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  • Warren Neidich

    Aug 28| Lectures
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    Warren Neidich is a Berlin and Los Angeles based post-conceptual artist, theorist and writer who explores the interfaces between cultural production, brain research and cognitive capitalism. “Art Before Philosophy not After”. His interdisciplinary works combines photographic, video, internet downloads, scotch tape  and noise installations.

    www.warrenneidich.com

  • Rendering female models and celebrities on large-scale canvases and with quick, expressive brushstrokes, painter Katherine Bernhardt examines representations of beauty in mainstream media and fashion photography. She paints her subjects with severe, exaggerated features and emaciated limbs that sometimes morph into abstraction, recalling the works of Pablo Picasso. “Some people ask if I hate the models I paint,” she says. “I say no, I don't hate them.

  • UpCycle Day 2014!

    Sep 03| Special Event
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    Join us for the 3rd Annual UpCycle Day!

    Learn about the Resource Exchange

    Bring your excess supplies and materials to share and trade. 

    Stock up for the school year with Free supplies and materials. 

    Help divert our collective waste from ending up in landfills.

     

  • Jan Brandt

    Sep 04| Lectures
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  • Joel Kyack

    Sep 09| Lectures
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    JOEL KYACK Lives and works in Los Angeles.

    ghebaly.com/artists/joel-kyack

  • A dynamic portrait of the life of computer prodigy Aaron Swartz who championed free speech and data sharing, this must-see documentary premiered at the 2014 Sundance Film Festival in Park City, Utah and was the opening night film at the 2014 Hot Docs International Film Festival in Toronto, Canada. 

    We're excited the film’s director Brian Knappenberger will be our special guest speaker for the Q & A moderated by Movies that Matter series producers Judy Arthur and Perri Chasin after the screening. 

  • Koenraad Dedobbeleer lives and works in Brussels.

     

O-Tube

Lorenzo Hurtado Segovia ('07 MFA)

Jan 22, 2014
LA Times Review
Spotlight Category: Alumni

Art review: Faculty member Lorenzo Hurtado Segovia weaves a colorful landscape

Critic's Choice December 19, 2013 |By David Pagel

Last year, Lorenzo Hurtado Segovia exhibited a series of dazzling abstractions that he had made by shredding works on paper into long, skinny strips and then weaving the strips into place-mat-style paintings that simultaneously evoked digital transmissions on the fritz, plaid fabrics stretched by swinging hips and banners flapping in the wind.

This year, in a breakout exhibition at CB1 Gallery, Hurtado Segovia expands the range and intensifies the impact of his ingenious works. Making a mess of distinctions between painting and sculpture, not to mention art and craft, the L.A. artist who was born in Ciudad Juárez, Mexico, invites visitors into a world where nothing sits still — least of all, your imagination.

The high-ceilinged main gallery is one part enchanted forest and one part holy chapel. Not one of its 21 works hangs on the wall, like a painting, or takes up much space, like a traditional sculpture. Yet you’re bathed in color. And you’ll want to walk around each piece, so as not to miss the golden glow that reflects off a huge woven work suspended in midair and the gorgeous rainbow of tertiary tints that leaps from the 18 freestanding dowels, some 12 feet tall, that Hurtado Segovia has wrapped in colorful cords ordinarily used to weave rugs.

A side gallery includes fewer pieces but no less drama. Three two-sided woven paper pieces, set atop elegant pedestals, revel in the pleasure, and the power, of asymmetry. On the back wall, a big painting similarly celebrates illogic, inconsistency, impossibility. Part interior, part landscape and part street scene, it takes its place in a sophisticated exhibition that makes room for life’s multilayered richness without taking up much space or wasting a minute.

CB1 Gallery, 207 W. 5th St., (213) 806-7889, through Jan. 26. Closed Mondays and Tuesdays. www.cb1gallery.com

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