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Events
  • Otis Fine Arts hosts a Visiting Artist lecture series featuring Matthew Brandt, a Los Angeles-based artist. Read more about him here.
    Contact: Soo Kim, skim@otis.edu
  • Otis Fine Arts hosts a Visiting Artist lecture series featuring Kerry Tribe, an artist working primarily in film, video, and installation. Read more about her here
     
    Contact: Soo Kim, skim@otis.edu
  • You are invited to a Movies that Matter Special Screening of the powerful new film shaping the debate about rape on college campuses, The Hunting Ground, on Tuesday, September 15 at 7:15 PM in the Otis Forum.  The Hunting Ground is a startling exposé of sexual assaults on U.S. colleges, institutional cover-ups and the brutal social toll on the victims and their families from the Academy Award-nominated filmmaking team of Kirby Dick and Amy Ziering.
  • Otis Books is pleased to publish Tim Erickson’s debut collection of poetry, Egopolis, a textual journey through destruction, resistance, city, and the Ego, from ancient times to the present day. Erickson’s work has appeared in the Chicago Review, Western Humanities Review, and the Salt Anthology of New Writing. He lives in Salt Lake City.

  • The Architecture/Landscape/Interiors Department at OTIS College of Art and Design is pleased to announce a lecture by 

  • Otis Fine Arts hosts a Visiting Artist lecture series featuring Hassan Khan, an artist who lives and works in Cairo, Egypt. Read more about him here.

     

    Contact: Soo Kim, skim@otis.edu

  • Otis Graduate Writing students will read from their works-in-progress.

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Continuing Education Course

SEM: 42


Stop-Motion Animation


This hands-on course provides a strong foundation in stop-motion animation using nonlinear video editing skills and techniques. Editing software including Final Cut Pro and Photoshop is used to create projects that focus on continuity, screen direction, and narrative clarity. Course covers:Building a model/character/subject, shooting a scene, capturing, organizing workflow, building rough cuts by working with timelines and clips, refining rough cuts through the use of trimming, refining timing, and applying transitions. Working in small teams, the class’s primary project is a short narrative video, which is then used as the basis to explore animation/editing approaches and techniques. Using the same footage, each student creates their own edit of the narrative, refining and focusing it over the course of the term. Hands-on tutorials reinforce technique and concepts introduced in lecture and demonstrations. Films and videos that demonstrate key concepts from lecture material are screened and discussed. Students also learn basic terminology and receive an overview of career options in the editing and animation field.

Prerequisite: Storyboarding, Digital Story Telling, Production - FCP, Photoshop a plus.


There are no sections for this course for this semester.
Course Details
Meetings: 9
Credit Hours: 1
Lab:
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