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  • Angie Bray: Shhhh

    Jan 17| Exhibition
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    Angie Bray: Shhhh

    January 17 – March 22, 2015

    Opening Reception: January 24, 4-6pm

    Angie Bray: Shhhh is a substantial exhibition of the Los Angeles–based artist’s installations, photographs, drawings, sculpture and video organized by guest curator Meg Linton for the Ben Maltz Gallery at Otis College of Art and Design. The exhibition opens on Saturday, January 17, 2015.

    About the Exhibition

  • Opening Reception for Angie Bray: Shhhh a substantial exhibition of the Los Angeles–based artist’s installations, photographs, drawings, sculpture and video organized by guest curator Meg Linton for the Ben Maltz Gallery.

  • Walk-thru the exhibition Shhhh led by the artist Angie Bray. Gain insight into Bray's work and to the exhibition, and hear about her process, materials, and philosophies on art-making and on quieting, listening, and looking.

  • The Architecture/Landscape/Interiors Department at OTIS College of Art and Design is pleased to announce the George H. Scanlon Foundation Lecture REDUX.3 by JAMES CORNER


    Wednesday    18 February 2015    7:30 PM
    Ahmanson Auditorium   limited, open seating starting at 7:00 PM  

    at THE MUSEUM OF CONTEMPORARY ART, LOS ANGELES

    250 SOUTH GRAND AVENUE  LOS ANGELES CA  90012

     

    This lecture is free and open to the public.

     

  • Bassoon Performance

    Feb 22| Special Event
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    Bassoonist John Steinmetz Performs and Converses with the Audience
    Playing live bassoon inside the exhibition Angie Bray: Shhhh, Steinmetz will react to Bray’s installations by playing some of his own music as well as new compositions, and will converse with the audience, who are encouraged to sit or roam through the gallery looking and listening.

  • Composer Kubilay Üner offers a “reactive” experience with a live presentation of a new composition made in response to the exhibition Angie Bray: Shhhh. The performance will be interspersed with conversation between Üner and Bray.

  • Closing reception for exhibition Angie Bray: Shhhh

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Suzanne Lacy

Suzanne Lacy
Department Chair
Education: 

MFA, Cal Arts; BA, UC Santa Barbara

Bio/Affiliation: 

Internationally exhibited artist known for contributions in feminist, performance, public art. As artist, educator, social activist, and writer, her work over the course of the last 30 years has focused on taking art out of the gallery and into the world to engage new audiences and galvanize a public discussion about race, poverty, and social justice.

 

Suzanne Lacy’s work includes installations, video, and large-scale performances that frequently focus on social themes. Recently she has  

created The Tattooed Skeleton, a multipart performance at the Museo Nacional Centro Reina Sofia in Madrid, Prostitution Notes, a performance/reading at the Serpentine Marathon, Anyang Women’s Agenda, a public performance in Anyang, Korea, The Skin of Memory Revisited at the Medellin Biennale, Three Weeks in January for the Getty Pacific Standard Time Performance and Public Art Festival, Storying Rape for the Liverpool Biennial, installed an exhibition, The Crystal Quilt, a recent acquisition of the collection of Tate Modern, and created a new performance Silver Action, also for Tate Modern. She is currently working on a long term project in Bristol, The University of Local Knowledge with the Arnolfini Gallery and the Knowle West Media Centre.

 

 

Also known for her writing, Lacy edited the influential Mapping the Terrain: New Genre Public Art, published in 1995 by Bay Press and has recently released Leaving Art:Writings on Performance, Politics, and Publics, 1974-2007 by Duke University Press.Suzanne Lacy: Spaces Between is a monograph by Sharon Irish, published by University Minnesota Press.

AWARDS/HONORS: 

National Endowment for the Arts Grant Guggenheim Fellowship Lila Wallace Arts International Fellowship Public Art Dialogue Annual Award Distinguished Artist Award for Lifetime Achievement, College Art Association Lifetime Achievement Award, Women's Caucus for Art

PROFESSIONAL ACCOMPLISHMENTS/EXHIBITIONS:  

In 2013, Lacy recreated her 1987 Crystal Quilt project for the Tanks: Art in Action at Tate Modern, London, and staged a performance of Silver Action, celebrating the voices of older women.

Co-founder Visual Public Arts Institute at CSU Monterey

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