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  • Rendering female models and celebrities on large-scale canvases and with quick, expressive brushstrokes, painter Katherine Bernhardt examines representations of beauty in mainstream media and fashion photography. She paints her subjects with severe, exaggerated features and emaciated limbs that sometimes morph into abstraction, recalling the works of Pablo Picasso. “Some people ask if I hate the models I paint,” she says. “I say no, I don't hate them.

  • UpCycle Day 2014!

    Sep 03| Special Event
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    Join us for the 3rd Annual UpCycle Day!

    Learn about the Resource Exchange

    Bring your excess supplies and materials to share and trade. 

    Stock up for the school year with Free supplies and materials. 

    Help divert our collective waste from ending up in landfills.

     

  • Forrest Gander

    Sep 03| Lectures
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    Otis Books/Seismicity Editions is pleased to publish Panic Cure: Poetry from Spain for the 21st Century, an anthology of poems from eleven contemporary Spanish poets, active from the 1960s through the present. Selected and translated by Forrest Gander, Panic Cure is notable for its impressive range of poetic voices.

  • Jan Brandt

    Sep 04| Lectures
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  • Joel Kyack

    Sep 09| Lectures
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    JOEL KYACK Lives and works in Los Angeles.

    ghebaly.com/artists/joel-kyack

  • A dynamic portrait of the life of computer prodigy Aaron Swartz who championed free speech and data sharing, this must-see documentary premiered at the 2014 Sundance Film Festival in Park City, Utah and was the opening night film at the 2014 Hot Docs International Film Festival in Toronto, Canada. 

    We're excited the film’s director Brian Knappenberger will be our special guest speaker for the Q & A moderated by Movies that Matter series producers Judy Arthur and Perri Chasin after the screening. 

  • Koenraad Dedobbeleer lives and works in Brussels.

     

O-Tube

Continuing Education Course

SEM: 39


Techniques of the Painter: From Abstraction to Representation


This painting course is designed to aid beginning and advanced artists in stimulating imaginary thinking and developing their personal vision. With equal emphasis on formal skills and experimentation, exercises focus on trusting intuition, learning to see inward, and the ability to see oneself reflected in the world at large. How do we see our authentic selves in the external environment? How do we make this vision manifest in our creative works? At the core, our aim is to create paintings that are well crafted and clearly rooted in individual expression. Students are encouraged to utilize representational and abstract elements, which are essential in bringing to life the visual world and one’s own creative self-expression. Also explores the discipline of being an artist, the rigor of career and professional practice, and how to remain true to a unique vision despite market trends. Oil paints are recommended, but acrylics are also acceptable.

Prerequisite: XDWG1001 Drawing & Composition; experience using a digital camera including iPhones and a laptop computer with basic Photoshop skills are required.

First class materials: TBD


There are no sections for this course for this semester.
Course Details
Course Code: XPTG9001
Meetings: 10
Credit Hours: 1
Lab:
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