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Events
  • Women of Otis, Please Join…. 

     

    Victoria Alonso 

    Executive Vice President of Visual Effects and Post Production, Marvel Studios 
    In a conversation about how to become a successful woman in a male dominated field 

     

    Thursday, October 30 

    The Forum 

    11:00 – 12:30 

     

    *open to women students, faculty and staff.

  • Phillip Zach

    Oct 30| Lectures
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    Graduate Fine Arts, Visiting Artist Lecture Series presents artist, Phillip Zach.

    Thursday, October 30th 11:15am - 12:30pm

    Graduate Studios: 10455 Jefferson Blvd Culver City CA 90230

     

  • Visit the Campus. Get advice on your portfolio. Talk to faculty and students. Learn more about financial aid.

     

    Register now for Open House 2014.

     

    CHECK-IN BEGINS AT 12:30
    WORKSHOPS 

    1:00 – 1:45
    Financing Your Education
    Center for Creative Professions: Create Your Future 

    2:00 – 2:45
    Housing Options: Making a Good Fit

  • Creative Action and the Otis Radio class present weekly broadcasts each Monday.

     

    This week 4-6pm is Waves to Asia with DJ Pheonix, DJ Z and DJ Kai, bringing some Asian culture to the air waves, including J-Pop, K-Pop and Chinese Pop, as well as popular anime music. Also as part of the show we will feature a talk about Asian food that you can get and try in Los Angeles.

     

  • Creative Action and the Otis Radio class present weekly broadcasts each Monday.

    This week 4-5pm is Rewind 1976 with DJ’s Gabriel Rojas, Nauseous P, and Little C. Join us to count down the songs on the top of the charts... 1976 style. We'll be playing the hits as if it's that very Autumn day 30+ years ago.

  • Otis Radio: Rap Realm

    Nov 10| Special Event
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    Creative Action and the Otis Radio class present weekly broadcasts each Monday.

  • Scott Short

    Nov 11| Lectures
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    Scott Short | Born 1964 in Marion, OH | Lives and works in Paris, France 

     

O-Tube

Karen Moss

Karen Moss
Senior Lecturer
Education: 

MA, Art History and PhD candidate, University of Southern California

BA Studio Art and Art History, University of California, Santa Cruz

Bio/Affiliation: 

Karen Moss is an art historian, curator and educator who has worked in museums and academic positions since 1980. She has been Senior Faculty in the Graduate Public Practice Program at the Otis College of Art and Design since 2008 and was recently appointed as the college’s Interim Director of Galleries and Exhibitions. She is overseeing artists’ residencies, exhibitions and public programs at the Ben Maltz Gallery, including the Otis project for the Getty’s Pacific Standard Time’s Los Angeles/Latin America.


Previously, Moss was Deputy Director of Exhibitions and Programs and Curator of Collections at Orange County Museum of Art (OCMA) from 2005 - 2010. She co-curated State of Mind: New Art from California Circa 1970 for the Getty’s Pacific Standard Time initiative in 2011 and subsequently the exhibition travelled to the UC Berkeley Art Museum/Pacific Film Archives, the Belkin Gallery, University of British Columbia, Vancouver; SITE Santa Fe, the Bronx Museum of Arts, and the Smart Museum, University of Chicago. Some of her other OCMA exhibitions included: 15 Minutes of Fame: Portraits from Ansel Adams to Andy Warhol  (2010) Illumination: The Paintings of Georgia O’Keeffe, Agnes Pelton, Agnes Martin and Florence Pierce (2009);Disorderly Conduct: Recent Art in Tumultuous Times (2008) and Art Since the 1960s: California Experiments (2007-08).  Moss was co-curator and catalogue essayist for the 2006 California Biennial and organized artists’ residencies, performances and public programs for the 2006, 2008 and 2010 biennials.

 

Prior to OCMA, Moss was Director of Exhibitions and Public Programs at San Francisco Art Institute (1999-2004) where she curated exhibitions such as Sharon Lockhart/Kelly NipperJames SienaTopographies, and The World on Its Head: Contemporary Belgian Art and organized Touch: Relational Art from the 1990s with Nicolas Bourriaud. Moss also did international residencies with artists Ghada Amer, Tania Bruguera, Lee Bul, Wim Delvoye, Pierre Huyghe/Philppe Parenno, Los Carpinteros and Rikrit Tiranvanija. 

As Director of Education and Community Programs and curator at the Walker Art Center (1995-1999) she curated Performance in the 1970s: Experiencing the EverydayArt of the 1960s: Media is the Message, co-curated Visitor’s Voices: Recomposing the Collection, and also organized many artist residences and public programs.

Moss was the first Director of Programs at the Santa Monica Museum of Art (1989-1993) where she curated exhibitions such as Altered Egos: Making As Another andKim Abeles: Encyclopedia Persona and organized Art in the Raw the museum’s inaugural site-specific installations that evolved into SMMOA’s  Artists’ Project Series. Earlier in her career she was an Assistant Curator at MOCA, Los Angeles (1985-87) and attended Whitney Independent Study Program in Art History and Museum Studies.

Moss has a B.A. in studio art and art history from U.C. Santa Cruz, and did her graduate work in art history at U.C. Berkeley and University of Southern California, where she is completing her PhD. in art history. She has taught undergraduate and graduate level art history, critical theory and curatorial studies at art schools and universities including Cal State University, Long Beach, Otis College of Art and Design; San Francisco Art Institute, and University of Southern California. Moss has authored numerous museum exhibition catalogues, written guest essays for arts publications, and contributed to scholarly journals. Recent publications include, an in-depth article on Martha Rosler for Feminist Studies Journal (2013) and an essay on the re-imagining of Bonnie Sherk’s Portable Park IV for an upcoming book on theGetty’s Pacific Standard Time Performance and Public Art Festival.