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Events
  • Otis Fine Arts hosts a Visiting Artist lecture series featuring Matthew Brandt, a Los Angeles-based artist. Read more about him here.
     
  • Otis Fine Arts hosts a Visiting Artist lecture series featuring Kerry Tribe, an artist working primarily in film, video, and installation. Read more about her here.
  • You are invited to a Movies that Matter Special Screening of the powerful new film shaping the debate about rape on college campuses, The Hunting Ground, on Tuesday, September 15 at 7:15 PM in the Otis Forum.  The Hunting Ground is a startling exposé of sexual assaults on U.S. colleges, institutional cover-ups and the brutal social toll on the victims and their families from the Academy Award-nominated filmmaking team of Kirby Dick and Amy Ziering.
  • Otis Books is pleased to publish Tim Erickson’s debut collection of poetry, Egopolis, a textual journey through destruction, resistance, city, and the Ego, from ancient times to the present day. Erickson’s work has appeared in the Chicago Review, Western Humanities Review, and the Salt Anthology of New Writing. He lives in Salt Lake City.

  • The Architecture/Landscape/Interiors Department at OTIS College of Art and Design is pleased to announce a lecture by 

  • Otis Fine Arts hosts a Visiting Artist lecture series featuring Hassan Khan, an artist who lives and works in Cairo, Egypt. Read more about him here.

  • Otis Graduate Writing students will read from their works-in-progress.

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Continuing Education Course

SEM: 42


Drawing from Memory


In this course, students use fundamental techniques of composition, line, value, shape, form, mass, texture, and color to draw from memory and their imaginations. Students communicate mood, emotion, and thought through line, gesture, and image. Projects also address collage, combining cut and torn shapes from magazines, newspaper, and student drawings to better understand composition, form, and design. Students access life, photographs, and memory to create still lives, portraits, landscapes, and abstract imagery. Fascinating readings draw from the fields of art and psychology, addressing consciousness and memory. Along with mining our own memories, this course examines collective memory, cultural memory, amnesia, and more. Materials include charcoal, graphite, pencils, Conte, ink, and color pastel.

Prerequisite: None

First class materials: 18 x 24 inch newsprint pad, drawing board and a black marker (Tombow - 'dual brush pen')


There are no sections for this course for this semester.
Course Details
Meetings: 10
Credit Hours: 1
Lab:
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