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Events
  • Composer Kubilay Üner offers a reactive experience with a live presentation of a new composition made in response to the exhibition Angie Bray: Shhhh. The performance will be interspersed with conversation between Üner and Bray.

  • Kathryn Andrews gets some of her best ideas driving around Los Angeles, where the visual contradictions she sees every day find their way into her art. Andrews, who is originally from Mobile, Alabama, is known for the commonplace objects she fabricates from highly polished and painted metal, into which she incorporates inexpensive or borrowed finds, including rented Hollywood props.

  •  

    Los Angeles Premiere Screening of 

    The State of Creativity

    A Look into the Otis Report on the Creative Economy

    Otis College of Art and Design is pleased to announce the formation of a media partnership with KCETLink. The partnership will bring the 2014 Otis Report on the Creative Economy of the Los Angeles Region and the State of California into the digital age through an interactive, multi-platform presentation developed by, and for, KCETLink’s award-winning arts and culture series, Artbound.

  • Angie Bray is something of a Renaissance woman with a wide range of artistic abilities and interests encouraged and enriched by her upbringing and her liberal arts education. She spent her childhood in the countryside outside Philadelphia where she attended a girls’ school that emphasized music, drama, and art in addition to academics. She studied at La Sorbonne in Paris and earned a Bachelor of Arts from Sarah Lawrence College in New York, followed by a Masters in Education from Harvard University in Massachusetts.

  • Sean Cully

    Bolsky Gallery

    Otis College of Art and Design

    9045 Lincoln Boulevard, Los Angeles, CA 90045
    (310) 846-2614

     

  • Orange County Premiere Screening of 

    The State of Creativity

    A Look into the Otis Report on the Creative Economy

    Otis College of Art and Design is pleased to announce the formation of a media partnership with KCETLink. The partnership will bring the 2014 Otis Report on the Creative Economy of the Los Angeles Region and the State of California into the digital age through an interactive, multi-platform presentation developed by, and for, KCETLink’s award-winning arts and culture series, Artbound.

  • Closing reception for exhibition Angie Bray: Shhhh

O-Tube

Continuing Education Course

SEM: 40


Stop-Motion Animation


This hands-on course provides a strong foundation in stop-motion animation using nonlinear video editing skills and techniques. Editing software including Final Cut Pro and Photoshop is used to create projects that focus on continuity, screen direction, and narrative clarity. Course covers:Building a model/character/subject, shooting a scene, capturing, organizing workflow, building rough cuts by working with timelines and clips, refining rough cuts through the use of trimming, refining timing, and applying transitions. Working in small teams, the class’s primary project is a short narrative video, which is then used as the basis to explore animation/editing approaches and techniques. Using the same footage, each student creates their own edit of the narrative, refining and focusing it over the course of the term. Hands-on tutorials reinforce technique and concepts introduced in lecture and demonstrations. Films and videos that demonstrate key concepts from lecture material are screened and discussed. Students also learn basic terminology and receive an overview of career options in the editing and animation field.

Prerequisite: Storyboarding, Digital Story Telling, Production - FCP, Photoshop a plus.


There are no sections for this course for this semester.
Course Details
Course Code: XDMA9250
Meetings: 9
Credit Hours: 1
Lab:
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