• Todd Gray

    Oct 25| Lectures

    Todd Gray was born in 1954 in Los Angeles. Gray received an MFA and a BFA from California Institute of the Arts and is currently a professor at California State University, Long Beach. He has shown performance work at REDCAT (Roy and Edna Disney CalArts Theater), Los Angeles (2010); California African American Museum, Los Angeles (2009); the Commons, New York University (2008); 18th Street Arts Center, Santa Monica (2008); New Renaissance Theater, Syracuse, NY (2007); and Academy of Media Arts, Cologne (2004).

  • Ruby Neri is a sculptor, painter, and former street artist from San Francisco and Los Angeles, California, known for her evocative portrayal of horses.

  • Otis in NYC
    October 27, 2016 
    6 - 8 pm 
    Franklin Parrasch Gallery
    53 East 64 Street
    New York, NY 10065

    Otis College President Bruce W. Ferguson is coming to NYC! 
    Please come say hello and visit with your fellow alumni and friends of Otis College of Art and Design.
    Drinks and hors d'oeuvres.


  • Lecture takes place at 356 S. Mission Rd., co-presented with Ben Maltz Gallery in conjunction with the exhibition Polly Apfelbaum: Face (Geometry) (Naked) Eyes.

    New York-based critic and independent curator Bob Nickas presents his musings on one hundred paintings, choosing one from each year from 1915-2015.

  • Bob Nickas

    Oct 31| Lectures

    Bob Nickas is a critic and independent curator based in New York, having organized more than ninety exhibitions since 1984.
    He was Curatorial Advisor at P.S.1/MoMA in New York between 2004-07, where his exhibitions include: 
    Lee Lozano: Drawn From Life; 
    William Gedney—Christopher Wool: Into the Night; 
    Stephen Shore: American Surfaces; 
    Wolfgang Tillmans: Freedom From The Known. 

  • Looking at the recent works of Sebastian Stumpf one finds an interplay between performance and the recording of performance, between the execution of a physical act and the documentation of it by means of a camera. [He] operates in two distinct realms: in the empty spaces of contemporary art institutions and in urban settings with their preexisting orders. […] An inconspicuous architectural detail suddenly becomes the catalyst for a physical exploit…. The art gallery becomes a space for action.

  • Passionate Voices Expressed in Sound Bearing Plastic: An Evening with Collector Richard Shelton


Faculty Member

Continuing Education Faculty

Alison Saar & Sarah Lewis

Alison Saar Informed by artistic traditions from the Americas to Africa and beyond, and by her mixed racial upbringing, Alison Saar fuses her paradoxical responses to the black-and-white delineations of political and social forces into a powerful, visual, and kinesthetic tension. She uses the history and associations of her materials, everyday experience, African art and ritual, Greek mythology, and the stark sculptural tradition of German Expressionism to infuse her work with a primal intensity that challenges cultural and historic references and stereotypes. STILL ... gathers together for the first time four never-exhibited works made during a residency at Pilchuck Glass School in Seattle with six new bronze and mixed-media sculptures. Saar has achieved broad recognition for her studio and public art throughout the country. Her work is held in many collections including the Museum of Modern Art, Hirshhorn Museum and Sculpture Garden, and Metropolitan Museum of Art; and she has major public art works in Los Angeles, New York and Chicago. She has received numerous prestigious awards from the Guggenheim Foundation, Anonymous Was a Woman, and the National Endowment for the Arts. Ms. Saar received her MFA in 1981 from Otis College of Art and Design.

Sarah Lewis Scholar, writer, and curator Sarah Lewis is currently finishing her book, RISE, a book that draws on her work in the arts and expands into sports, business, psychology, sociology, and science. Selected for Oprah’s 2010 “Power List,” and included as a member of President Obama’s Arts Policy Committee, her writing has been published widely. Her Yale dissertation on Frederick Douglass, The Circassian Beauties and American Racial Formation, is now under contract with Harvard University Press (2014 release). Ms. Lewis has been an active curator, holding positions at both the Tate Modern and the Museum of Modern Art. She was also selected to be the Co-Curator of the 2010 SITE Santa Fe Biennial. She sits on the boards of the Harvard University Alumni Association, the CUNY Graduate Center, the Andy Warhol Foundation for the Visual Arts, and the Brearley School, and she is on the Art Advisory Committee of Madison Square Park. She received a B.A. from Harvard University, magna cum laude, an M.Phil. from Oxford University with Distinction as a British Marshall Scholar, and will receive a Ph.D. from Yale University in 2012. She is on faculty at Yale University, School of Art in the M.F.A. program.

2016 Fall Session course(s) instructed by Alison Saar & Sarah Lewis:
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