Events
  • Daniel Mendel-Black has exhibited widely in the U.S. and abroad. Recent shows include Pretty Lips Are Red at China Art Objects Galleries in Los Angeles, and André Butzer, Marcel Hüppauff, Daniel Mendel-Black, Philipp Schwalb at Galerie Bernd Kugler in Innsbruck, Austria. Mendel-Black’s work is represented in a number of public collections.

  • Join us at the opening of our 2017 exhibition on THURSDAY, JANUARY 19TH at 6:30pm at Otis College Fine Art Graduate Studios. Exhibit curated by GFA Students, Alex Kay and Shirin Bolourchi.

  • Tim Walsh, is the inventor of the board game Blurt!, which sold more than a milion copies. Tim has lincesned toy and game concepts to Hasbro, Mattel, Brio, Educational Insights, Imagine Entertaiment, and others. Be inspired and entertained by the stories behind the creation of blockbuster toys and games.

     

  • Todd Bradford Richmond presents a solo exhibition of new paintings and installation for his Graduate Thesis at The Bolsky Gallery, Otis College of Art & Design, on view January 22 to February 1, 2017 (closes at 12noon on Feb 1). There will be an artist reception on Saturday, January 28, 2-6pm.

  • Tim Davis's wry photographs find the sublime in the quotidian. Whether shooting an abandoned pair of sneakers, the streets of a nameless suburb, or the corner of a framed painting in a museum, Davis captures the peripheral, everyday beauty of our daily life.

  • Otis College of Art and Design and The Art and Design Department at CSUDH will be partnering to bring two Ceramics Artist, Diego Romero and Michael Sherrill to give a guest lecture and workshop demosntartion to take place at both campuses in conjuction with the 73rd Scripps Cerramic Annua, curated by Joan Takayama-Ogawa (Otis College Faculty member).

  • James Hannaham

    Jan 25| Lectures
    More

    James Hannaham is the author of the novels Delicious Foods, which won the 2016 PEN/Faulkner Award, and God Says No, a Stonewall Honor Book and a Lambda Literary Award finalist.

O-Tube

Continuing Education Course



Exploring Italy - Venice, Florence, and Rome (includes special visits to the Venice Biennale)




• Travel Dates: September 26 – October 5
• Orientation: Saturday, September 7
• Follow-up: Saturday, October 26

Join Meg Linton, Director of Galleries and Exhibitions, Otis College of Art and Design, and John O’Brien, esteemed Los Angeles visual artist, for an exploration of contemporary art and historical sites in three key Italian cities: Venice, Florence, and Rome. The tour begins in the beautiful and historic city of Venice, Italy, where students spend three days at the Venice Biennale, the renowned biannual exhibition of art from around the world, with pavilions from 29 countries, providing the opportunity to encounter an enormous range of contemporary art. Day 5, the tour moves on to the Tuscany Region and Florence, the jewel of the Renaissance, where artists Michelangelo, Leonardo, and Botticelli left their marks. This fabled city offers unbelievable historical sites and luminary arts establishments such as La Galleria degli Uffizi and the Museo del Bargello. Day 8, the program travels to the ancient city of Rome, known for its incredible archeological sites and antiquities, as well as it flourishing contemporary art community. Coursework includes developing a photographic, drawing, and/or written journal of participant’s trip. Cost includes course tuition, ground transportation in Italy, entrance fees, breakfast daily, and dinner on first and last evening of travel. (Airfare not included.) Comfortable walking shoes are a must, due to the nature of this program; includes substantial walking and endurance. Early Bird Registration

Deadline: August 1, 2013.

Prerequisite: None

Class materials: Sketchbook/journal, camera, drawing/writing materials


There are no sections for this course for this semester.
Course Details
Course Code: XOAT3001
Meetings: 12
Credit Hours: NC
Lab:
Tell a friend about this course
Friend's Email:

Ask a Question

Current Courses




 

Otis College Ranked 6th in Nation by The Economist