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  • Warren Neidich

    Aug 28| Lectures
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    Warren Neidich is a Berlin and Los Angeles based post-conceptual artist, theorist and writer who explores the interfaces between cultural production, brain research and cognitive capitalism. “Art Before Philosophy not After”. His interdisciplinary works combines photographic, video, internet downloads, scotch tape  and noise installations.

    www.warrenneidich.com

  • Rendering female models and celebrities on large-scale canvases and with quick, expressive brushstrokes, painter Katherine Bernhardt examines representations of beauty in mainstream media and fashion photography. She paints her subjects with severe, exaggerated features and emaciated limbs that sometimes morph into abstraction, recalling the works of Pablo Picasso. “Some people ask if I hate the models I paint,” she says. “I say no, I don't hate them.

  • UpCycle Day 2014!

    Sep 03| Special Event
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    Join us for the 3rd Annual UpCycle Day!

    Learn about the Resource Exchange

    Bring your excess supplies and materials to share and trade. 

    Stock up for the school year with Free supplies and materials. 

    Help divert our collective waste from ending up in landfills.

     

  • Jan Brandt

    Sep 04| Lectures
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  • Joel Kyack

    Sep 09| Lectures
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    JOEL KYACK Lives and works in Los Angeles.

    ghebaly.com/artists/joel-kyack

  • A dynamic portrait of the life of computer prodigy Aaron Swartz who championed free speech and data sharing, this must-see documentary premiered at the 2014 Sundance Film Festival in Park City, Utah and was the opening night film at the 2014 Hot Docs International Film Festival in Toronto, Canada. 

    We're excited the film’s director Brian Knappenberger will be our special guest speaker for the Q & A moderated by Movies that Matter series producers Judy Arthur and Perri Chasin after the screening. 

  • Koenraad Dedobbeleer lives and works in Brussels.

     

O-Tube

Suzanne Lacy

Suzanne Lacy
Department Chair
Education: 

MFA, Cal Arts; BA, UC Santa Barbara

Bio/Affiliation: 

Internationally exhibited artist known for contributions in feminist, performance, public art. As artist, educator, social activist, and writer, her work over the course of the last 30 years has focused on taking art out of the gallery and into the world to engage new audiences and galvanize a public discussion about race, poverty, and social justice.

 

Suzanne Lacy’s work includes installations, video, and large-scale performances that frequently focus on social themes. Recently she has  

created The Tattooed Skeleton, a multipart performance at the Museo Nacional Centro Reina Sofia in Madrid, Prostitution Notes, a performance/reading at the Serpentine Marathon, Anyang Women’s Agenda, a public performance in Anyang, Korea, The Skin of Memory Revisited at the Medellin Biennale, Three Weeks in January for the Getty Pacific Standard Time Performance and Public Art Festival, Storying Rape for the Liverpool Biennial, installed an exhibition, The Crystal Quilt, a recent acquisition of the collection of Tate Modern, and created a new performance Silver Action, also for Tate Modern. She is currently working on a long term project in Bristol, The University of Local Knowledge with the Arnolfini Gallery and the Knowle West Media Centre.

 

 

Also known for her writing, Lacy edited the influential Mapping the Terrain: New Genre Public Art, published in 1995 by Bay Press and has recently released Leaving Art:Writings on Performance, Politics, and Publics, 1974-2007 by Duke University Press.Suzanne Lacy: Spaces Between is a monograph by Sharon Irish, published by University Minnesota Press.

AWARDS/HONORS: 

National Endowment for the Arts Grant Guggenheim Fellowship Lila Wallace Arts International Fellowship Public Art Dialogue Annual Award Distinguished Artist Award for Lifetime Achievement, College Art Association Lifetime Achievement Award, Women's Caucus for Art

PROFESSIONAL ACCOMPLISHMENTS/EXHIBITIONS:  

In 2013, Lacy recreated her 1987 Crystal Quilt project for the Tanks: Art in Action at Tate Modern, London, and staged a performance of Silver Action, celebrating the voices of older women.

Co-founder Visual Public Arts Institute at CSU Monterey

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