class materials: Although some photographic equipment is available for use at Otis, students must have their own 35mm analog or digital cameras. Text: Criticizing Photographs: An Introduction to Understanding Images, 4th Edition, By Terry Barrett, UNIVERSITY OF NORTH TEXAS ©2006 ISBN-13 9780072977431 MHID 0072977434; addition materials TBD.


There are no sections for this course for this semester.
Course Details
Course Code: XPHO2350
Meetings: 10
Credit Hours: 1
Lab: $35
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