• Todd Gray

    Oct 25| Lectures

    Todd Gray was born in 1954 in Los Angeles. Gray received an MFA and a BFA from California Institute of the Arts and is currently a professor at California State University, Long Beach. He has shown performance work at REDCAT (Roy and Edna Disney CalArts Theater), Los Angeles (2010); California African American Museum, Los Angeles (2009); the Commons, New York University (2008); 18th Street Arts Center, Santa Monica (2008); New Renaissance Theater, Syracuse, NY (2007); and Academy of Media Arts, Cologne (2004).

  • Ruby Neri is a sculptor, painter, and former street artist from San Francisco and Los Angeles, California, known for her evocative portrayal of horses.

  • Otis in NYC
    October 27, 2016 
    6 - 8 pm 
    Franklin Parrasch Gallery
    53 East 64 Street
    New York, NY 10065

    Otis College President Bruce W. Ferguson is coming to NYC! 
    Please come say hello and visit with your fellow alumni and friends of Otis College of Art and Design.
    Drinks and hors d'oeuvres.


  • Lecture takes place at 356 S. Mission Rd., co-presented with Ben Maltz Gallery in conjunction with the exhibition Polly Apfelbaum: Face (Geometry) (Naked) Eyes.

    New York-based critic and independent curator Bob Nickas presents his musings on one hundred paintings, choosing one from each year from 1915-2015.

  • Bob Nickas

    Oct 31| Lectures

    Bob Nickas is a critic and independent curator based in New York, having organized more than ninety exhibitions since 1984.
    He was Curatorial Advisor at P.S.1/MoMA in New York between 2004-07, where his exhibitions include: 
    Lee Lozano: Drawn From Life; 
    William Gedney—Christopher Wool: Into the Night; 
    Stephen Shore: American Surfaces; 
    Wolfgang Tillmans: Freedom From The Known. 

  • Looking at the recent works of Sebastian Stumpf one finds an interplay between performance and the recording of performance, between the execution of a physical act and the documentation of it by means of a camera. [He] operates in two distinct realms: in the empty spaces of contemporary art institutions and in urban settings with their preexisting orders. […] An inconspicuous architectural detail suddenly becomes the catalyst for a physical exploit…. The art gallery becomes a space for action.

  • Passionate Voices Expressed in Sound Bearing Plastic: An Evening with Collector Richard Shelton


Faculty Member

Continuing Education Faculty

Michael Wright

Michael Wright graduated from the University of Washington and began to explore New Media in the mid 1980’s on an Amiga computer. His paintings are represented in “Imaging by Numbers: A Historical View of Digital Printmaking in America” by Patrick Prince for the “Art Journal” published by the College Art Association, “The Art of the Digital Age” by Bruce Wands, “Going Digital” by Joseph Nalven and JD Jarvis, "Computer Graphics World" '25 year Retrospective of Digital Art" in its January 2002 issue and in the magazine’s "Portfolio" section in the November 2001 issue. Profiled in "Computer Graphics Companion" edited by Jeffrey McConnell, Anthony Ralston, and Edwin Reilly, and also appears in "The Computer in the Visual Arts" by Anne Morgan Spalter, and in Linda Jacob's seminal book, "CyberArts: Exploring Art & Technology". Wright's prints are in the collection of the Victoria and Albert Museum in London. Wright is a professor in the Digital Media Program at Otis College of Art and Design. He served as Art Gallery Chair for ACM SIGGRAPH 2003 in San Diego, California. Wright was part of SIGGRAPH’S first Artists in Residence Program at SIGGRAPH 2007 and was included in the SIGGRAPH international exhibition “Global Eyes”.

2016 Fall Session course(s) instructed by Michael Wright:
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