Events
  • In his lecture, Laurence Rickels reenters the exchange between Walter Benjamin and Alexander Mette, which led to Mette’s review of Ursprung des deutschen Trauerspiels in Imago and brought Benjamin to consider the clinical picture of schizophrenia, the topic of Mette’s dissertation-book, which he in turn reviewed.

  • Artist Anna Craycroft, of the current exhibition Tuning the Room in Ben Maltz Gallery, in discussion with artist and curator Micah Silver.

  • Emily Thorpe's art work addresses the twisting formation of memory through spatial relations and moments of domesticity. She will be presenting a solo exhibition for her Graduate Thesis at The Bolsky Gallery, Otis College of Art & Design, on view February 20 to February 25, 2017. There will be a closing reception on Saturday, February 25, 6-9pm.

  • You can easily spot The Little Friends of Printmaking in a crowd—their inky hands and clothes are a dead giveaway. Their work is just as distinctive. JW & Melissa Buchanan first made a name for themselves through their silkscreened concert posters, but soon branched out into further fields, designing fancy junk for whoever would pay them money. In addition to their work as illustrators and designers, they've continued their fine art pursuits through exhibitions, lectures, and artists’ residencies, spreading the gospel of silkscreen to anyone inclined to listen.

  • "In publishers’ terms, Shock and Awe – a hefty, intellectual book about glam rock – is timely." - Jude Rogers, The Guardian

  • Solmaz Sharif

    Mar 01| Lectures
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    Solmaz Sharif’s first collection, Look, was recently published by Graywolf Press and is a 2016 National Book Award finalist. Her poetry has appeared in the New Republic, Granta, Poetry, and other journals. Her first collection, Look, was recently published by Graywolf Press. A former Stegner Fellow, she is currently a lecturer at Stanford University and lives in the Bay Area.

  • Brendan Folwer was born 1978, Berkeley, California and lives and works in Los Angeles. His solo exhibitions include New Portraits (2017), Richard Telles Fine Art, Los Angeles, Portraits (2016), Mathew, New York and New Pictures, Six Sampler Works, and Benches (2015), Richard Telles Fine Art, Los Angeles.

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Continuing Education Course



User Experience Design (online)


“I’m a Mac…” “I’m a PC…” Apple’s advertising campaign has become a classic example of the difference between Apple and Microsoft. In these advertisements, Apple appeared young, cool, and hip, while Microsoft appeared un-hip, overweight, and difficult to interact with. These ads were humorous, but at the core of this depiction was Apple’s focus on the user’s experience. At the time, PCs were less than attractive and almost required a computer science degree to use. On the other hand, “Macs” came in appealing colors and were “easy to use” right out of the box. User experience design, now known as UED, is the control over the flow of interaction between the user and an application. UED exists at the crossroads of graphic design, product design, information design, and product development. In this course, students explore theories in usability, information architecture, and information organization. The goal is for students to learn how to apply these principles to create friendly, elegant designs that take complex processes and organize them into interfaces that users can immediately understand. Please note: Course takes place completely online in an asynchronous environment. Material will be uploaded weekly on Tuesday evenings, 7:00pm (Pacific Time). Login information will be forwarded following student registration. Enrollment deadline: Monday, 5/26/14.

Prerequisites: None

Prerequisite: None

First class materials: External USB Drive


There are no sections for this course for this semester.
Course Details
Course Code: XDMA9125
Meetings: 10
Credit Hours: 1
Lab:
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