Events
  • In his lecture, Laurence Rickels reenters the exchange between Walter Benjamin and Alexander Mette, which led to Mette’s review of Ursprung des deutschen Trauerspiels in Imago and brought Benjamin to consider the clinical picture of schizophrenia, the topic of Mette’s dissertation-book, which he in turn reviewed.

  • Artist Anna Craycroft, of the current exhibition Tuning the Room in Ben Maltz Gallery, in discussion with artist and curator Micah Silver.

  • Emily Thorpe's art work addresses the twisting formation of memory through spatial relations and moments of domesticity. She will be presenting a solo exhibition for her Graduate Thesis at The Bolsky Gallery, Otis College of Art & Design, on view February 20 to February 25, 2017. There will be a closing reception on Saturday, February 25, 6-9pm.

  • Solmaz Sharif

    Mar 01| Lectures
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    Solmaz Sharif’s first collection, Look, was recently published by Graywolf Press and is a 2016 National Book Award finalist. Her poetry has appeared in the New Republic, Granta, Poetry, and other journals. Her first collection, Look, was recently published by Graywolf Press. A former Stegner Fellow, she is currently a lecturer at Stanford University and lives in the Bay Area.

  • Brendan Folwer was born 1978, Berkeley, California and lives and works in Los Angeles. His solo exhibitions include New Portraits (2017), Richard Telles Fine Art, Los Angeles, Portraits (2016), Mathew, New York and New Pictures, Six Sampler Works, and Benches (2015), Richard Telles Fine Art, Los Angeles.

  • One of two "Show and Tell" hands-on book events held inside the exhibition Tuning the Room in the Ben Maltz Gallery, featuring selections from the highly regarded Millard Sheets Library Artists’ Books Collection.

     

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Continuing Education Course



Patternmaking I


Students learn to flat patterndraft from sketches, using approved slopers. In today’s industry, this is the fastest and most commonly used method. Students begin with seamless blocks, draft the pattern on dotted paper, add seams, and then transfer to manila for a final hard paper pattern, including an appropriate pattern card. Assignments include sewing the finished pattern in muslin, checking the fit on the dress form and making corrections to the pattern. Mirroring industry techniques, students develop skills expected of a designer and/or a first-pattern patternmaker.

Prerequisite: XFSH3019 Sewing I, XFSH3014 Draping I

First class materials: 18” Graff ruler, scissors (pattern and fabric), mechanical pencil, French curve, pattern notcher, stapler, ¾” Magic Scotch Tape in table dispenser, 8 ½”x11” lined notepaper in a 1” binder, pattern hooks. Text: Patternmaking for Fashion Design, 5th edition preferred, by Helen Joseph Armstrong.

Course Details
Course Code: XFSH3015
Meetings: 12
Credit Hours: 1
Lab: $35
Section 1 Fashion Design
Instructor: Morrison Jackson
Meeting Day(s): Sunday
Meeting Time(s): 11:30 a.m. - 2:30 p.m.
Meeting Date(s): February 05, 2017  -  May 07, 2017
No Meeting/Special Note: No mtg: 3/26 & 4/16/17
Class Size: 14
Meeting Room:
Location: Goldsmith Campus
9045 Lincoln Blvd.
Los Angeles, CA 90045-3505
Registration
Credit: Reg #: Fee:
Non-Credit 15175 $435  
Certificate 15176 $475  
Credit 15177 $1370  
6 of 14 seats available (last 2 seats are not available online)
Early bird = $50 EARLY BIRD DISCOUNT applied to individual adult courses $435 or more (ends at Open House).
* 2.75% fee to pay online. Read More
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